Performance Network Theatre
Address |
120 E Huron Ann Arbor, Michigan USA |
---|---|
Type | black box/proscenium |
Capacity | 140 seats |
Opened | 1981 |
Years active | 35 |
Website | |
http://www.pntheatre.org |
Performance Network Theatre, founded in 1981, was Ann Arbor, Michigan's premiere professional Equity theatre. It produced a wide variety of dramas, classics, comedies, Pulitzer Prize and Tony award-winners, many of which were World or Michigan Premieres. Its professional season included five to seven main stage productions. Other programming included seasonal productions that ran in repertory over the holiday season, the Northern Writers' Project—a week-long playwriting intensive, children's programming, the Fireside Festival of New Plays, the Open Table Series, the Open Stage series, music and more.
On December 18, 2015, the Theatre announced that it would close at the conclusion of the year.[1]
Overview
Performance Network was a 501 (c)(3) nonprofit organization that began its tenure in Ann Arbor in 1981. Performance Network became Ann Arbor’s professional theatre in September 1997 and built an elegant theatre in the heart of downtown in September 2000.
Performance Network’s primary stage, the Shure Theater, was an intimate space that seated 139 patrons.
History
David Bernstein and Jim Moran founded the Performance Network Theatre in 1981 as an arts collective. In addition to Bernstein and Moran, active collective members in the playwriting group included Lyn Coffin, Davi Napoleon, Judith Ottmar, Al Sjoerdsma and Rochel Urist. The theatre evolved into a nonprofit corporation in the mid-eighties. After the departure of the original founders, the organization continued to produce and present experimental, original and socially relevant work under the cooperative direction of Linda Kendall, Annemarie Stoll, Johanna Broughton, (and in time, Peter Knox). Eventually, the early 90's saw departures from the artistic staff leave the artistic direction in the hands of Johanna Broughton, who (along with her husband Dan Walker) led the theatre from the 'Warehouse Years' to professional status and in 2000 moved it from Ann Arbor's Washington Street location to the corner of 4th and Huron, near the Kerrytown district. In 1997, Performance Network secured a contract with Actors’ Equity and established itself as Ann Arbor’s professional theatre. In doing so, it was able to
- Increase the reputation of the Network by placing it in a higher tier of theatres nationally
- Gain access to plays of nationally recognized merit, unavailable to community theatres
- Increase artistic quality by hiring more experienced actors, directors, and designers
- Gain listing in respected theatrical publications and presentation by participating in the Michigan Equity Theatre Alliance, the National New Play Network, and Theatre Communication Group
- Expand the audience base by gaining press coverage in Southeastern Michigan publications.
In 2003, direction of the theatre was turned over to Carla Milarch and David Wolber. Under Milarch and Wolber, Performance Network excelled at choosing a wide range of artistically challenging shows and began receiving multiple awards for artistic quality. In order to continue producing high quality work Milarch decided to join Wolber in the Artistic department. In recent years, the company experienced budget shortfalls. In 2012, Performance Network switched to a dual leadership structure and hired Erin Sabo to partner with Wolber. In May 2014, the Board of Directors suspended all operations and fired the entire staff.[2] In July 2014, the Board announced that the theatre would reopen under the management of local actor-directors John Manfredi and Suzi Regan.[3][4] Under the new management team, the Network has whittled down the existing debt by approximately $150,000 with $200,000 left to go. Manfredi and Regan produced one and a half seasons. Despite excellent reviews for some of the productions,[5] both ticket sales and donations dropped precipitously.[6] In October 2015, the theatre announced that unless it could raise $50,000 before Thanksgiving, it would need to close its doors permanently. The funding campaign failed to reach its goal. In December, the staff and Board of Directors announced that the theatre company was no longer sustainable.[7]
Programs
Professional Season
The professional season included classic and contemporary plays under a Small Professional Theatre contract with Actors’ Equity Association. Performance Network strived to include a classic play, musical, and world premiere in each season. The season began in the fall and ran a full year.
Patrons could purchase a subscription to the professional season that gives them tickets at a discounted rate. Alternatively, patrons could purchase “Flex Tickets” or anytime tickets to use in any combination for any number of shows they pleased over the course of the season.
Apprenticeships and Internships
Performance Network’s Apprenticeship program offered an intensive year-long paid position. The apprenticeship offered hands-on training in the areas of stage management, house management, development, marketing, and technical theatre. Apprentices developed a well-rounded experience in all aspects of theatre management.
