Rod Daniel

Rod Daniel

Daniel, c. March 2014
Born Rollin Augustus Daniel III
(1942-08-04)August 4, 1942
Nashville, Tennessee, U.S.
Died April 16, 2016(2016-04-16) (aged 73)
Chicago, Illinois, U.S.
Occupation Director
Years active 1969–2002
Spouse(s) Martha Mueller (m. 1968–2016)
Children 2

Rollin Augustus "Rod" Daniel III (August 4, 1942 – April 16, 2016) was an American television and film director, active from the late 1970s to the early 2000s. He is best known for his comedy films, including the 1985 Michael J. Fox comedy film Teen Wolf, which was a considerable box office success.

Daniel, the son of a noted surgeon, was expected to follow in his father's footsteps. After returning to his native Tennessee from the Vietnam War, he chose to enter the advertising business, where he directed several commercials before moving to Los Angeles. There, his friendship with television producer Hugh Wilson enabled him to start a career in the television industry as a director and producer for Wilson's sitcom WKRP in Cincinnati. Daniel continued to work on shows like Magnum, P.I. and Newhart, until he eventually grew restless with television following the failure of a sitcom he had worked on and chose to make the leap into feature films.

Daniel continued to direct throughout the 80s and 90s, with his other works including the comedies Like Father Like Son, K-9, The Super, and Beethoven's 2nd. He continued to helm episodes of television as well, directing episodes of shows including Everybody Loves Raymond and Caroline in the City. His final film, Home Alone 4, premiered on television in late 2002, after which he retired from the entertainment industry. Daniel then moved to Chicago and began refocusing on his passion for photography, later painting his entertainment career in a negative light. He died in April 2016, having had Parkinson's disease.

Early life

Daniel was born as Rollin Augustus Daniel III in Nashville, Tennessee on August 4, 1942, the son of Rollin Augustus Daniel Jr. and Ann Kelley.[1] Daniel described his father as "a big-deal doctor who plucked out my mom, this retiring little country girl, and then couldn't get out of the hospital. The man never wanted to come home. He was unavailable. God knows, I went to the graveyard many times and told [him] off. Because that was something I had to work out."[2] He attended high school at Battle Ground Academy, which he graduated in 1960. For two years afterward, Daniel was a student at Davidson College, but then transferred to Vanderbilt University, where he earned a degree in economics in 1964. Daniel said that although there was an expectation for him to be like his father, who had also attended Vanderbilt, he chose instead to enter the advertising business after returning to Nashville following his service in the Vietnam War as a lieutenant of the United States Army.[3]

Daniel's first job in advertising was working at a small Nashville firm known, Dawson, Daniels, Sullivan, & Dillon, where he began making commercials for one of their clients, department store chain Cain-Sloan. Daniel soon accepted a job opportunity in Atlanta for a broadcast producer, but he eventually ended up cycling through jobs all over the city before eventually settling at production company Jayan Films. Although Daniel professed he was initially only interested in the business side of the company, he soon began directing commercials for it as well. Daniel then went to Chicago in 1976 to work at Topol, a commercial production company. He helmed commercials for companies including Hallmark Cards and Proctor and Gamble before heading to Los Angeles roughly one year later.[3]

Career

While in Los Angeles, Daniel began working alongside television producer Hugh Wilson. Wilson had a new show in development, called WKRP in Cincinnati, and invited Daniel to watch the taping of the pilot. Daniel agreed to come, and while watching the taping, he felt that he "just instinctively knew how to do what they were doing so I pursued it aggressively."[4] Daniel saw an opportunity to leave his job in commercials, and told Wilson that he wanted a job on the show if production went well. Wilson obliged, and gave Daniel the associate producer position. Eventually, he moved up to director, and eventually directed 33 episodes over the series' run. Daniel found the show to be "a great training ground in terms of storyline and character. It really spoils you."[3]

After three years at WKRP, Daniel then directed more episodic television, including episodes of shows like Newhart and Magnum, P.I.. After The Duck Factory, a show Daniel worked on, bombed, Daniel decided to switch to films. In a 1985 interview with The Tennessean, Daniel opined that "On television there is some really good writing, but not much. Television is just a machine, a sausage machine. If you really want to do some quality work, you just don't have time."[3] He said to the Chicago Tribune in 2011 that he "could teach you to direct sitcoms in 30 minutes. It's outrageous how easy it is, like stealing money. What do you say [to] Bob Newhart — 'OK, be Bob Newhart'?"[2] Daniel changed his agent, something he described as "almost an impossible move", and told them he wanted to make a film.[3]

