Ranganatha
Ranganatha அரங்கநாதர் రంగనాథ | |
---|---|
Jaganmohana Ranganatha at Shivanasamudra | |
Devanagari | रङ्गनाथ |
Affiliation | Deva, aspect of Vishnu |
Abode | Vaikunta, Ksheera Sagara |
Weapon | Sudarshana Chakra and the Kaumodaki |
Consort | Ranganayaki |
Mount | Garuda |
Ranganātha (Tamil: அரங்கநாதர், Sanskrit : रङ्गनाथ) also known as Sri Ranganatha, Aranganathar, Ranga and Thenarangathan is a Hindu deity, more well known in South India, and the chief deity of the Sri Ranganathaswamy Temple, Srirangam. The deity is a resting form of Lord Vishnu, recumbent on the great form of the serpent god Adisesha, one of the foremost of Hindu Gods. His consort is Goddess Lakshmi, also known as Ranganayaki Thayar (mother in Tamil). His two other consorts seen next to his recumbent figure are Bhudevi and Nila Devi. Most of the deities portray a 'smiling' lord in a reclining position over the celestial serpent Adisesha in the sea of cosmic dissolution (pralaya).[1] This is the form in which he is open to listening to all of his devotee's woes, and blesses them. Apart from being worshipped by all Hindus, this form is of particular importance to the Sri Vaishnava community.[2][3] His name in Tamil means "leader of the place of assembly", coined from two Tamil words 'Arangam' and 'Nathan'. This temple is of particular interest for scholars in the south because of the vast history attached to it in shaping the religion in the south. However, the lack of proper mention about this temple or Lord Vishnu as "resting on a bed of snake in an ocean of milk" in the "Puranas", the Vishnu Sahasranama or other Sanskrit texts pertaining to North India makes it a center of lesser importance in the north.
Symbolic representation of Ranganatha and Nataraja has been compared as the meaning of both is the same except for their locations. In Ranganatha, ‘Ranga’ means "stage" and which in the broadest sense refers to "the world, the cosmos or better still of the body and the senses". Nataraja also means the "Lord of the Stage" and in this case his stage is in ‘Chidambaram’ meaning the "sphere of wisdom", while Ranganatha rests on the milkyway, which is a metaphysical or esoteric concept which is not easy to interpret as it is perceived in different ways by different people.[4]
Temples
The Pancharanga Kshetrams are the five most sacred Ranganatha temples which are located on the banks of the Kaveri River, also spelled as Cauvery. The five Pancharanga Kshetrams in the order of their successive locations, on the banks of the Kaveri River are: The Srirangapatnam (Karnataka) called the Adi Ranga, the first temple on the banks of the Kaveri River from the upstream side; the Srirangam, Trichy in Tamil Nadu known as Adya Ranga (the last temple), Appalarangam or Koviladi at Tiurppernagar in Tamil Nadu, and Vatarangam at Sirkazhi. The Sarangapani temple at Kumbakonam is mentioned in place of Vatarangam in some references.[5][6]
Parasara Batttar, well known poet of the times who has written a commentary on "Vishnu Sahasranama" (thousand names of Lord Vishnu) has noted the beautiful image of Ranganatha at Srirangam temple as ornamented with basil (tulsi) garland on the chest (favorite of Vishnu), Kaustubha, Vaijayanthi hara (a necklace) and a few other ornaments, which once formed the divine jewelry of Krishna, the avatar (incarnation) of Vishnu, are also decorating the image of Ranganatha.[7]
The Ranganatha temple is also the religious center of Sri Vaishnavism propagated by Saint Ramanuja from Srirangam. The temple worship at the Ranganatha Swamy temples is done traditionally in the Tamil and Sanskrit scriptures written by the 12 Alvars and Ramanuja.[8]
Also, Kaveri River forms three small sacred islands in its river stretch in Karnataka and Tamil Nadu at Adi Ranga, at Srirangapatna, Madhya Ranga at Sri Ranganathaswamy Temple, Shivanasamudra and Antya Ranga or Adya Ranga at Srirangam where Ranganatha temple is located.[9] There are many other Ranganatha temples spread over many towns and villages of South India and to mention a few are: Pallikonda Ranganatha where his three consorts Shri Devi, Bhudevi and Nila Devi are also deified next to Ranganatha; At Singavaram, a rock cut reclining image of Ranganatha, which measures 7.5 metres (25 ft).[6] Also among the 108 Divya Desams (sacred places of worship of Lord Vishnu), Ranganatha or the reclining posture of the God can be found in many temples. Some of these temples are at Thirumayam, Thirukoshtiyur, Koviladi, Kapisthalam, Thiruneermalai, Tiruvallur, Anbil, Appokudathan, Mayiladuthurai, Srivilliputhur, and Padmanabhaswamy Temple at Tiruvanathapuram. Other notable temples of Ranganatha are at Nellore, Namakkal and Bangalore.
References
- ↑ James G. Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism: Volume Two. The Rosen Publishing Group. pp. 643–. ISBN 978-0-8239-3180-4. Retrieved 12 December 2012.
- ↑ Srinivasan (15 June 2011). Hinduism For Dummies. John Wiley & Sons. pp. 57–. ISBN 978-1-118-11077-5. Retrieved 12 December 2012.
- ↑ Deshpande 2005, pp. 263-64.
- ↑ Symbolism In Hinduism. Chinmaya Mission. 1983. pp. 102–103. ISBN 978-81-7597-149-3. Retrieved 13 December 2012.
- ↑ Subodh Kapoor (2002). The Indian Encyclopaedia: Timi-Vedic Age. Cosmo Publications. ISBN 978-81-7755-280-5. Retrieved 13 December 2012.
- 1 2 Dalal 2011, p. 339.
- ↑ T. Padmaja (1 January 2002). Temples of Kr̥ṣṇa in South India: History, Art, and Traditions in Tamilnāḍu. Abhinav Publications. pp. 73–. ISBN 978-81-7017-398-4. Retrieved 13 December 2012.
- ↑ Constance Jones; James D. Ryan (1 January 2007). Encyclopedia of Hinduism. Infobase Publishing. pp. 545–. ISBN 978-0-8160-7564-5. Retrieved 14 December 2012.
- ↑ Deshpande 2005, pp. 264-265.
Bibliography
- Roshen Dalal (5 October 2011). Hinduism: An Alphabetical Guide. Penguin Books India. pp. 339–. ISBN 978-0-14-341421-6. Retrieved 12 December 2012.
- Srilata Raman (2007). Self-surrender (prapatti) to God in Śrīvaiṣṇavism: Tamil Cats and Sanskrit Monkeys. Taylor & Francis. pp. 44–. ISBN 978-0-415-39185-6. Retrieved 13 December 2012.
- Deshpande, Aruna (2005). India: A Divine Destination. Crest Publishing House. pp. 264–265, 363–64, and 374–75. ISBN 81-242-0556-6.
External links
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