Internships provided applicants a comprehensive experience in all elements of professional theatre, including box office, house management, and technical and clerical skills. Unlike the apprenticeship, which allowed apprentices to experience multiple areas of theatre, interns selected which field they would like to focus on.
Staff, Board of Directors, and Associate Artists
In the Theatre's final 18 months, its staff members included:
- John Manfredi, Executive Director
- Suzi Regan, Artistic Director
- Sara Dean, Company Manager
- Meghan Bortle, Apprentice
- Melissa Mercieca, Apprentice
Past staff members include:
- Erin Sabo, Managing Director
- David Wolber, Artistic Director
- Carla Milarch, Associate Artistic Director
- Logan Ricket, Associate Development Director
- Joshua Parker, Technical Director
- Jennifer Pan, Assistant Technical Director & Graphic Designer
- Becky Fox, Director of Outreach and Education
- Anna Simmons, Company Manager & Resident Stage Manager
- Dayne White Bull, Marketing Assistant
- Justin Dietzel, Apprentice
- Eric Hohnke, Apprentice
- Jahmeel Powers, Apprentice
- Derek Ridge, Apprentice
Board of Directors
- Ron Maurer, President
- Mary Avrakotos, Treasurer
- Tom DeZure, Vice-President
- Steve Gerber, Secretary
- Ed Abbott
- Barbara Bach
- Norman Bash
- Heather Bell
- Gene Dickirson
- Hanna Goodstein
- Terry Heck
- David Herzig
- Steve Klein
- Jessica Litman
- Sheila Sasser
- Phil Stoffregen
Associate Artists
- Naz Edwards
- Monika Essen
- Sarab Kamoo
- Will Myers
- Jan Radcliff
- Chelsea Sadler
- John Seibert
- Malcolm Tulip
- Daniel C. Walker
- David Wells
- Leigh Woods
- Joseph Zettelmaier
Recent shows
The 2015-2016 season
- Who's Afraid of Virginia Woolf? by Edward Albee
- Constellations by Nick Payne [cancelled]
- The Othello Principle adapted by James Bowen and John Manfredi (canceled)
- Summer Retreat by Annie Martin (canceled)
- Pulp by Joseph Zettelmaier (canceled)
--Holiday Shows:
- Why Not Me? A Sammy Davis Jr. Story by Tim Rhoze
- Dickens: An A Capella Carol by Charles Dickens
The 2014-2015 season[8]
- Driving Miss Daisy by Alfred Uhry
- This Wonderful Life by Steve Murray
- Gift of the Magi by Annie Martin and Suzi Regan
- Yellow Man by Dael Orlandersmith
- Stones in His Pockets by Marie Jones
- Salvage by Joseph Zettelmaier
- Other Desert Cities by Jon Robin Baitz
The 2013-2014 season
- An Iliad adapted by Lisa Peterson & Denis O'Hare, based on Homer's Iliad (Michigan Premiere)
- Jerry's Girls with Music and Lyrics by Jerry Herman, Concepts by Larry Alford, Wayne Cilento, and Jerry Herman
- County Line by David Wells (World Premiere)
- Venus In Fur by David Ives (Michigan Premiere)
- Richard III by William Shakespeare
- Other Desert Cities by Jon Robin Baitz, This is a co production with the Jewish Ensemble Theatre (Michigan Premiere)(canceled)
- The Renaissance Man by Joseph Zettelmaier (World Premiere)(canceled)
The 2012-2013 Season
- The Glass Menagerie by Tennessee Williams
- A Little Night Music with Music and Lyrics by Stephen Sondheim, Book by Hugh Wheeler
- Brill by David Wells, Music by Frank Allison (World Premiere)
- Good People by David Lindsay-Abaire (Michigan Premiere)
- The Mountaintop by Katori Hall (Michigan Premiere)
- Becky Shaw by Gina Gionfriddo (Michigan Premiere)
- My Name is Asher Lev by Aaron Posner, Adapted from the novel by Chaim Potok (Michigan Premiere), a co-production with the Jewish Ensemble Theatre
The 2011-2012 season:
- Time Stands Still by Donald Margulies (Michigan Premiere)
- Ain't Misbehavin': The Fats Waller Musical Show, conceived by Richard Maltby, Jr. and Murray Horwitz
- God of Carnage by Yasmina Reza, translated by Christopher Hampton (Michigan Premiere)
