Pipedown (campaign)

Pipedown
Founded 1992
Focus Noise Pollution
Area served
 United Kingdom
Method Political advocacy
Website www.pipedown.org.uk

The Pipedown Campaign for Freedom from Piped Music is a UK-based environmental campaign founded in 1992 by the author and environmentalist Nigel Rodgers. It has links with the sister group in Germany[1] and other countries.

The campaign fights background music in public places such as hospitals, libraries, swimming pools, pubs, shops and restaurants. Its literature[2] describes unwanted piped music, also often called elevator music, ‘muzak’ or canned music, as any music piped without pause through a room or building where people have gone for reasons other than to listen to it. It emphasizes that it does not distinguish between different types of music, saying that all music is debased by being used as a marketing tool or acoustic wallpaper.

Pipedown's literature accepts that music when freely chosen is one of life’s greatest pleasures. But it maintains that music when forced on people can too easily become the exact opposite. In support of this view, Pipedown makes the following additional points:

History

One of the campaign’s early successes was achieved by members protesting to Gatwick Airport about the piped music played throughout there. In April 1994 the managers carried out a survey of 68,077 people.[8] Of these 43% said they disliked the piped music, 34% liked it, the rest were indifferent. Gatwick Airport then stopped background music in the main areas. Similar letter/email campaigns have subsequently persuaded supermarket chains such as Sainsbury not to install piped music. More recently, the booksellers Waterstones and the Nationwide Building Society[9] have agreed to phase it out. Pipedown members can post places – pubs, hotels, restaurants, bookshops – that are free of piped music on the Quiet Corners website.[10] The campaign has had failures too. Marks & Spencer, the Co-op and the HSBC have all refused even to consider removing the music piped through almost all their branches despite protests by Pipedown members.[11]

Attempts at Legislation

Generally, Pipedown prefers persuasion and protest to legislation but the problem of piped music has become acute in hospitals, where people lying immobilised in beds may have to endure hours of inescapable music or television. They are both a captive audience and an especially vulnerable one.[12] Realizing that these were areas where consumer choice simply did not apply – people have to visit hospitals and health centres – Pipedown turned to seeking parliamentary legislation. On 15 March 2000 Robert Key, then MP for Salisbury, introduced a bill into the House of Commons ‘to prohibit the broadcasting of recorded music in certain public places’, principally hospitals. The bill did not pass but raised the issue of piped music in Parliament.[13] On 16 June 2006 Lord Tim Beaumont, the only Green Party peer, introduced a bill to prohibit piped music and television in hospitals.[14] The bill passed in the House of Lords but Beaumont died before he could find an MP to introduce it in the Commons. The campaign has recently renewed its attempts to find an MP or MPs willing to try to introduce a similar bill. There is another if less acute problem with unwanted piped music in the workplace. People working in music-filled environments also may have no choice about the music playing non-stop through the working day, but they may not like to protest.[15]

Criticism

The campaign has been criticized on several fronts: that it is negative in spirit, even anti-music, also that it is elitist, being supported only by a minority of mostly older people who are out of touch with the commercial reality that customers demand music in most premises. Critics point to the result of experiments such as that by Professor Adrian North on the effects of different sorts of piped music on shoppers[16] which indicate that piped music affects shoppers’ habits in predictable ways. Other more recent studies are cited in support of his claims.[17]

Pipedown counters these claims by pointing to chains, such as Wetherspoons pubs, John Lewis/Waitrose, Primark, Aldi and Lidl, which all thrive free of piped music.[18] An online debate about piped music in shops started by Which? Magazine in July 2014 attracted record numbers of comments, most hating piped music in shops.[19]

Recent tweeting by Nicola Benedetti, the well known violinist, ‘Why is it necessary to subject us all to loud pop music on the plane? It’s like being forced to eat something you don’t want’[20] suggests that younger people too may hate piped music, for Nicola Benedetti is only 28. Indisputably, however, people’s dislike of all types of noise tends to rise with age, as polls suggest.

Patrons and prominent supporters

Pipedown’s aims have been publicly supported by a number of prominent individuals, some involved in music. They include Alfred Brendel, Stephen Fry, Julian Lloyd Webber, Joanna Lumley, Peter Maxwell Davies, Philip Pullman, Simon Rattle, Mark Rylance, Prunella Scales, Jake Wallis Simons, Claire Tomalin.

References

  1. ↑ "Pipedown Deutschland site". Lautsprescher Aus B.V. Retrieved 27 July 2015.
  2. ↑ "Piped Music: the Facts". Pipedown. 2013.
  3. ↑ "RNID Commissioned NOP Survey 1998". Noise Pollution Clearinghouse. Retrieved 27 July 2015.
  4. ↑ "The Sunday Times Reader Survey". The Sunday Times. 12 January 1997.
  5. ↑ "RNID Commissioned NOP Survey 1998". Noise Pollution Clearinghouse. Retrieved 27 July 2015.
  6. ↑ Meade, M. Nathaniel (November 2007). "Noise Pollution: The Sound Behind Heart Effects". Environmental Health Perspectives 115 (11): 536–537. doi:10.1289/ehp.115-a536b. PMC 2072857. PMID 18007971. Retrieved 27 July 2015.
  7. ↑ "Why at 70 is it harder to hear conversations yet music is too loud". The New York Times. 2 May 2013.
  8. ↑ Watts, Janet (1 December 1999). "No thank you for the Muzak". The Guardian.
  9. ↑ Wallis Simons, Jake (4 Feb 2013). "Piped music is the scourge of modernity". The Telegraph.
  10. ↑ "Quiet Corners Website". Quiet Corners. Pipedown. Retrieved 27 July 2015.
  11. ↑ "Pipedown newsletters (various)".
  12. ↑ Stewart, John (2011). Why Noise Matters. Earthscan. pp. 124–5. ISBN 978-1849712576.
  13. ↑ "Parliamentary Debates 1999-2000". Hansard 346: 326–7.
  14. ↑ "Parliamentary Debates 2005-2006". Hansard 683: 496–504.
  15. ↑ Stewart, John (2011). Why Noise Matters. Earthscan. pp. 126–7. ISBN 978-1849712576.
  16. ↑ North, A; Hargreaves, D; McKendrick, J (1999). "The influence of in-store music on wine selection". Journal of Applied Psychology 84: 271–76. doi:10.1037/0021-9010.84.2.271.
  17. ↑ "Music hits the right notes for business success (quoting Dr. David Lewis of Mindlab International)". MusicWorks. MusicWorks. Retrieved 27 July 2015.
  18. ↑ Watts, Janet (1 December 1999). "No thank you for the Muzak". The Guardian.
  19. ↑ Barber, Lisa. "Which shops play the most annoying background music?". Which? Conversation. Retrieved 27 July 2015.
  20. ↑ McKim, Claire (1 March 2015). "Nicola Benedetti’s in-flight pop outburst". Scotland on Sunday.
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