Potliquor

For the liquid that is left behind after boiling greens, see Collard liquor.
Potliquor
Origin Baton Rouge, Louisiana, United States
Genres Southern rock, blues rock, river blues
Years active 1969–79
Labels Janus, Capricorn, Capitol
Associated acts Basement Wall, Leon Medica, LeRoux, Legacy
Past members Jerry Amoroso: 1969-1979
George Ratzlaff: 1969 - 1973
Guy Schaeffer: 1969 - 1979
Les Wallace: 1969 - 1973
Mike McQuaig: 1974 - 1979
Steve Sather: 1979

Potliquor, or sometimes erroneously referred to as "Pot Liquor", was a 1970s rock group from Baton Rouge, Louisiana. The band was formed by George Ratzlaff and Guy Schaeffer after the breakup of a successful cover band called "THE BASEMENT WALL". Like several other bands of the American South, their musical style was a synthesis of influences like Little Richard, Ray Charles, Jimmie Reed, and more leading them to become a part of the nascent Southern rock genre. Potliquor released four albums plus a compilation album but had only one hit single written and sung by George Ratzlaff.

Potliquor was a top regional touring band during the early 1970s, and although they made several national tours with prominent rock groups of the time, they never became the headliner of their own tour, but did headline specific shows with some surprising opening acts, like ZZ Top, Aerosmith, and Billy Joel. The group suffered through internal conflicts after the death of their manager in 1973, and after several personnel changes, they were never able to recover the momentum built up through 1970-1973 to reach national prominence like some of the big name bands and individuals they performed with. The Allman Bros. Billy Joel, REO Speedwagon, Ray Charles, Lou Rawls, Aerosmith, Cactus, ZZ Top, BB King, Faces, Lou Rawls, and many more. They held the dubious distinction of being the only band booked to play the Fillmore West just before it closed forever. The promotional posters remain until now.

Name

Potliquor took its name from the term "pot liquor" which is the broth that is left after cooking vegetables and meats.[1] In the South, it is commonly drunk or otherwise used rather than being thrown away.[2] While many argue that the traditional spelling of "potlikker" is correct,[3] "pot liquor" has become the acceptable form. This was only one of many references to their region and state of origin that Potliquor made in their work.

Influences and Style

Potliquor played a south Louisiana-tinged version of Southern rock. Combining references to their native Louisiana in many of their album and song titles and lyrics ("Down the River Boogie", "Ol’ Man River", "Riverboat", "Levee Blues", "Waiting for Me at the River", "Louisiana Rock & Roll", "Red Stick", "Louisiana Lady") with lead singer George Ratzlaff’s powerful, gospel/soulful voice, Potliquor became a part of the Southern rock wave of the early 1970s. Much of their music was blues-based as revealed in song titles such as "Levee Blues", "Rooster Blues", "Taj and Johnny’s Blues", "St. Jude’s Blues", and several songs were gospel-based ("When God Dips His Love in My Heart", "Beyond the River Jordan", "H", "St. Jude’s Blues").

Martin Popoff wrote a review printed in the book Southern Rock Review of Potliquor’s first album. His comments though were particularly aimed toward the music of the first album.

The band's sound is a hotbed of cool southern traditions crossed with the psych stylings of the Guess Who and the Hammond hard rock of Deep Purple. Many attractions along the way: the band's cover of "You're No Good" is bruisingly power-chorded almost to Sabbatherian levels (in the mean time kicking Van Halen's dopey take outta bed), or at least hard Fireball-era Purple. Edgar Allan Poe's "The Raven" gets a damp and creaky House Of The Rising Sun-type treatment, all creeped out toward Steppenwolf and Iron Butterfly with harsh electric guitar soloing. "Old Man River" swings right round the other way, reverential, deep-seated although slightly affected. Originals are just as diverse, pioneering and often heavy. Opener "Down The River Boogie" is a proto-southern rocker built on a gentle riff but a riff nonetheless. "Riverboat" and "Price 20 Cents A Copy" are fast James Brown-type showy tunes buoyed by the band's patented harmonies and raucous arrangements. And wiggin' right out is "Toballby", a committed Deep Purple jam complete with an eclectic Paicey-style drum solo. Bit of a roll call there, but the point is, this thing is sequenced for driving pleasure. Potliquor finding fortune at the crossroads between late 60's hard rock, the newly emerging southern sound combining gospel, boogie and the blues, and the last vestiges of foggy proggy psyche.[4]

