Antoni Pizà
Antoni Pizà (Felanitx, 1962),[1] musicologist. He is the Director of the Foundation for Iberian Music and a member of the doctoral faculty in music at City University of New York's Graduate Center.[2][3] He has curated events with some of the major musical figures of the 21st century including Charles Rosen, Philip Glass, Claire Chase, Kronos Quratet's David Harrington, and others.[4]
Bibliography
- La dansa de l'arquitecte; Muro: Ensiola, 2012; ISBN 978-8493914875
- En la república del ruido: Crónicas musicales de Nueva York; Palma: Documenta, 2012; ISBN 978-84-15432-18-0
- Nits simfòniques; Muro: Ensiola, 2010; ISBN 978-84-937129-8-3
- J.B. Sancho: Pioneer Composer of California, ed. (with William J. Summers, Craig H. Russell, and Antoni Gili); Palma de Mallorca: Universitat de les Illes Balears, 2007; ISBN 978-84-7632-342-7
- Alan Lomax: Mirades Miradas Glances; Barcelona: Lunwerg / Fundacio Sa Nostra, 2006; ISBN 84-9785-271-0
- El doble silenci: Reflexions sobre música i músics; Palma de Mallorca: Edicions Documenta Balear, 2003; ISBN 84-95694-85-9
- Antoni Literes: Introducció a la seva obra; Palma de Mallorca: Edicions Documenta Balear, 2002; ISBN 84-95694-50-6
- Bravo Joan Pons!: L’univers del baríton a Nova York (with Bartomeu Amengual and prologue by Luciano Pavarotti); Palma de Mallorca: Documenta Balear, 2001; ISBN 84-95694-23-9
- Francesc Guerau i el seu temps; Palma de Mallorca: Govern de les Illes Balears, Conselleria d'Educació i Cultura, Direcció General de Cultura, Institut d'Estudis Baleàrics, 2000; ISBN 84-89868-50-6
- El music Joan Aulí; Felanitx, Mallorca: Centre Cultural, Ajuntament de Felanitx, 1996
- The Tradition of Autobiography in Music; UMI, 1994
References
- ↑ Antoni Pizà (2003). El Doble Silenci: Reflexions Sobre Música I Músics. ISBN 84-95694-85-9.
- ↑ Foundation for Iberian Music
- ↑ City University of New York. Faculty page: Antoni Pizà
- ↑ http://music21.ws.gc.cuny.edu/about/
External links
|
This article is issued from Wikipedia - version of the Tuesday, March 15, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.