A month after he changed agents, Daniel received the script to Teen Wolf and enjoyed it. He met with Michael J. Fox and "liked him instantly".[3] According to Daniel, he was hired after every other director interviewed by 20th Century Fox simply said the film was about a werewolf, while Daniel said it was about a father and son. Daniel told the Chicago Tribune that "a whole lot of Teen Wolf is who I wish I could have been, who I wanted my father to be more like."[2] Shot over 25 days, Teen Wolf was a box office success upon its early fall release in 1985, grossing $80 million on a $1.4 million budget.[1][3] Daniel reflected positively on the film, saying to the Tennessean, "I'm so proud of Teen Wolf. It was a chance for me to start over. It really was a well-written script. It makes a little statement. It's a clean, classy little movie."[3]

After Teen Wolf's success, Daniel began searching for his next project. To the Tennessean, he expressed his desire to be selective with his screenplay choices, something television had not allowed him to do.[3] Daniel's next film was the 1987 comedy Like Father Like Son, a film starring Kirk Cameron and Dudley Moore that again allowed him to explore father-son themes.[2] The film grossed $34 million at the domestic box office.[5] After Like Father, Like Son, he directed the 1989 film K-9, a comedy starring Jim Belushi.[6] Critical reception was mostly negative,[7] but the film grossed $78 million worldwide and spawned two direct-to-video sequels, K-911 and K-9: P.I., both of which featured Belushi reprising his role.[8][9][10]

"We could not solve the problem at the center of this movie. So we just started shooting it. And you can't do that. But you get in a bubble on a movie. I mean, I gave [the studio] a 2 1/2-hour cut! Can you imagine 2 1/2 hours of The Super! You'd shoot yourself in the head."

Daniel on his 1991 film The Super[2]

Next, Daniel directed The Super, released in 1991, which starred Joe Pesci as a wealthy superintendent forced to live in one of his own poorly-maintained buildings.[11] The film received negative reviews from critics and, produced at a cost of $22 million, failed to recoup its budget at the domestic box office, only taking in $11 million.[12][13] Roger Ebert criticized Daniel's direction, opining that the cast deserved better, and that Daniel failed to deliver solid comic payoffs.[14] Janet Maslin was more positive and wrote that Daniel's direction was "snappy and broad" and that he offered many opportunities for Pesci to "show off his talents for physical clowning".[11] In the 2011 Tribune interview, Daniel said that he knew The Super had problems with its screenplay when he accepted the job, but figured that he would not be able to fix them during production.[2]

The next film directed by Daniel was the 1993 film Beethoven's 2nd, the sequel to the successful comedy film Beethoven. It was his final theatrical film.[1] The film was not a critical success, but it ended up grossing $53 million domestically and $64 million in foreign markets, leading to a total gross of $118 million.[15][16] "The Day I Fall in Love", an original song performed by James Ingram and Dolly Parton for the film, was nominated for an Academy Award, a Grammy Award, and a Golden Globe.[17][18][19]

After Beethoven's 2nd, Daniel signed on as director for military comedy McHale's Navy, based on the television series of the same name; he was eventually replaced by Bryan Spicer.[20][21] He returned to directing television in the 1990s, including episodes of shows like Caroline in the City, Everybody Loves Raymond, and Suddenly Susan. He also directed several television films, such as Genius and Alley Cats Strike, both for the Disney Channel. In 2002, his final directing credit, the television film Home Alone 4, premiered.[1] After the film aired, Daniel retired from the business, noting to the Tribune that he anticipated to do much more work but found himself receiving very few offers. "And I know why: If you work in the arts for a living, you are paid to know what's in the air, what the mood is, the whole societal thing. And I don't care how hip you are, when it's over, it's over. I couldn't artistically reflect how the world changed. And that feels like you woke up one day and were thrown out the window."[22]

Daniel's main influence as a director were character-based filmmakers such as Frank Capra, Martin Ritt, Sidney Lumet and John Huston.[3] In 2011, Daniel was sought out by Christopher Borrelli, a Chicago Tribune reporter who found he had walked out of several of Daniel's works. Borrelli was able to interview Daniel, who was unashamed about the quality of his work. Daniel told Borrelli that he directed material he was not passionate about because the job paid him well, and that he would likely not have purchased a ticket to any of his own films. "I don't rank with the greats ... which is not to say I didn't believe in what I did. But I hold no illusions."[1][6]

Personal life

Daniel's wife was Martha "Marti" Mueller, who he married in 1968;[6] they had two children, Lucas and John, and remained married up until Daniel's death.[1] Lucas spoke warmly of his childhood, believing that Daniel's ability to channel his feelings and issues about his own father in Teen Wolf had helped him.[2] Daniel and his family had lived in the Los Angeles neighborhood of Tarzana.[3] After Daniel's retirement from the industry, he settled in Chicago; at first, he left Los Angeles for rural Tennessee, but found himself longing for city living.[6] He also had a vacation home outside of Traverse City, Michigan.[2]