History

Beginnings

Formed in 1969 in Baton Rouge, Louisiana, Potliquor was originally composed of George Ratzlaff (keyboards, rhythm guitar, vocals), and Guy Schaeffer (bass, vocals). The group auditioned drummers and guitarist and chose Jerry Amoroso (drums, percussion, vocals) and Les Wallace (guitar, vocals). Each of the members was a veteran of the Baton Rouge music scene. Ratzlaff, and Schaeffer in fact, had been members of the Basement Wall, the highest-paid cover band in the South during the late 60s, according to the Louisiana Entertainment Association.[5] Jim Brown, a local promoter and owner of a Baton Rouge club, the Speakeasy, was uniquely instrumental in the formation of the band often and arranged the "name-the-band-contest" that resulted in Potliquor’s naming.[6]

When the New Orleans Pop Festival was being planned Jim Brown offered to coordinate acts and times on stage. This enabled him to place his act, Potliquor, in a prime time slot on Saturday night of the festival. The New Orleans Pop Festival, held August 30 - September 1, 1969—only two weeks after the Woodstock Music Festival—at the Louisiana International Speedway in Prairieville, LA about 65 miles up the Mississippi River from New Orleans. Reports of attendance varied greatly. Some saying 25,000 - 30,000 and other believe it to have been well over 100,000 people, the festival boasted an impressive amount of national talent, including five veterans of Woodstock—Janis Joplin, the Grateful Dead, Santana, Jefferson Airplane, Country Joe and the Fish—along with Canned Heat, the Byrds, the Youngbloods, Iron Butterfly, Oliver, It's a Beautiful Day, Chicago, Lee Michaels, Spiral Starecase, and Tyrannosaurus Rex (before they were renamed T. Rex).[7][8]

1970

Potliquor helped headline the smaller Festival of Man and Earth in May 1970, held in the Baton Rouge area with Ginger Valley, Goat Leg, Eternity's Children, Bloodrock, Ox, and the Ides of March also performing.[9]

By early September, Potliquor had signed with Janus Records, a subsidiary of the GRT Corporation.[10] On a small, full-color ad on the front page of the September 26, 1970 edition of Billboard, Janus describe Potliquor as a "river blues" group from Baton Rouge who "created a sensation at the New Orleans Pop Festival and were sought after by many record labels..." and who were about "to embark on their first national tour."[11] Officially released by Janus Records in November,[12] Potliquor's debut album, First Taste, had been recorded in the previous months at Baton Rouge's Deep South Recording Studio, produced by manager Jim Brown, and engineered by Cy Frost.[13] It got a very favorable review by Bob Glassenberg of Billboard, who ended the review with "It should hit with impact."[14] About a month later, Glassenberg reviewed a live performance by Potliquor at the Village Gate club in Greenwich Village, New York, calling the group "a hard rock group" with "tinges of the Bayou country on every song." He described them as "stylistically unique" and concluded by saying that they were "a good, energetic new group on the pop scene."[15]

1971

While the beginning of 1971 saw Pye Records' progressive label Dawn, release First Taste in the United Kingdom and Europe,[16] Potliquor was back in Baton Rouge beginning work in February on their second album, Levee Blues, at the Deep South Recording Studios, but this time even though Jim Brown's title on the album remained 'producer' he turned over the real responsibilities to Cy Frost, a genius in his own right.[17]

Another tour took the group back to the west coast where they appeared with the Joy of Cooking and Hugh Masekela and the Union of South Africa on April 3, 1971 on a special program, Calebration, on a San Francisco, California TV station. This special, held in conjunction with the Bay Area Hi-Fi Show had radio stations in San Francisco, San Jose, and Los Angeles broadcasting a quadraphonic stereo signal.[18][19][20] Later in the month, the group was booked to perform at Winterland (Bill Graham’s larger, alternative venue to the Fillmore West) in San Francisco with Ten Years After and Cactus on April 30 - May 1, 1971, but this performance was never to be as both venues shut down. The promotional poster and other advertising as already in place but the concert never happened.[21]

Although the new album was scheduled to be completed in May,[22] it wasn't until August that Potliquor completed work on Levee Blues,[17] and the LP was released at the end of 1971.

