Remberto Giménez
| Remberto Giménez | |
|---|---|
 | |
| Background information | |
| Birth name | Remberto Giménez |
| Born |
February 4, 1898 Coronel Oviedo, Py |
| Died |
February 15, 1977 (aged 79) Asuncion, Py |
| Occupation(s) | Musician |
Remberto Giménez was a Paraguayan musician. He was born in Coronel Oviedo, Paraguay the February 4 of 1898 as a son of Ciriaco Giménez and Ana Bella Benítez.
Beginnings
As he concluded his military service he studied singing and violin theory with Vicente Maccarone, in the Paraguayan Institute.
| Year | Highlits |
|---|---|
| 1920 | The Paraguayan government granted him a scholarship to study in Buenos Aires. He did so at the National Conservatory. He attended violin and chamber music classes with Andrés Gaos, and composition with Alberto Williams and Celestino Piaggio.
He was an incomparable musical activity organisor and participated in almost every cultural event in Paraguay. In 1912 Nicolino Pellegrini founded the Music Band of the Police of the Capital where Remberto continued his musical studies and later, was a musical theory teacher. He was a pupil of Salvador Déntice. He participated in the formation of great musicians such as José Asunción Flores and Fernando Centurión. He returned to Paraguay and got involved in numerous activities that granted him quick popularity. He got a new scholarship from the Paraguayan government, this time to travel to Europe. He entered the “Schola Cantorum” of París. There he attended Lucien Capet´s classes to evolve as a violinist for two years. Also, he took Esthetical and History of Music courses at “La Sorbonne” university. |
| 1927 | He moved to Berlín, where he enhanced his violin and chamber music skills with Alejandro Perschnicoff, at the Stern Vhes Conservatorium. |
| 1928 | From 1928 on, he lived in Paraguay becoming one of the main encouragers of musical life in the country]]. Along with the fellow musicians Alfred Kamprad (German musician residing in Paraguay), Enrique Marsal and Erik Piezunka he was part of “Cuarteto de Asunción”, the most important referent and representative of chamber music in Paraguay in that time. He organized the first full symphonic orchestra concert in 1928 in tribute to Franz Schubert one hundredth birthdate. |
| 1934 | A national consensus was done to find an usical author for the Paraguayan National anthem. The national government decided to go for Remberto's the authentic restructured version of the anthem. |
His Trajectory
| Year | Highlight |
|---|---|
| 1940 | He founded the Normal School of Music, music teaching institution of distinguished labour. |
| 1957 | He got the Municipality of Asunción to sponsor the Symphonic Orchestra of the City of Auncion (OSCA). He was head of the orchestra until he died. |
| 1958 | He presented “Paraguayan Rhapsody” along with the Symphonic Orchestra of the Bonn Radio of Germany therefore becoming the first Paraguayan musician to direct a European symphonic orchestra. |
| 1963 | He directed the Brazilian Symphonic Orchestra in the Municipal theatre of Río de Janeiro and in Tupi Theatre of Channel 7 in Sao Paulo |
Charges Occupied regarding Art
He was a restless musical event organizer ad participated of countless cultural events. He was member of the Academy of Language and Guaraní Culture. Remberto was one of the main supporters of the union between the Paraguayan Institute and Gymnasium, fusion of which emerged the Paraguayan Association. He was the first president of A.P.A. (Associated Paraguayan Authors). He was a teacher in the National School of the Capital and in the School of Girls of Asuncion. Also he was general music director “ad honorem”
In the educational field, he was part of the formation of choirs and wrote popular music arrangements, also writing some songs dedicated to the youths. Several brilliant violinists and pianists emerged from the Normal School of Music. The fact that Remberto never entirely shared his knowledge about composition is criticized and is the probable reason for not leaving disciples. Other intriguing fact is that he never invited other orchestra director to direct his (OSCA).
He was a great orchestra director and in some of his pieces as in “Paraguayan Rhapsody” a superior harmonic display can be noticed in comparison to other Paraguayan composers in the time. He was likewise a great violinist.
As a creator his symphonic pieces remain in a nationalist and romantic style as other pieces share a limited style of popular pieces of good taste. He directed and published various editions of his arrangements and anthems just as the different versions for the national anthem. He published two discs with the (OSCA) sponsored by the Municipality of Asunción.
Compositions
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"Paraguayos, República o Muerte" (Instrumental - brass band, long)
 Francisco José Debali's "Paraguayos, República o Muerte" performed by the United States Navy Band |
| Problems playing this file? See media help. | |
His pieces belong to a nationalist and romantic style. In some pieces like "Rapsodia Paraguaya" of (Nicolino Pellegrini) a superiority can be sensed regarding other composers of the time.
In his pieces: “Campanento Cerro León”, “La Golondrina”, “Nostalgias del terruño”, “Ka´aguy Ryakua” (Fragrance of the forest) and “Kuarahy oike jave” (When the sun sets), “la Marcha presidential” and numerous arrangements for symphonic orchestra.
He is author of various pieces for violin and piano.
Amongst his songs: “Himno a la juventud”, “Canción de paz”, “Al pie de tu reja y Conscripto”, “Himno del Colegio Nacional de la Capital” and “Armonía”.
Last Years
He married Silvia Fiandro, with whom he had children.
He died the February 15 of 1977 in Asunción.
References
- Centro Cultural de la República
- Diccionario Biográfico "FORJADORES DEL PARAGUAY", Primera Edición Enero de 2000. Distribuidora Quevedo de Ediciones. Buenos Aires, Argentina.