Reduced Shakespeare Company

The Reduced Shakespeare Company (RSC) is a touring American acting troupe that performs fast-paced, seemingly improvisational condensations of huge topics. The company's style has been described as "New Vaudeville," combining both physical and verbal humor, as well as highbrow and lowbrow. Known as the "Bad Boys of Abridgment," the RSC has created nine stage shows: "The Complete Works of William Shakespeare (abridged)" in 1987, "The Complete History of America (abridged)" in 1992, "The Bible: The Complete Word of God (abridged)" in 1995, "The Complete Millennium Musical (abridged)" in 1998, "All the Great Books (abridged)" in 2002, "Completely Hollywood (abridged)" in 2005, "The Complete World of Sports (abridged)" in 2010, "The Ultimate Christmas Show (abridged)" in 2011 and "The Complete History of Comedy (abridged)" in 2013. The company tours most frequently across the U.S. and Great Britain, and it has also performed in Belgium, Holland, Canada, Australia, New Zealand, Japan, Hong Kong, Singapore, Barbados, Bermuda, Israel, and Ireland. The Reduced Shakespeare Company is heard frequently on both NPR and the BBC.

Overview

The Company was founded in 1981 by Daniel Singer, who wrote a 25-minute, 4-actor version of William Shakespeare's Hamlet, to be performed at the original Renaissance Pleasure Faire in Novato, California. He cast himself as Polonius, Horatio, and Laertes; Jess Borgeson as the prince; Michael Fleming as Bernardo, Claudius, and the Ghost of Hamlet's father; and Barbara Reinertson as Ophelia and Gertrude. When Reinertson broke her ankle three weeks into the run, Borgeson suggested that school-chum Adam Long fill in for her in drag. A wig was procured, and Long's performance was described as "uncanny." The show won high praise and developed a large following.

Borgeson returned to college in 1983 to pursue a degree in English literature, leaving Singer and Long to continue under the RSC banner. They penned a twenty-minute version of Shakespeare's Romeo and Juliet, which they performed at Renaissance Fairs, on street-corners, beaches, and at private events. Crowds were amazed to see two men arrive with a small basket of costumes, two fencing foils, two bottles of poison, a rose, a dagger, a wig and a dummy, and proceed to enact the entire story with the zany style of a Marx Brothers movie. Taking the advice of some fellow street-performers, Long and Singer expanded the comedy in the act and solicited for tips afterwards; their solicitations proved generally successful.

Borgeson rejoined the troupe in 1985, and so Singer's version of Hamlet was resurrected into the repertoire. Several actors had come and gone in the roles of Bernardo, the Ghost, and Claudius; the last in the series excused himself when his daughter was born. The three-man RSC was born at that time, with Long taking over those roles. In 1987, a friend of the company suggested that they'd find a welcome reception at the famous Edinburgh Festival Fringe in Scotland. The ideal show length being about an hour, they decided they needed about twenty more minutes of material, and proposed doing Shakespeare's other 35 plays to round out an abridgement of everything the bard wrote in less than one hour. Sa Thomson (now Sa Winfield), brought on to design and fabricate the troupe's quick-change props and costumes, became a full partner in 1988, and also occasionally appeared as a performer with the troupe, most famously in the title role of the RSC's incarnation as the Abbreviated Ballet Theatre for Lucinda, Wood Nymph of the Glade.

The Complete Works script that resulted from these collaborations successfully premiered in an open-framed barn at the Paramount Ranch in Agoura, adjacent to the site of the Southern California Renaissance Faire. It then moved to Edinburgh proper, being performed in a church basement at 10:30 a.m. for a three-week run to generally sold-out houses. After that, the show (expanded to 97 minutes) toured theatres and festivals around the world. In repertory with the RSC's second show, The Complete History of America (abridged), The Complete Works of William Shakespeare (Abridged) ran for nine years at the Criterion Theatre, London West End, with the company's third show, The Bible: The Complete Word of God (abridged), joining the line-up for the final three years of the London run.

