Richard Grayson (composer)
Richard Grayson (born 1941) is an American composer and pianist.
Biography
Richard Grayson received his PhD in composition from UCLA in 1969—only the third person to receive a UCLA music Ph.D., after Michael Zearott and Edward Applebaum (Wager 1989)—and in the same year joined the the music faculty of Occidental College, where he taught until his retirement in 2001. His 32 years of annual keyboard improvisation concerts were a highlight of that college's concert season. He is also a composer of instrumental and vocal music as well as of live electronic music. His awards include a Fulbright Scholarship to study in 1965–66 with Henri Pousseur in Brussels and at the Cologne Courses for New Music (Stockhausen 1971, 200), and a composition grant from the National Endowment for the Arts. Since the of Fall 2001 he has taught music theory courses at the Crossroads School in Santa Monica.
For over three decades Grayson has given concerts and seminars for the Yamaha Music Education Foundation and has visited Japan many times to perform and teach. For the past ten summers he has taught improvisation courses at the Showa Academy of Music in Kawasaki, Japan, and was also invited to give seminars and performances at conservatories in Taiwan, China, and Vietnam. He has been a featured performer at several US national piano pedagogy conferences and was twice invited to give master classes in improvisation at the Oficina de Musica Festival in Curitiba, Brazil.
His performance credits include six recordings of contemporary music on which he is featured as pianist, and four which include his compositions. For many years he was on the board of the Monday Evening concerts at the Los Angeles County Museum of Art, and frequently performed on that series. Three of Grayson's electronic keyboard works were performed at an historic University of Massachusetts, Lowell concert featuring the re-creation of George Antheil's complete Ballet Mécanique (Pfeiffer 1999). Two of these pieces, Mr. 528 and Shoot the Piano Player have been issued on CD by the Electronic Music Foundation in New York. In September 2001 he gave a solo concert of his improvisation and visual-electronic compositions at the Los Angeles County Museum of Art. Grayson was also a church organist for 35 years, most recently at St. Martin of Tours in West Los Angeles, from which he retired in 2009.
Compositions (selective list)
- Anybody's Guess, for multiple electronic keyboards
- Aurore, for flute, clarinet, harp, piano, violin, and cello
- Fantasy on Broadway Boogie Woogie, electronic music with video
- Homage to J.S. Bach, for harpsichord, with tape delay
- Listen for the Bell, electronic music with video
- Meadow Music, for solo piano
- Mr. 528, for three disklaviers and three clavinovas (1996)
- Off Broadway, electronic music with video
- Ostinato, for two synthesizers and a sequencer
- Promenade, for two amplified accordions
- Rain, for piano, ring modulator, and tape delay
- Rocky Road Ripple, electronic music with video
- Shoot the Piano Player, computer-controlled pianos (1995)
References
- Pfeiffer, Ellen. 1999. "Music Review: Hearing the Din of History". The Boston Globe (November 20) (accessed April 11, 2016).
- Stockhausen, Karlheinz. 1971. Texte zur Musik 3 (1963–1970), edited by Dieter Schnebel. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg.
- Wager, Gregg. 1989. "Professor Taking Musical Improvisation on the Road". Los Angeles Times (May 20) (accessed 11 April 2016).
Further reading
- Cariaga, Daniel. 1988. "Pianist/Improviser Grayson, Occidental's Local Hero". Los Angeles Times (February 26) (accessed April 11, 2016).
- Klarner, Ann. 1992. "Concert Is Music to His Years". Los Angeles Times (February 20) (accessed April 11, 2016).
- Shulgold, Marc. 1985. "He Makes It up as He Plays Along". Los Angeles Times (February 21) (accessed 11 April 2016).
External links
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