Rent Romus

Rent Romus

Rent Romus at the San Francisco Community Music Center
Background information
Born (1968-01-06) January 6, 1968
Origin San Francisco, California, USA
Genres Free jazz
Avant-garde jazz
experimental
Occupation(s) Saxophonist, bandleader, composer, record producer
Instruments Alto, soprano, c-melody saxophone
Years active 1987 – present
Labels Edgetone Records, Jazzheads Records
Associated acts Lords of Outland, Tri-Cornered Tent Show, The Abstractions. Bloom Project
Website www.romus.net

Rent Romus (born 1968) is an American saxophonist and multi-instrumentalist, bandleader, music and performing arts producer, and community leader living in the San Francisco Bay area.

Biography

Beginnings

Romus was born in Hancock, Michigan. He began playing piano at the age of five until he was thirteen when he decided to play the alto saxophone, which his mother also played. In 1982 and 1984, Romus attended the Stanford Jazz Workshop summer programs where he participated in master classes led by Stan Getz, Bruce Forman, Eddie Moore, and Dizzy Gillespie. Romus’s exposure to Stan Getz was a pivotal moment in his early development where Getz would ask him to find a mirror and work on his tone watching his embrasure as he played. His pivotal experience with the tenor saxophonist was when Getz picked up his horn and joined him in a rendition of the song "I’ll Remember April" during a master class.[1] When Romus was sixteen years of age, his first experience in curation was hoisted upon him after his high school teacher Dick Goodrich quit his job leaving him in charge of a 17-piece big band called the North Area Youth Jazz Ensemble (NAYJE).[2] From 1987 - 1991 he attended the University of California at Santa Cruz. While at college he led the band Jazz on the Lone which he had founded alongside saxophonist/composer Michael Sidney Timpson in 1984, that served as a vehicle for the members' compositions and performances.

Nineties

Between 1989 and 1994 Romus produced three albums with Jazz on the Line including In the Moment with tenor saxophonist Chico Freeman. Other performing members during the group’s history included saxophonist Dan Magay, pianist Stephano DeZerega, trumpeter Jason Olaine, vocalist Anna Gurski, and drummer Ben Leinbach. Other guest artists included drummer Steve Rossi, bassists Ravi Abcarian, Corin Stiggall, and Ernie Provenchure. After graduating from the University of California in Santa Cruz in 1992, Romus worked odd jobs before moving to San Francisco in 1993 where he formed a trio with drummer James Zitro and former Sun Ra Arkestra cellist Kash Killion, originally called the RKZtet and later dubbed the Lords of Outland. In 1995 Romus changed personnel of the group to include his longtime associate Jason Olaine along with drummer Andrew Borger and bassist Vytas Nagisetty (aka Brock Lee). That same year he recorded the first Lords of Outland album entitled You'll Never Be the Same.[3][4] In the summer of 1995 and 1996 Romus toured in Denmark with pianist Jonas Müller, drummer Tomas Barfod, drummer Stefan Pasborg which later lead to his 1999 recording with Pasborg and bassist Jonas Westergaard as the Life's Blood Trio.[5] In 1997 Romus performed and recorded with Jon Birdsong, Dave Mihaly, and guest tenor saxophonist John Tchicai known best for his work with John Coltrane and Albert Ayler in the 1960s. In 1998 Romus worked with instrument inventor Tom Nunn, cellist Doug Carroll, guitarist Joel Harrison and drummer Dave Mihaly. This formation focused on a set of compositions inspired by the writings of author Philip K. Dick.[6]