Singer left the Company in 1989 and was replaced by Reed Martin; Borgeson left in 1992 and was replaced by Austin Tichenor. In 1993 Long, Martin and Tichenor wrote the company's second play, The Complete History of America (abridged). They followed this up with The Bible: The Complete Word of God (abridged) in 1995.

In 1994 Tichenor, Long and Martin created a six-part radio series called The Reduced Shakespeare Radio Show. It was broadcast on the BBC World Service from May 11 to June 22, 1994. In 1994 they also produced The Ring Reduced, a half-hour version of Richard Wagner's operatic Ring Cycle, as part of Channel 4's Wagner season. In 1995, the RSC recorded The Reduced Shakespeare Company Christmas, a take on Christmas and other December-related holidays. For the turn of the century Martin and Tichenor wrote The Complete Millennium Musical (abridged) along with composer Nick Graham. A video version of The Complete Works of William Shakespeare (abridged) was released on DVD in 2001. Also in 2001, John Knox/Westminster Press published Martin and Tichenor's comic, spiritual memoir entitled The Greatest Story Ever Sold.

In August 2005, at the Sebastiani Theatre in Sonoma, California, the Reduced Shakespeare Company recorded its second show on DVD, The Complete History of America (abridged). Martin and Tichenor's second book, Reduced Shakespeare: The Attention Impaired Reader's Guide to the World's Best Playwright (abridged) was published by Hyperion in 2006. The Reduced Shakespeare Company Podcast was also introduced in 2006. It is a free, weekly twenty-minute podcast available on iTunes, as well as on the Reduced Shakespeare Company website. The Reduced Shakespeare Company has been nominated for an Olivier Award in London, two Helen Hayes Awards, a Bay Area Theatre Critics Circle Award, and two Podcast Awards. The company won a Shorty Award for Outstanding Use of Twitter by a Cultural Institution in 2009. In 2010 Martin & Tichenor reduced the first five season of the hit television series Lost into a comical ten minutes for Sky TV in Britain. They performed Lost Reduced along with Matt Rippy. It can be seen on YouTube.

Martin and Tichenor created the troupe's fifth stage show All the Great Books (abridged) in 2002, followed by Completely Hollywood (abridged) in 2005. Both these shows toured extensively across the USA and Great Britain, including runs at the Kennedy Center and the Edinburgh Fringe Festival. The Complete World of Sports (abridged) by Martin and Tichenor debuted 2010 and has also toured across the USA and Great Britain with runs at the New Victory Theater in New York City, the Kennedy Center in Washington DC, and the Arts Theatre in London. The RSC premiered The Ultimate Christmas (abridged) in 2011 at Merrimack Repertory Theatre in Lowell, MA and performed the show at San Diego Repertory Theatre in 2012. In November 2013 "The Complete History of Comedy (abridged)" premiered with a seven week run at Cincinnati Playhouse in the Park, with a month-long run at Merrimack Repertory Theatre to follow beginning in April 2014. In January 2014, some controversy surrounded the announcement of a performance of "The Bible: The Complete Word of God (abridged)" in at a borough-owned theatre in Newtownabbey, Northern Ireland: a Newtownabbey Borough Councillor from the Democratic Unionist Party decried the shows blasphemous nature, saying "I'd be calling for public pressure to have it pulled. My wife, councillor Audrey Ball, has recently been put on the artistic board" and that "Those against her strong beliefs better watch out."[1] On January 23, 2014 the Newtownabbey Borough Council voted to cancel the performances. This decision led to tremendous public outcry and show support for the RSC from many sources including Richard Dawkins, Tim Minchin, the Arts Council of Northern Ireland and Amnesty International. As a result the council reversed its decision on January 27[2] and the performances went on as originally scheduled and received a rave review from the Belfast Telegraph.[3] The publicity surrounding these events led to a huge boost in ticket sales for the entire 2014 UK tour of the show.

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