Portrait of an African Man

Portrait of an African Man
Dutch: Portret van een Afrikaanse man
See adjacent text.
Artist Jan Mostaert
Year c. 1520–1530
Type Oil on oak
Dimensions 30.8 cm × 21.2 cm (12.1 in × 8.3 in)
Location Rijksmuseum, Amsterdam

The Portrait of an African Man (Dutch: Portret van een Afrikaanse man) also known as Portrait of a Moor (Dutch: Portret van een Moor) is a painting by the Netherlandish Renaissance painter Jan Mostaert. Mostaert made the painting between c. 1520 and 1530. The exact subject of the painting has long been unclear, although numerous ideas have been put forward, including that the depicted figure is a soldier, a nobleman or Saint Maurice. The portrait is significant in that it may portray the earliest portrait of a specific black man in European painting,[1][2] though Saint Maurice, and Balthazar of the Three Kings or Biblical Magi, had long been usually portrayed as black.

Subject

If it is a portrait of a specific real individual, it appears to be the earliest known such painting of a black man in European painting.[2] The Rijksmuseum, who own the painting, have said that it might be Christophle le More (Christopher the Moor), a black archer recorded at the court of the Habsburg emperor Charles V.[2] This theory could be supported by the badge of the Virgin on his cap, which would be a souvenir from a pilgrimage to Halle.[2] He has also been said to be a member of the entourage of Margaret of Austria, Duchess of Savoy at her court in Mechelen. The posture, clothing and other details could indicate service at a European court and adaptation to their norms.[3] The English historian Kate Lowe therefore argues he is a nobleman in the service of a visitor to the court at Mechelen, or such a visitor himself.[4] Other scholars suggest that the insignia on his hat and bag may indicate possible Spanish or Portuguese origins.[5]

In 2013, Wim Pijbes, in a discussion on the Dutch folklore figure Zwarte Piet and his origins, mentions the Portrait of an African Man, saying that the figure of Zwarte Piet is traceable to at least the 16th century, and the proud black figure depicted wearing a velvet jacket and a beret shows attributes nowadays associated with the figure of Zwarte Piet.[6]

In November 2014 a different explanation was offered by the literary and medieval scholar Marie-José Govers. She claimed the figure represented Saint Maurice, a Roman soldier who by tradition came from Thebes.[7] Govers was to publish her research in 2015 but did so earlier to refute the remarks of Pijbes. She said that the figure depicted was an important man, not a servant. She bases this on the goatskin gloves, the belt which is covered with gemstones and the sword. She also adds that the sword is especially an attribute of Saint Maurice and that the pilgrim badge of Mary on his red beret makes him a Catholic. Govers adds that the time when the painting was made is also important. Govers claims this to be between 1520 and 1525. During that period Martin Luther was seen as a threat to the Catholic ruler Charles V. Luther was excommunicated by the Pope in 1520. Struggles between Catholics and Protestants were often violent. The depiction of Saint Maurice, a Christian who refused to fight against other Christians, could be related to this.[7]

The art historian and curator Esther Schreuder disagrees with Govers's findings, stating that the evidence presented by Govers is too meager. Schreuder claims the sword is a typical symbol for a soldier and that Saint Maurice is most often depicted with a holy spear.[8]

Saint Maurice

Saint Maurice was very often depicted as a black soldier in northern Europe, and the years just before Mostaert's painting had produced such depictions in altarpieces by the leading artists Matthias Grünewald (c. 1517-23) and Lucas Cranach the Elder (1522-25).[9] But the small size of the Mostaert is more typical of a personal portrait.

History

The painting was bought from art dealer Robert Noortman by the Rijksmuseum in June 2005 with financial support of amongst others the Rembrandt Foundation.[10] After the purchase the painting was exhibited in the Museum Boijmans Van Beuningen for some years due to renovations to the Rijksmuseum.[2]

References

  1. ↑ Sosha Lemmen (1 February 2012). "Ambassadeurs van het christendom – De representatieve en (politiek-)missionaire functies van portretten van zwarte mannen en vrouwen uit de 16de en vroege 17de eeuw" (in Dutch). Retrieved 24 January 2015.
  2. 1 2 3 4 5 "Portrait of an African Man (Christophle le More?), Jan Jansz Mostaert, c. 1525 – c. 1530". Rijksmuseum. Retrieved 14 January 2015.
  3. ↑ "Rijksmuseum koopt 'Portret van Afrikaanse man’" (in Dutch). de Volkskrant. 4 July 2005. Retrieved 14 January 2015.
  4. ↑ Ernst van den Boogaart (5 August 2005). "Essay: een portretwaardige slaaf" (in Dutch). De Groene Amsterdammer. Retrieved 24 January 2015.
  5. ↑ Jablonski, Nina (2012). Living Color. Berkeley, Los Angeles, London: University of California Press. ISBN 978-0-520-25153-3.
  6. ↑ "Wie is die Zwarte Piet eigenlijk?" (in Dutch). Nederlandse Omroep Stichting. 23 October 2013. Retrieved 14 January 2015.
  7. 1 2 Marie-José Govers (7 November 2014). "Niet Zwarte Piet, Mauritius in Rijks" (in Dutch). NRC Handelsblad. Retrieved 14 January 2015.
  8. ↑ Esther Schreuder (9 November 2014). "St Mauritius en het portret van Mostaert" (in Dutch). estherschreuder.wordpress.com. Retrieved 26 January 2015.
  9. ↑ the Grünewald and the Cranach
  10. ↑ "Portret van een Afrikaanse Man" (PDF) (in Dutch). Vereniging Rembrandt. Retrieved 24 January 2015.

External links

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