New millennium

In 2001 Romus reinvented the Lords of Outland with bassist Bill Noertker, drummer Dave Mihaly and the late trombonist Toyoji Tomita,[7] and later that year recorded Avatar In the Field a tribute to the late saxophonist Albert Ayler .[8] In 2002 Romus began working with poet/musician/artist CJ Borosque whom he later married. Together they produced The Metal Quan Yin[9] (destinations suite) with an expanded group that included vocalist Jesse Quattro and Andre Custodio, based on her self-published book of the same name. That same year also marked a shift in Romus’ musical exploration branching out into complete free improvisation when he alongside guitarist Ernesto Diaz-Infante created The Abstractions[10] a collective ensemble that ranged in size from two to ten players. The group toured the west coast of the United States in 2002 and 2004 and released three recordings and included Jesse Quattro, Scott R Looney, Bob Marsh, Philip Everett, Sandor Finta, CJ Borosque, Ray Schaeffer, Lance Grabmiller, Alwyn Quebido, and Dina Emerson. In 2006 Romus toured through the midwest of the United States performing in St. Lois Missouri, Urbana Illinois, Detroit Michigan, and Columbus Ohio with stops along the east coast to Philadelphia and New York City with composer and pianist Thollem McDonas and drummer Jon Brumit as the Bloom Project. In contrast to the Lords of Outland, Bloom Project featured a more sparse melodic repertoire.[11] During that same year Romus shifted the roster of the current Lords of Outland with drummer Philip Everett, bassist Ray Schaeffer, and CJ Borosque on no-input effects pedals mixing harsh noise and free improvisation and producing recordings to present day.

Curator, producer

From his first experience as a young music producer in 1984 with the North Area Youth Jazz Ensemble (NAYJE), Romus continued to produce and curate performances and presentations in the San Francisco Bay Area. Romus runs Edgetone Records,[12] launched in 1991 originally as a vanity label to support his recordings, and later in 2001 began releasing other artists primarily from the San Francisco Bay Area crossing many forms of improvised and experimental music. He was the Executive Director of Jazz in Flight from 1996-1997 a non-profit jazz presenting organization based in Oakland California until it disbanded in 2001, which booked creative touring and local performing musicians at Yoshi's (jazz club) in Oakland California. He founded Outsound Presents, a non-profit artist-based organization and serves as the Executive Director while curating The SIMM Music Series[13] at the Musicians Union Hall as well as the Luggage Store Gallery New Music Series[14] in San Francisco. Romus co-founded and was the Director of Promotion for the SFAlt Festival[15] in 2002-04 which led to him create and organize the annual Edgetone New Music Summit,[16] a national experimental music festival held in the greater San Francisco Bay Area. The festival is now produced under the Outsound Presents banner which continues at the present under the title, Outsound New Music Summit.[17]

Discography

As leader or co-leader

As a sideman

Notes

  1. ↑ 2009 Podcast “Taran’s Free Jazz Hour Radio” radio interview of Rent Romus' early life aired Monday June 1, 2009 in Angers France at www.taransfreejazzhour.com
  2. ↑ “All Music Guide” by Greg Prato
  3. ↑ "Gettelman, Parry (February 21, 1997)." "Rent Romus & the Lords of Outland" Orlando Sentinel, p. 10.
  4. ↑ “CD Review by Scott Yanow”, Rent Romus’ Lords of Outland, ‘’You’ll Never Be the Same’’, 1996
  5. ↑ “CD Review by Ken Waxman” www.jazzweekly.com
  6. ↑ “CD Review by Nils Jacobson” PKD Vortex Project, 2002
  7. ↑ “Toyoji Tomita obituary” 1951 - 2008 Born in Berkeley, CA; Died unexpectedly on April 17 at home
  8. ↑ “CD Review by Ken Waxman” www.jazzweekly.com
  9. ↑ "CD Review of Metal Quan Yin" All Music Guide, Steven Loewy, 2002
  10. ↑ “CD Review of The Abstractions Aural Innovations” October 2002
  11. ↑ "CD Review from KZSU Stanford University Radio" KZSU Radio, Stanford CA, by Wedge, Reviewed 2009-05-08
  12. ↑ “Avant News March 4, 2004”
  13. ↑ “bayimproviser.com SIMM Series”
  14. ↑ "bayimproviser.com Luggage Store New Music Series”
  15. ↑ “Notes on SF Alt by John Lee” Bayimproviser.com 2004
  16. ↑ “News Article, Beyond Chron, by E. "Doc" Smith‚ Jul. 28‚ 2006” Beyond Chron, July 28, 2006
  17. ↑ "Outsound New Music Summit website"

External links

This article is issued from Wikipedia - version of the Wednesday, April 27, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.