Red pill and blue pill

A red pill and a blue pill.

The red pill and its opposite, the blue pill, are popular culture symbols representing the choice between embracing the sometimes painful truth of reality (red pill) and the blissful ignorance of illusion (blue pill).

The terms, popularized in science fiction culture, are derived from the 1999 film The Matrix. In the film, the main character Neo is offered the choice between a red pill and a blue pill. The blue pill would allow him to remain in the fabricated reality of the Matrix, therefore living the "ignorance of illusion", while the red pill would lead to his escape from the Matrix and into the real world, therefore living the "truth of reality" even though it is a harsher, more difficult life.

Background

The Matrix makes references to historical myths and philosophy, including gnosticism, existentialism, and nihilism.[1][2] The film's premise resembles Plato's Allegory of the cave,[3][4] René Descartes's skepticism[5][6] and evil demon, Kant's reflections on the Phenomenon versus the Ding an sich, Zhuangzi's "Zhuangzi dreamed he was a butterfly", the concept of a simulated reality and the brain in a vat thought experiment.[7][8]

Japanese director Mamoru Oshii's Ghost in the Shell was a strong influence.[9]

The Matrix

In The Matrix, Neo (Keanu Reeves) hears rumors of the Matrix and a mysterious man named Morpheus. Neo spends his nights at his home computer trying to discover the secret of the Matrix and what the Matrix is. Eventually, another hacker, Trinity (Carrie-Anne Moss), introduces Neo to Morpheus.

Morpheus (Laurence Fishburne) explains to Neo that the Matrix is an illusory world created to prevent humans from discovering that they are slaves to an external influence. Holding out a capsule on each of his palms, he describes the choice facing Neo:

This is your last chance. After this, there is no turning back. You take the blue pill—the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill—you stay in Wonderland, and I show you how deep the rabbit hole goes. Remember: all I'm offering is the truth. Nothing more.

As narrated, the blue pill will allow the subject to remain in the fabricated reality of the Matrix; the red serves as a "location device" to locate the subject's body in the real world and to prepare him or her to be "unplugged" from the Matrix. Once one chooses the red or blue pill, the choice is irrevocable.

Neo takes the red pill and awakens in the real world, where he is forcibly ejected from the liquid-filled chamber in which he has been lying unconscious. After his rescue and convalescence aboard Morpheus' ship, Morpheus shows him the true nature of the Matrix: a detailed computer simulation of Earth at the end of the 20th century (the actual year, though not known for sure, is approximately two hundred years later). It has been created to keep the minds of humans docile while their bodies are stored in massive power plants, their body heat and bioelectricity consumed as power by the sentient machines that have enslaved them.

In a 2012 interview, Lana Wachowski said:[10]

What we were trying to achieve with the story overall was a shift, the same kind of shift that happens for Neo, that Neo goes from being in this sort of cocooned and programmed world, to having to participate in the construction of meaning to his life. And we were like, 'Well, can the audience go through the three movies and experience something similar to what the main character experiences?'
So the first movie is sort of typical in its approach. The second movie is deconstructionist, and it assaults all of the things that you thought to be true in the first movie, and so people get very upset, and they're like 'Stop attacking me!' in the same way that people get upset with deconstructionist philosophy. I mean, Derrida and Foucault, these people upset us. And then the third movie is the most ambiguous, because it asks you to actually participate in the construction of meaning.
Lana Wachowski, Movie City News, October 13, 2012

Gödel, Escher, Bach

Douglas Hofstadter's 1979 book Gödel, Escher, Bach features a pair of characters who 'push-into' and 'pop-out of' the two-dimensional world of Escher prints. The way they do this is to drink from a blue or a red phial.[11] A further reference could be taken later in the story when the pair encounter a paradox during which "The System crashed". Hofstadter cites Lewis Carroll as a strong influence on the book (the front cover of the book has a line that says that the book is "in the spirit of Lewis Carroll".) The 'push-into' and 'pop-out of' phials are reminiscent of the Alice in Wonderland 'drink me' and 'eat me' potion and cake, which shrink and grow Alice. The Matrix very clearly references Alice in Wonderland with the 'white rabbit' and the 'down the rabbit hole' phrases.

Total Recall

The 1990 movie Total Recall features a red pill that is offered to Arnold Schwarzenegger's character, Douglas Quaid. He is told "it's a symbol—of your desire to return to reality."[12][13] No blue pill is present in the film, and the story centers on the very uncertainty of whether Quaid is dreaming or in the real world. However, the pill is offered to him with the claim that he is dreaming, and that the pill will return him to reality, with the words "inside your dream, you'll fall asleep."

