| Year |
Artist |
Album |
Notes |
| 1984 |
The Wolfgang Press |
Scarecrow EP |
Production and guitar |
| The Wolfgang Press |
Water EP |
Co-production |
| The Wolfgang Press |
Sweatbox EP |
Production and engineering |
| 1985 |
Dif Juz |
Extractions |
|
| Felt |
Primitive Painters / Cathedral single |
Production on track No. 1 "Primitive Painters" |
| Felt |
Ignite the Seven Cannons |
|
| The Wolfgang Press |
The Legendary Wolfgang Press and other Tall Stories |
Production and engineering |
| 1986 |
Harold Budd |
Lovely Thunder |
Mixing on track No. 5 "Flowered Knife Shadows (For Simon Raymonde)" |
| Felt |
The Ballad of the Band EP |
Production on track No. 3 "Candles in a Church" and No. 4 "Ferdinand Magellan" |
| 1987 |
The Gun Club |
Mother Juno |
|
| Edwyn Collins |
Don't Shilly Shally EP |
|
| Various artists |
Lonely Is An Eyesore |
Production on track No. 7 "No Motion" by Dif Juz |
| A R Kane |
Lollita EP |
|
| Mory Kanté |
Yé ké yé ké EP |
Engineering on track No. 1 "Yé ké yé ké (The Afro Acid Remix)" |
| Felt |
Final Resting of the Ark EP |
Production on track No. 2 "Autumn", No. 3 "Fire Circles" and No. 5 "Buried Wild Blind" |
| 1988 |
Harold Budd |
The White Arcades |
Engineering on track No. 2 "Baltus Bemused By Color" and No. 4 "The Real Dream of Sails |
| The Gun Club |
Breaking Hands EP |
|
| Heavenly Bodies |
Rains on Me EP |
Recording of track No. 1 "Rains on Me (Extended Mix)" and No. 2 "Rains on Me (Short Version)" |
| 1990 |
Lush |
Mad Love EP |
Production and engineering |
| Chapterhouse |
Falling Down EP |
Production on track No. 3 "Something More" |
| Big Hard Excellent Fish |
The Imperfect List single |
Recording |
| Various artists |
Alvin Lives |
Production on track No. 1 "Chirpy Chirpy Cheep Cheep" by Lush |
| Lush |
Gala |
Production on track No. 4 "Deluxe", No. 5 "Leaves Me Gold", No. 6 "Downer", No. 7 "Thoughtforms", No. 14 "Hey Hey Helen" and No. 15 "Scarlet (New Version)" |
| 1991 |
Chapterhouse |
Whirlpool |
Production on track No. 3 "Autosleeper" and No. 9 "Something More" |
| Lush |
Black Spring EP |
|
| Lush |
For Love EP |
Production on track No. 1 "For Love" |
| 1992 |
Lush |
Spooky |
|
| Ian McCulloch |
Lover Lover Lover EP |
Production on track No. 3 "Ribbons & Chains" and No. 4 "Birdy" |
| Ian McCulloch |
Mysterio |
Production on track No. 9 "Vibor Blue" and No. 10 "Heaven's Gate" |
| Various artists |
Volume Five |
Production and engineering on track No. 4 "Wildfire" by Fuel and track No. 6 "Help Me Lift You Up" by Macbeth, guitar and bass on track No. 6 |
| 1994 |
Fuel |
Timeless EP |
Production and guitar on track No. 1 "Butterfly Knife" and No. 5 "Wildfire" |
| 1995 |
Various artists |
The Event Horizon Psi |
Production, mixing, guitar and atmospheres on track No. 5 "Half Light" by Aether |
| 1997 |
The Bitter Springs |
Absence Makes the Hair Grow Blonder EP |
Mixing of track No. 1 "Absence Makes the Hair Grow Blonder" at September Sound |
| Guy Chadwick |
This Strength EP |
Production and mixing |
| 1998 |
Guy Chadwick |
Lazy, Soft and Slow |
Production and mixing |
| Yu-Ra |
Innocent Time |
|
| Yu-Ra |
Beyond The Pale |
Production and guitar |
| Guy Chadwick |
You've Really Got a Hold on Me |
Production and mixing |
| Yu-Ra |
Snow Doll |
|
| 1999 |
Dif Juz |
Soundpool |
Production on track No. 9 "No Motion" |
| Russell Mills & Undark |
Pearl & Umbra |
Co-mixing and additional guitar |
| Yu-Ra |
Remember EP |
Production and mixing |
| 2000 |
Various artists |
Outlandos D'Americas – Tributo a Police |
Additional instrumentation and mixing (at September Sound) on track No. 8 "Sol Invisible" by Lucybell |
| The Wave Room |
Love Medicine |
Mixing and guitar |
| 2001 |
Rothko (band) |
In The Pulse of an Artery |
Mastering |
| Yu-Ra |
Kumo EP |
|
| Lift to Experience |
The Texas-Jerusalem Crossroads |
Co-mixing |
| 2002 |
Al Brooker |
Quixotic |
Mastering |
| 2003 |
Aeriel |
So Warm EP |
|
| Ulan Bator |
Nouvel Air |
Mixing and mastering |
| 2005 |
Sophie Barker |
Earthbound |
Production on three tracks and co-written two of them |
| Amber Smith |
Hello Sun / Blue Eyes Digital single |
Mixing on track No. 1 "Hello Sun" |
| 2006 |
Amber Smith |
RePrint |
Mixing |
| Mahogany |
Connectivity |
Mixing of track No. 3 "Supervitesse (Robin Guthrie Mix)", No. 8 "Renovo", No. 10 "My Bed is My Castle", No. 12 "Supervitesse (Extended Mix)", No. 13 "My Bed is My Castle (feat. Lucy Belle Guthrie)" and No. 14 "Domino Ladder Beta (feat. Robin Guthrie)" |
| 2007 |
Broaddaylight |
The Bell Jar EP |
Mastering |
| Annie Barker |
Mountains and Tumult |
Production, mixing and instrumentation |
| Manual |
Lost Days, Open Skies And Streaming Tides |
Production, mixing and writing on track No. 9 "Marbella" |
| Apollo Heights |
White Music for Black People' |
|
| 2008 |
Resplandor |
Pleamar |
Production, engineering and mixing, additional guitar and bass on track No. 3 "Raindrops" |
| Apollo Heights |
Everlasting Gobstopper EP |
Production on track No. 3 "Angel Heart (Robin Guthrie Version)" |
| 2009 |
Broaddaylight |
Stars Out EP |
Mastering |
| 2010 |
Dark Orange |
Clouds, Paperships And Fallen Angels |
Mastering |
| Heligoland |
All Your Ships are White |
Production and mixing |
| 2011 |
Annie Barker |
... For a Better Place |
Production and guitar |
| Sealight |
Dead Letters EP |
Mixing and mastering |
| 2012 |
Heligoland |
Bethmale EP |
Mixing and mastering |