At this point, things were looking very promising for Potliquor. Billboard reported in September that a U.K. tour was in the planning stages[23] and Chess/Janus Records executives were publicly stating their plans to promote Levee Blues.[24] An article in the December 25, 1971 Billboard, which described the evolving strategy of emphasizing album promotion over purely album sales, quoted the newly hired Chess/Janus Records promoter Don Graham as saying that Potliquor was his special project and that he was convinced that he could break them nationally. "I've got until January to make Potliquor tomorrow's hero. Thank God I've got something to work with."[25] Additionally, Potliquor's Levee Blues was one of six Chess/Janus albums which were promoted in a full page ad in Billboard.[26] Billboard ended a good year for Potliquor by describing Levee Blues as having "...the heavy material and performance to break them into the chart with solid sales impact. Group of the south is really together with their own rockin' with strong cuts..."[27]

1972

The future continued to look bright for Potliquor as 1972 began with Billboard singling out Potliquor's new single, "Cheer", off the Levee Blues album, as having the potential to "make a heavy dent on the Billboard Hot 100 chart."[28] Marvin Schlachter, the president of Chess/Janus, publicly praised Potliquor's potential: "We just released a cut from their Levee Blues LP as a single because we found that that cut 'Cheer' was receiving a great deal of play from air personalities across the country. ...We have a strong artist roster… Artists such as Potliquor...are examples of the newer artists that we have...".[29]

By the beginning of February, "Cheer" had broken into Billboard's Hot 100 chart.[30] Touring in support of the Levee Blues album with Savoy Brown, Potliquor ended the tour in Los Angeles[31] where they performed at the Whiskey A Go Go on February 24, 1972.[32][33] This performance received national publicity when Billboard described their performance as "truly foot-itching, get-up-and-dance music" and described the band as having paid "their dues with years of minor deep-South gigs."[34]

After a month and a half, "Cheer" reached its highest position at number 65 on the Billboard Hot 100 on March 18, 1972.[35] Few weeks later, "Cheer" recorded its final week at number 87 after being on the chart for 11 weeks.[36]

At the beginning of March, Potliquor started a six-week tour[37] with Bloodrock and Cactus[38] with a break in the schedule to appear at the Mar Y Sol Pop Festival in Puerto Rico on April 1–3, 1972. Other notable artists appearing at the festival were Alice Cooper, the Allman Brothers Band, B. B. King, Billy Joel, Brownsville Station, Cactus, Dave Brubeck, Emerson Lake and Palmer, Faces, the J. Geils Band, Long John Baldry, Herbie Mann, and the Mahavishnu Orchestra with John McLaughlin.[39]

By the middle of the year, record executives were feeling very positive about Potliquor's future. The group appeared on the Real Don Steele [TV] Show on June 18, 1972, with Peter Yarrow and Billy Joel.[40] Chess/Janus President Marv Schlachter announced that the merger of the Chess, Janus, and GRT records labels, the hiring of national promotion and college/FM exploitation staff, and a stable of solid talent had turned the bottom line of the company around. He made the claim that they had broken Potliquor nationally.[41]

Before heading back to the studio, Potliquor played with Uriah Heep and Long John Baldry at the Sunshine Inn in Asbury Park, New Jersey, on June 27, 1972.[42] Back at home, Potliquor had two notable appearances, performing at City Park in New Orleans, Louisiana, where they closed down WRNO-FM's Day in the Park concert on July 23, 1972, playing several songs with fellow southern rock musicians Dickey Betts and Greg Allman,[43] and on August 24, 1972, at Baton Rouge's Independence Hall with REO Speedwagon.[44]

While Potliquor appeared in December on the Real Don Steele Show's "Salute to the Hits of 1972" special,[45] work was being completed on their third album.

1973

Louisiana Rock & Roll was released in January 1973,[46][47] again produced by Jim Brown and engineered by Cy Frost.[48] Chess/Janus supported the new LP with a full-color advertisement across the bottom of Page 1 of the February 10, 1073 edition of Billboard[46] and a full page B&W advertisement promoting 11 new albums from the artists, including Potliquor.[49]

The first part of 1973 saw Potliquor in concert with Boz Scaggs,[50] but on May 3, 1973, Potliquor was involved with a very unusual concert, particularly for the time. The group played at a Youth Concert at the Pete Maravich Assembly Center with the Baton Rouge Symphony Orchestra, each playing separate sets and then combining for Potliquor music backed by the orchestra. This was one of the first instances of a rock group performing live with a symphony orchestra.[51]

