Pomba Gira

Pomba Gira

A representation of Pomba Gira
Consort of Eshu, Mistress of Witchcraft,
Venerated in Umbanda, Quimbanda
Patronage Love, homosexuals, lust, fertility, sexual desire, fire, witchcraft, revenge, black magic

Pomba Gira is the name of an Afro-Brazilian spirit evoked by practitioners of Umbanda and Quimbanda in Brazil.[1][2] She is the consort of Exu, who is the messenger of the Orixas in Candomblé. Known by many names, or avatars, Pomba Gira is often associated with the number seven, crossroads, graveyards, soul possession, and witchcraft.

Tradition

While Exu manifests and encompasses male sexuality, fertility and strength, Pomba Gira personifies female beauty, sexuality, and desire.[3] She is depicted as a beautiful woman who is insatiable. Pomba Gira is venerated with great respect and care because of her reputation for possessing great wrath. She is often invoked by those who seek aid in matters of the heart and love.[4]

Pomba Gira is noted for her connection with female and gay worshippers and is reputed to possess both women and effeminate males.[5] [6] Some representations of Pomba Gira display the characteristics of being promiscuous, talkative and vulgar. However she has many avatars, and will be more or less inclined towards that behavior depending on how she manifests herself.

Avatars

Pomba Gira manifests in the following forms:

References

  1. ↑ Ashcraft-Eason, Lillian; Martin, Darnise C.; Olademo, Oyeronke (2010). Women and new and Africana religions. Women and religion in the world. ABC-CLIO. p. 116. ISBN 978-0-275-99156-2. Said to be the spirits of the "people of the street" (povo da rua): prostitutes, conmen, and others forced by circumstance to live by their wits, exu and pomba gira spirits represent marginalized social types.
  2. ↑ Hayes, Kelly E. (August 2008). "Wicked Women and Femmes Fatales: Gender, Power, and Pomba Gira in Brazil". History of Religions 48 (1): 1–21. doi:10.1086/592152.
  3. ↑ Hayes, Kelly E. (2009). "The Dark Side of the Feminine: Pomba Gira Spirits in Brazil". In Chima Jacob Korieh. Gendering global transformations: gender, culture, race, and identity. Routledge Research in Gender and Society 16. Taylor & Francis US. pp. 119–132. ISBN 978-0-415-96325-1. Indeed, her profile is familiar to any inhabitant of the Western world, for Pomba Gira is the archetypal femme fatale, that seductive yet perilous siren depicted in pulp fiction and film noir. Possibly evil, definitely dangerous, she is the embodiment of a transgressive femininity that is at once beguiling and deadly: the dark side of the feminine.
  4. ↑ Chestnut, Andrew (2007). "Latin America's Free Market of Faith". In Steigenga, Timothy J.; Cleary, Edward L. Conversion of a continent: contemporary religious change in Latin America. Rutgers University Press. p. 87. ISBN 978-0-8135-4202-7. A married woman, for example, who suspects an acquaintance of having an affair with her husband might ask Pomba Gira to harm the other woman so that she is no longer the object of her husband's affection.
  5. ↑ Hayes, Kelly E. 2008. Wicked Women and Femmes Fatales: Gender, Power, and Pomba Gira in Brazil. History of Religions. 48 (1): 1-21.
  6. ↑ Conner, Randy P.; Sparks, David Hatfield (2004). Queering creole spiritual traditions: Lesbian, gay, bisexual, and transgender participation in African-inspired traditions in the Americas. Haworth gay & lesbian studies. Psychology Press. pp. 81–84. ISBN 978-1-56023-351-0.

External links

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