Analysis

An essay written by Russell Blackford discusses the red and blue pills, questioning whether if a person were fully informed they would take the red pill, opting for the real world, believing that choosing physical reality over a digital simulation is not clear-cut. Both Neo and another character, Cypher (Joe Pantoliano), take the red pill over the blue pill, though later in the first Matrix film, the latter demonstrates regret for having made that choice, saying that if Morpheus fully informed him of the situation, Cypher would have told Morpheus to "shove the red pill right up your ass." When Cypher subsequently makes a deal with the machines to return to the Matrix and forget everything he had learned, he says, "Ignorance is bliss." Blackford argues that the Matrix films set things up so that even if Neo fails, the taking of the red pill is worthwhile because he lives and dies authentically. Blackford and science-fiction writer James Patrick Kelly feel that The Matrix stacks the deck against machines and their simulated world.[14]

Matrix Warrior: Being the One author Jake Horsley compared the red pill to LSD, citing a scene where Neo forms his own world outside of the Matrix. When he asks Morpheus if he could return, Morpheus responds by asking him if he would want to. Horsley also describes the blue pill as addictive, calling The Matrix series a continuous series of choices between taking the blue pill and not taking it. He adds that the habits and routines of people inside the Matrix are merely the people dosing themselves with the blue pill. While he describes the blue pill as a common thing, he states that the red pill is one of a kind, and something someone may not even find.[15]

In the book The Art of the Start, author Guy Kawasaki uses the red pill as an analogue to leaders of new organizations, in that they face the same choice to either live in reality or fantasy. He adds that if they want to be successful, they have to take the red pill and see how deep the rabbit hole goes.[16]

Other uses

See also

References

  1. Rothstein, Edward (May 24, 2003). "Philosophers Draw on the Film 'Matrix'". Retrieved January 4, 2016.
  2. "Journal of Religion & Film: Wake Up! Gnosticism and Buddhism in The Matrix by Frances Flannery-Daily and Rachel Wagner". unomaha.edu.
  3. Glenn Yeffeth (11 March 2003). Taking the Red Pill: Science, Philosophy and the Religion in the Matrix. BenBella Books. p. 152. ISBN 978-1-932100-02-0.
  4. "You Won’t Know the Difference So You Can’t Make the Choice". philosophynow.org.
  5. Dan O'Brien (4 December 2006). An Introduction to the Theory of Knowledge. Polity. p. 115. ISBN 978-0-7456-3316-9.
  6. "Skepticism". stanford.edu.
  7. "The Brain in a Vat Argument". utm.edu.
  8. Hazlett, Allan (January 15, 2006). "Philosophers Explore The Matrix". ndpr.nd.edu. Retrieved January 4, 2015.
  9. "Matrix Virtual Theatre (interview with the Wachowskis)". Warner Brothers Studios, Official Website. 1999-11-06. Retrieved 2012-07-19.
  10. Poland, David (October 13, 2012). "DP/30: Cloud Atlas, Screenwriter/Directors Lana Wachowski, Tom Tykwer, Andy Wachowski". moviecitynews.com. Retrieved December 10, 2012.
  11. Douglas R. Hofstadter (2000). Gödel, Escher, Bach: an Eternal Golden Braid. 20th-anniversary Edition. Penguin Books. pp. 106, 116. ISBN 978-0-140289-20-6.
  12. Total Recall - final script, SciFiScripts.com. Retrieved July 2013.
  13. Dr. Edgemar's Pill, Total Recall (1990), MovieClips.com. Retrieved July 2013.
  14. Kapell, Matthew; Doty, William G (2004-05-28). Jacking in to the Matrix franchise: cultural reception and interpretation. ISBN 978-0-8264-1588-2.
  15. Horsley, Jake (2003-11-08). Matrix Warrior: Being the One. ISBN 978-0-312-32264-9.
  16. Kawasaki, Guy (2004). The art of the start: the time-tested, battle-hardened guide for anyone starting anything. ISBN 978-1-59184-056-5.
  17. Joanna Rutkowska. Red Pill... or how to detect VMM using (almost) one CPU instruction(archive), Invisible Things Lab
  18. "Red Pill mode". maemo.org wiki. Retrieved January 25, 2010.
  19. "src/repo.cc". hildon-application-manager. Line 153. Retrieved January 25, 2010.
  20. "Marx Reloaded trailer". Retrieved January 16, 2012.
  21. "Men's rights movement: why it is so controversial?". The Week. February 19, 2015. Retrieved April 1, 2015.
  22. Sharlet, Jeff (March 2015). "Are You Man Enough for the Men's Rights Movement?". GQ. Retrieved April 1, 2015.
  23. Love, Dylan (September 15, 2013). "Inside Red Pill, The Weird New Cult For Men Who Don't Understand Women". Business Insider. Retrieved April 1, 2015.
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