The middle of the year saw Potliquor in concert with several different bands in different venues: the Eagles and the Charlie Daniels Band at The Warehouse in New Orleans;[52] Black Oak Arkansas at the Monroe Civic Center in Monroe, Louisiana;[53][54] in Rapid City, South Dakota;[54] at Independence Hall in Baton Rouge with Steely Dan and Gladstone;[55] and with Wishbone Ash in El Paso, Texas.[56]

Dissolution

At some point in 1973, however, things started going downhill for the group. The band's long-time manager and record producer, Jim Brown died in a car accident. Apparently Brown was the group's peacemaker, and with his death, the band became embroiled in internal conflicts. Local musician, Leon Medica, later of LeRoux, had been filling in from time-to-time for bass player, Guy Schaeffer. He, in fact, substituted for Schaeffer on two tracks during the Levee Blues recording sessions and during some of the Louisiana Rock & Roll sessions and played with Potliquor, at the very least, for the May 3, 1973 concert with the Baton Rouge Symphony. After Brown's death, Schaeffer was dropped from the group. Several members of a local Baton Rouge group, the Warbabies, were added, and drummer Jerry Amoroso was also dropped from the band. According to Amoroso, he held the copyright on the name "Potliquor", but George Ratzlaff owned the publishing company and the entire catalog of original songs from the first 3 albums.[57]

Re-formation

Amoroso called up former bandmate Schaeffer and with local guitarist Mike McQuaig re-formed Potliquor. However, the loss of Ratzlaff’s distinctive voice and of the songwriting talents of Ratzlaff (11 of 14 of the original songs on the first three albums were written by Ratzlaff with additional written by all four members, 2 by Wallace) made this version of Potliquor quite different in nature from the first. Through 1977, there were no national or regional tours and no promotional efforts on behalf of Chess/Janus Records. Emerging as the group’s leader, Amoroso flew to New York, New York to sell a record company on a recording deal for the group but to no avail. Finally in early 1977, Potliquor signed a contract with Capricorn Records and released the single, "New York City You Ain’t" in March 1977.[57] This effort led to no direct success for the band, but eventually Amoroso, Schaeffer, Mike McQuaig, and new guitarist Steve Sather went into the Studio in the Country in Bogalusa, Louisiana to record their eponymous album Potliquor which was released in 1979 by Capitol Records.[58] Unfortunately, the new radio-friendly style lacked not only the old southern rock groove but failed to get any Top-40 traction, and the new band broke apart soon after.

Retrospective

Potliquor was one of the early groups of the new genre of music that came to be known as Southern rock. Incorporating a blending of elements of differing native musical styles and the inclusion of lyrics and titles from their southern Louisiana, Potliquor was a group of originality and creativity. They entered the business of rock music at a crucial time where much was possible, and they rubbed shoulders with many groups who would become immensely successful. (Potliquor played gigs where Aerosmith, ZZ Top, and Billy Joel opened for them, according to Ratzlaff, "but they were young then.")[5] However, Potliquor’s regional musical style and relatively small record label worked against them. The group’s disintegration in 1973 ended a very promising career, and by the time, the group was re-formed a few years later, their window of opportunity had closed.

Album Art and Cultural References

As previously stated, Potliquor and its musical content and style are integrally connected to its Southern U.S. and south Louisiana culture. Potliquor's choice of album art also makes explicit its geographic and cultural foundations.

Discography

First Taste

First Taste
Studio album
Released November, 1970
Recorded Deep South Recording Studio
Genre Southern rock, blues rock, river blues
Length 39:18
Label Janus
Producer Jim Brown

Album History

While First Taste never quite broke onto the Billboard album chart, the magazine did report in mid October/early November 1970 that "Riverboat", a single from the album was being played at the University of Wisconsin radio station[59] and at Queens College in Queens, New York[60] and again in early November that the album was receiving airplay by radio stations run by Southern Methodist University and the University of Minnesota.[61] They also posted a notice later in the month that the GRT Corporation, the corporate owner of Janus Records, was generating "much excitement behind its debut album by Potliquor, 'First Taste'" in Toronto, Canada.[62]

Track listing

Personnel

Levee Blues

Levee Blues
Studio album
Released 1972
Recorded Deep South Recording Studio
Genre Southern rock, blues rock, river blues
Length 34:53
Label Janus
Producer Jim Brown