- Dead Man’s Shoes by Joseph Zettelmaier (World Premiere)
- Red by John Logan (Michigan Premiere)
- In The Next Room: or The Vibrator Play by Sarah Ruhl (Michigan Premiere)
- Burn This by Lanford Wilson
The 2010-2011 season:
- Sonia Flew by Melinda Lopez (Michigan Premiere)
- The Drowsy Chaperone, Book by Bob Martin and Don McKellar, Music and Lyrics by Lisa Lambert and Greg Morrison (Michigan Premiere)
- The War Since Eve by Kim Carney (World Premiere)
- The Piano Lesson by August Wilson
- Circle Mirror Transformation by Annie Baker (Michigan Premiere)
- Next Fall by Geoffrey Nauggts (Michigan Premiere)
- Marie Antoinette: The Color of Flesh by Joel Gross (Michigan Premiere)
The 2009-2010 season:
- The Blonde, the Brunette and the Vengeful Redhead[9] by Robert Hewett (Michigan Premiere)
- Christmas Carol'd[10] by Joseph Zettelmaier (World Premiere)
- K2[11] by Patrick Meyers
- It Came From Mars by Joseph Zettelmaier (World Premiere) a co-production with Williamston Theatre[12]
- Little Shop of Horrors Book/Lyrics by Howard Ashman, Music by Alan Menken
- The Seafarer by Conor McPherson (Michigan Premiere)
- Woman Before a Glass by Lanie Robertson (Michigan Premiere)
The 2008-2009 season:
- 9 Parts Of Desire by Heather Raffo
- Geoffrey and Jeffrey by Kim Carney (World Premiere)
- Rosencrantz and Guildenstern are Dead by Tom Stoppard
- A Feminine Ending by Sarah Treem (Michigan Premiere)
- Fences[13] by August Wilson
- A Picasso by Jeffrey Hatcher (Michigan Premiere)
The 2007-2008 season:
- The Clean House by Sarah Ruhl (Michigan Premiere)
- The Baker's Wife by Joseph Stein and Stephen Schwartz
- Souvenir by Stephen Temperley (Michigan Premiere)
- Doubt by John Patrick Shanley
- The Little Dog Laughed by Douglas Carter Beane (Michigan Premiere)
- The Day Everything Went Wrong by Malcolm Tulip (World Premiere)
The 2006-2007 season:
- The Retreat From Moscow by William Nicholson (Michigan Premiere)
- The Fantasticks by Harvey Schmidt, book and lyrics by Tom Jones
- Language Lessons by Joseph Zettelmaier (World Premiere)
- Candida by George Bernard Shaw
- Amadeus by Peter Shaffer
- Dirty Blonde by Claudia Shear (World Premiere)
Affiliations
Performance Network Theatre was a member of the Theatre Communications Group (TCG),[14] the National New Play Network (NNPN),[15] Americans for the Arts,[16] the Cultural Alliance of Southeast Michigan (CASM),[17] the Ann Arbor Convention and Visitors Bureau (AACVB),[18] and the Ann Arbor Chamber of Commerce.[19] The Theatre’s activities are supported by the Michigan Council for Arts and Cultural Affairs,[20] and the National Endowment for the Arts. Their most recent affiliation was with the Blue Stone Theatre.
References
- ↑ After 34 years, Performance Network Theatre will close its doors, mlive.com, December 18, 2015
- ↑ Ann Arbor Chronicle, June 6, 2014
- ↑ Detroit Free Press, July 16, 2014
- ↑ http://annarborobserver.com/articles/backstage_drama_full_article.html
- ↑ Theater review: Performance Network's 'Who's Afraid of Virginia Woolf' is a must-see, mLive,October 10, 2015 ; Stage vets soar in Performance Network's 'Virginia Woolf', Detroit Free Press, October 14, 2015
- ↑ Crains Detroit, December 21, 2015
- ↑ Detroit Free Press December 18, 2015
- ↑ Encore Michigan July 23, 2014
- ↑ The Blonde, the Brunette and the Vengeful Redhead Review - AnnArbor.com
- ↑ Christmas Carol'd Review - AnnArbor.com
- ↑ K2 Review - Detroit News
- ↑ Williamston Theatre's Mars page
- ↑ Fences Review - Detroit News
- ↑
- ↑ National New Play Network website
- ↑ Americans for the Arts website
- ↑ CASM website
- ↑ AACVB website
- ↑ Ann Arbor Chamber of Commerce website
- ↑ MCACA website
External links
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