Rosary Bead (The Cloisters)
Rosary Bead is a small south Netherlandish carving in fine-grained boxwood[1] dated to c 1500–1510. It now resides in The Cloisters in New York. Originally the bead would have been part of a complete rosary set,[2] and its size suggests its use as an Ave bead, where the supplicant would recite the "Hail Mary".
Objects of this type were in great demand in the early sixteenth century, and thus mass produced. Apart from their use in private veneration, they could be worn as necklaces or hung from belts, sometimes as fashionable accessories.[2] The exceptional craftsmanship of this example indicates that it was intended for a member of the high nobility.[2]
The Cloisters bead consists of two surviving capsules, each containing of a series of minutely detailed carvings on both sides. Latin inscriptions, some in Gothic script, frame the work. The upper capsule has two wings, which when opened form a triptych.[3] These three panels show the journey to Nazareth and the nativity on the left wing, with the Adoration of the Magi, complete with horses and camels, and the Presentation and the Offering of Doves (Leviticus 14:22) on the right.[3]
Adam and Eve and the tree of knowledge are detailed on the outside of the wings. The use of boxwood, with its regular dense grain, allowed craftsmen to create highly detailed miniature carvings, usually with the aid of a steady hand and a magnifying glass.[2]
The lower half is dominated by the Crucifixion of Jesus, while also showing the Agony in the Garden and Saint Peter severing the ear of Malchus with his sword.[3] Other carvings include the crown of thorns and Gothic arches.
Inscriptions on the exterior are taken from the Book of Lamentations 3:41 and 1:12 and read "LEVEMVS CORDA NOSTRA CVM MANIBVS AD DNM IN CE and ATTENDITE (ET) VIDETE SI EST DOLOR SICVT DOLOR MEV" Those on the upper half of the interior are from Psalm 71 and use Gothic lettering, reading "REGES THARSIS ET INSILE" and "VNERA OFFERENT. REGES ARABVM ET SABA DONA ADDVCENT"[3]
J. P. Morgan donated the bead to the Metropolitan Museum of Art in 1917. As of 2016, it is not currently on view.
Gallery
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Detail of the Nativity
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Detail of the Crucifixion
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Detail of the Magi bearing gifts
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Detail, lower capsule
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Interior
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Exterior
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Exterior, detail
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Closed
References
Notes
- ↑ "Rosary Bead 1500–1510". New York: Metropolitan Museum of Art. Retrieved 9 April 2016.
- 1 2 3 4 McConnell, 69
- 1 2 3 4 "Rosary Bead". New York: Metropolitan Museum of Art. Retrieved 9 April 2016.
Sources
- McConnell, Sophie. "Metropolitan Jewelry". New York:Metropolitan Museum of Art, 1991
- Williamson, G.C. "Catalog of the Collections of Jewels and Precious Works of Art: The Property of J. Pierpont Morgan". London: Chiswick Press, 1910
- Wixom, William. "Medieval Sculpture at The Cloisters". The Metropolitan Museum of Art Bulletin, volume 46, no. 3, Winter, 1988–1989