Album History

Work on Levee Blues began in February 1971 at Deep South Recording Studio, and even though it had been planned for release in May, the band did not complete recording until August 1971 with the album release coming in December. Chess/Janus announced that they would be promoting the new album for Christmas sales, and the company took out a full page ad in Billboard in December to promote five of its new albums, including Levee Blues. A good review in Billboard foreshadowed a successful run by Levee Blues. Billboard reported airplay in Kalamazoo, Michigan;[63] Chico, California;[64] De Kalb, Illinois;[65] Long Beach, California;[66] and Bridgeport, Connecticut[67] in the first two months of 1972, and the album hit the Billboard chart at #208 at the end of January.[68] "Cheer", a cut from the album was released quickly because of the early airplay it had been getting from national disc jockeys and entered the Billboard Hot 100 at #98 on February 12, 1972. Five weeks later, a constant increase in sales lifted Levee Blues to #168 and "Cheer" to #65.[69][70] This would be the high water mark for both the album and single. The album was reported as still getting airplay in Livonia, Michigan[71] at the end of the year.

Track Listing

Personnel and Production

Louisiana Rock & Roll

Louisiana Rock & Roll
Studio album
Released January, 1973
Recorded Deep South Recording Studio
Genre Southern rock, blues rock, river blues
Length 39:36
Label Janus
Producer Jim Brown

Album History

Louisiana Rock & Roll was released in early 1973, probably in January. At least one newspaper had begun reporting Louisiana Rock & Roll's release at the end of January,[72] and by early February 1973, Janus Records had placed a full color ad across the bottom of the front page of Billboard Magazine promoting new albums by three of their artists, including Louisiana Rock & Roll.[46] A week later, a full page advertisement appeared in Billboard concerning new albums by eleven Chess/Janus artists, among them being Potliquor's new LP,.[49] In fact, an early release of "Waiting for Me at the River", a single from the album, had been reported as a regional breakout in New Orleans in October of the previous year.[73] By the end of March, Billboard was reporting considerable airplay for Louisiana Rock & Roll in Valdosta, Georgia; Los Angeles, California; Hartford, Connecticut;[74] St. Charles, Missouri;[75] Paris, Texas; Denver, Colorado;[76] and Toronto, Canada.[77] "H", another single from the album, was reported being played in Lewisburg, Pennsylvania in the middle of March 1973.[78]

Track Listing

Personnel and Production

Potliquor

Potliquor
Studio album
Released 1979
Recorded Studio in the Country
Genre Southern rock, blues rock, river blues
Length 36:53
Label Capitol
Producer Bill Evans

Album History

With no music released and/or seeing radio play since 1973, things were not looking very positive for the new lineup of Potliquor, now a three-man group composed of drummer Jerry Amoroso, bassist Guy Schaeffer, and guitarist Mike McQuaig. Amoroso flew to New York City to attempt to get a second chance at a recording contract, but to no avail. His disappointment led to the writing of "New York City You Ain't". Armed with a new song, Amoroso successfully negotiated a record deal with Capricorn Records early in 1977. With this new record label support, Potliquor released the song as a single in March 1977, but the lack of substantive airplay and sales scuttled plans for a new album.[79]

It wasn't until 1979 when, free of their Capricorn contract, Potliquor went into Studio in the Country to record their fourth album, Potliquor. It had moderate success.

In a national feature "Pop Scene - Here's the Answer" provided by the United Feature Syndicate based in New York, New York, a newspaper reader from Santa Monica, California wrote in to inquire about Potliquor, having heard "Louisiana Lady", a single from the Potliquor album. The feature responded that "Capitol is giving the group new life, and is promoting them as if they were recently formed."[80]

Track listing

Personnel and Production

The Best of Potliquor

The Best of Potliquor
Studio album
Released 2008
Recorded Deep South Recording Studio & Studio in the Country
Genre Southern rock, blues rock, river blues
Length 78:22
Producer Jim Brown and Bill Evans

In 2008, a compilation album, The Best of Potliquor, was released. Of the 21 songs, 14 were from the first three albums with the original lineup, four were from the Potliquor album with the new lineup, and "New York City You Ain’t", "Luzianne", and "Ridin’ On the Rolls" were on none of the previous albums.