Daniel was a voting member of the Academy of Motion Picture Arts and Sciences. He described his increasing detachment with film to the Tribune, telling them that he had disliked The Dark Knight but placed that fact more on him than the film and people who received it positively.[6] He stated he never bought tickets to modern films,[2] and spoke negatively of violence in media. "I was in Vietnam, and when I came back I saw Bonnie and Clyde and promptly threw up. I can't go there. It's just not in my bones."[22]

One of Daniel's hobbies was photography.[22] Daniel did fine art photographs, mostly black and white, which are largely scenes of rural America. His work has been exhibited in juried shows and galleries in the U.S.[23]

Daniel died at his home in Chicago from Parkinson's disease on April 16, 2016.[24]

Filmography

References

  1. 1 2 3 4 5 6 Slotnick, Daniel E. (22 April 2016). "Rod Daniel, Whose Crowd-Pleasing Films Lined Pockets, Dies at 73". The New York Times. Retrieved 26 April 2016.
  2. 1 2 3 4 5 6 7 8 9 Borrelli, Christopher (27 September 2011). "'Teen Wolf' director's brutally honest commentary (part 2 of 3)". Chicago Tribune. Retrieved 14 April 2015.
  3. 1 2 3 4 5 6 7 8 9 10 11 Beck, Ken (November 24, 1985). "Native Nashvilian Rod Daniel guides "Teen Wolf" to success". The Tennessean.
  4. ↑ "New BGA Hall Of Famer Rod Daniel’s Artwork To Be Featured At Mary Campbell Visual Arts Center" (PDF). Wildcat News. Battle Ground Academy. Retrieved 26 April 2016.
  5. ↑ "1987 Yearly Box Office Results". Box Office Mojo. Retrieved 27 April 2016.
  6. 1 2 3 4 5 Borrelli, Christopher (27 September 2011). "'Teen Wolf' director's brutally honest commentary". Chicago Tribune. Retrieved 13 April 2015.
  7. ↑ "K-9 (1989)". Rotten Tomatoes. Retrieved 27 April 2016.
  8. ↑ "K-9 (1989)". Box Office Mojo. Retrieved 27 April 2016.
  9. ↑ "USA Picks Up PolyGram". Billboard (The Hollywood Reporter-Billboard Media Group). 24 April 1999.
  10. ↑ Wilson, Stacy Layne (20 March 2007). Animal Movies Guide. Staci Wilson. p. 262. ISBN 978-0-9675185-3-4.
  11. 1 2 Maslin, Janet (October 4, 1991). "Review/Film; Unrepentant, Despite Tenants' Revenge". The New York Times. Retrieved 28 April 2016.
  12. ↑ "The Super (1991)". Rotten Tomatoes. Flixter. Retrieved 28 April 2016.
  13. ↑ "The Super (1991)". Box Office Mojo. Retrieved 28 April 2016.
  14. ↑ Ebert, Roger. "The Super Movie Review & Film Summary (1991)". rogerebert.com. Retrieved 28 April 2016.
  15. ↑ "Beethoven's 2nd (1993)". Box Office Mojo. Retrieved 28 April 2016.
  16. ↑ "Beethoven's 2nd (1991)". Rotten Tomatoes. Flixter. Retrieved 28 April 2016.
  17. ↑ Larkin, Colin (27 May 2011). The Encyclopedia of Popular Music. Omnibus Press. p. 256. ISBN 978-0-85712-595-8.
  18. ↑ Kimpel, Dan (2006). How They Made It: True Stories of How Music's Biggest Stars Went from Start to Stardom!. Hal Leonard Corporation. p. 73. ISBN 978-0-634-07642-8.
  19. ↑ "Grammy Award Nominations". Billboard (The Hollywood Reporter-Billboard Media Group). January 14, 1995.
  20. ↑ Galloway, Stephen (October 8, 1995). "'McHale' brings Daniel aboard". The Hollywood Reporter.
  21. ↑ Klady, Leonard. "McHale's Navy". Variety. Retrieved 28 April 2016.
  22. 1 2 3 Borrelli, Christopher (27 September 2011). "'Teen Wolf' director's brutally honest commentary (part 3 of 3)". Chicago Tribune. Retrieved 18 April 2015.
  23. ↑ "Rod Daniel: American Back Roads". absolutearts.com. World Wide Arts Resources Corporation. December 11, 2001. Retrieved 8 October 2015.
  24. ↑ Barnes, Mike (April 19, 2016). "Rod Daniel, Director of Michael J. Fox's 'Teen Wolf, Dies at 73". The Hollywood Reporter. Retrieved April 19, 2016.

External links

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