Track listing

Singles

A Side B Side Album Single Release Comments
Riverboat Down the River Boogie First Taste 1971 None
You're No Good Price 20 Cents a Copy First Taste 1971 None
Cheer Chattanooga Levee Blues 1972 Cheer, which peaked on the Billboard Hot 100 chart at #65, was not originally planned for the Levee Blues album; it was the result of a studio jam session after the album was thought to be complete.[17]
Levee Blues Beyond the River Jordan Levee Blues 1972 None
Waiting for Me at the River Levee Blues Louisiana Rock & Roll 1973 None
"H" St. Jude's Blues Louisiana Rock & Roll 1973 None
New York City You Ain't Luzianne None 1976 The relative lack of commercial success by this single resulted in cancellation of the planned album.
Oh So Long Unknown Potliquor 1979 None

Recognition and Awards

References

  1. ↑ "Pot Liquor". Dictionary.com. Retrieved 28 February 2015.
  2. ↑ Weinzweig, Ari (April 16, 2009). "Potlikker: From Slave Plantations to Today". The Atlantic.
  3. ↑ "Pot Liquor or Potlikker?". New York Times. February 23, 1982.
  4. ↑ Popoff, Martin (2001). Southern Rock Review. Burlington, Ont.: Collector's Guide Pub. ISBN 9781896522739.
  5. 1 2 McBride, Jane (June 10, 2005). "The Basement Invasion - Inspired by British invaders like John, Paul, George and Ringo, four Baton Rouge lads who called themselves The Basement Wall made one groovy '60s cover band; Group to reunite for hall of fame gig". The Beaumont (TX) Enterprise. p. A1.
  6. ↑ LaRose, Phil (April 14, 1977). "A Second Try at the Big Time". The Baton Rouge (LA) Advocate. p. 4-FUN.
  7. ↑ Gilbert, Calvin (September 1, 1989). "20 Years Ago". Baton Rouge (LA) Advocate.
  8. ↑ Anders, Smiley (May 5, 2009). "Recalling our own Woodstock". Baton Rouge (LA) Advocate. p. 1-B.
  9. ↑ Broussard, Mary (September 7, 1993). "Beach Sees New Life as Home Sites". Baton Rouge (LA) Advocate. pp. 1B–2B.
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  12. ↑ "New Album Releases". Billboard: 41. November 14, 1970. Retrieved February 6, 2015.
  13. ↑ First Taste (LP). Potliquor. 1970.
  14. ↑ Glassenberg, Bob (October 17, 1970). "Album Reviews". Billboard: 34. Retrieved February 6, 2015.
  15. ↑ Glassenberg, Bob (November 14, 1970). "Talent in Action". Billboard: 25. Retrieved February 6, 2015.
  16. ↑ "From the Music Capitals of the World". Billboard: 52. November 14, 1970. Retrieved February 6, 2015.
  17. 1 2 3 Levee Blues (LP). Potliquor. 1971.
  18. ↑ "Quadraphonic Stereo Scheduled". Fremont (CA) Argus. March 28, 1971. pp. 12–Z.
  19. ↑ "Marin County Weekly TV Log". San Rafael (CA) Daily Independent Journal. April 3, 1971. p. 50.
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  23. ↑ "Committee to Advise Chess Releases in U.K.". Billboard: 41. September 25, 1971. Retrieved February 6, 2015.
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  29. ↑ "Schlachter Sees Trade Cutting Output, Accenting Concentration". Billboard: 4. January 22, 1972.
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  31. ↑ "'Ingenuity and Emphasis Helps Make Hits': Graham". Billboard: 23. December 25, 1971.
  32. ↑ Mendoza, Henry (February 22, 1972). "Make Way for Coven, an Excellent, Stylish New Rock Quintet". San Bernardino County (CA) Sun. pp. B–5.
  33. ↑ "The Music Capitals of the World". Billboard: 18. February 26, 1972.
  34. ↑ Freedland, Nat (March 11, 1972). "Talent in Action". Billboard: 24.
  35. ↑ "Billboard Hot 100". Billboard: 58. March 18, 1972.
  36. ↑ "Billboard Hot 100". Billboard: 64. April 15, 1972.
  37. ↑ "Home Again". The Baton Rouge (LA) Advocate. April 16, 1972. p. 5-E.
  38. ↑ "Bloodrock Set for Thursday". San Antonio (TX) Express. April 4, 1972. p. 9-A.
  39. ↑ "Mar Y Sol Pop Festival". Mar Y Sol Pop Festival. Retrieved 28 February 2015.
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  42. ↑ "Uriah Heep Historical Giglist". Uriah Heep. Retrieved 28 February 2015.
  43. ↑ "Potliquor Induction". Louisiana Music Hall of Fame. Retrieved 1 March 2015.
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  45. ↑ "TV Listing". Long Beach (CA) Independent Press-Telegram. December 9, 1972. p. 20.
  46. 1 2 3 "Advertisement". Billboard: 1. February 10, 1973.
  47. ↑ "RPMs-Steve Goodman's New Album is Out". Terre Haute (IN) Tribune. January 27, 1973. p. 15.
  48. ↑ Louisiana Rock & Roll (LP). Potliquor. 1973.
  49. 1 2 "Advertisement". Billboard: 7. February 17, 1973.
  50. ↑ "Advertisement". Lubbock (TX) Avalanche-Journal. March 22, 1973. p. 16-D.
  51. ↑ "'Potliquor' to Perform At Youth Concert Show". Baton Rouge (LA) State-Times. May 3, 1973. pp. 9–B.
  52. ↑ "Concerts at The Warehouse". Classic Rock Concerts. Retrieved 1 March 2015.
  53. ↑ "Advertisement". Monroe (LA) News-Star. June 13, 1973. p. 22.
  54. 1 2 "Who/Where/When". Billboard: 19. June 23, 1973.
  55. ↑ "Rock Concert". Baton Rouge (LA) Advocate. September 16, 1973. pp. 9–E.
  56. ↑ "33 1/3". El Paso (TX) Prospector. October 25, 1973. p. 4.
  57. 1 2 LaRose, Phil (April 14, 1977). "A Second Try at the Big Time". Baton Rouge (LA) Advocate.
  58. ↑ Potliquor (LP). Potliquor. 1979.
  59. ↑ "Campus News". Billboard. October 17, 1970.
  60. ↑ Glassenberg, Bob (November 7, 1970). "Campus News". Billboard.
  61. ↑ Glassenberg, Bob (November 7, 1970). "Campus News". Billboard: 30.
  62. ↑ "From the Music Capitals of the World". Billboard: 86. November 21, 1970.
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  64. ↑ Glassenberg, Bob (January 29, 1972). "What's Happening". Billboard: 29.
  65. ↑ Glassenberg, Bob (February 5, 1972). "What's Happening". Billboard: 33.
  66. ↑ Glassenberg, Bob (February 12, 1972). "What's Happening". Billboard.
  67. ↑ Glassenberg, Bob (February 12, 1972). "What's Happening". Billboard: 45.
  68. ↑ "Bubbling Under the Top LPs". Billboard: 29. January 29, 1972.
  69. ↑ "Top LPs and Tape". Billboard: 58. March 25, 1972.
  70. ↑ "Billboard Hot 100". Billboard: 57. March 25, 1972.
  71. ↑ Sutherland, Sam (December 23, 1973). "What's Happening". Billboard: 21.
  72. ↑ "RPM's - Steve Goodman's New Album is Out". Terre Haute (IN) Tribune-Star. January 27, 1973. p. 3A.
  73. ↑ "Action Records". Billboard. October 7, 1972.
  74. ↑ "FM Action". Billboard. February 17, 1973.
  75. ↑ Sutherland, Sam (March 3, 1973). "What's Happening". Billboard: 46.
  76. ↑ "FM Action Picks". Billboard: 106. March 3, 1973.
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  78. ↑ Sutherland, Sam (March 10, 1973). "Campus News". Billboard: 25.
  79. ↑ LaRose, Phil (April 14, 1977). "A Second Try at the Big Time". The Baton Rouge (LA) Advocate.
  80. ↑ "Pop Scene - Here's the Answer". Salina (KS) Journal. United Feature Syndicate. December 30, 1979.
  81. ↑ McBride, Jane (June 10, 2005). "The Basement Invasion - Inspired by British invaders like John, Paul, George and Ringo, four Baton Rouge lads who called themselves The Basement Wall made one groovy '60s cover band; Group to reunite for hall of fame gig". The Beaumont (TX) Enterprise. pp. A1.
  82. ↑ "Potliquor Induction". Louisiana Music Hall of Fame. Retrieved 28 February 2015.
  83. ↑ Brasted, Chelsea (October 23, 2013). "Potliquor inducted into La. Music Hall of Fame". The (New Orleans) Times-Picayune.
  84. ↑ "Grammy Awards 1982". Awards and Shows Web Site. Retrieved 28 February 2015.
  85. ↑ Ross, C. W. "Legacy--Foot Of The Cross". Faith Writers Web Site. Retrieved 28 February 2015.

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