Rudolf Firkušný

Rudolf Firkušný (Czech: [ˈrudolf ˈfɪrkuʃniː]; 11 February 1912  19 July 1994) was a Czech-born, Czech-American classical pianist.

Life

Born in Moravian Napajedla, Firkušný started his musical studies with the composers Leoš Janáček and Josef Suk, and the pianist Vilém Kurz. Later he studied with the legendary pianists Alfred Cortot and Artur Schnabel. He began performing on the continent of Europe in the 1920s, and made his debuts in London in 1933 and New York in 1938. He escaped the Nazis in 1939, fled to Paris, later settled in New York and eventually became a U.S. citizen.[1]

Firkušný had a broad repertoire and performed with skill the works of Mozart, Beethoven, Schubert, Schumann, Chopin, and Brahms as well as Mussorgsky and Debussy. However, he became known especially for his performances of the Czech composers Bedřich Smetana, Antonín Dvořák, Janáček, and Bohuslav Martinů (who wrote a number of works for him).

Firkušný championed Dvořák's only piano concerto, which he played with many different conductors and orchestras around the world and also recorded several times. Originally, he performed the revised version made by his teacher Kurz and even arranged it further; yet in the end, he came back to the original Dvořák score.

Firkušný was also a devoted chamber player, and among his most prominent partners were cellists Pierre Fournier, Gregor Piatigorsky, János Starker, and Lynn Harrell; violinists Nathan Milstein and Erika Morini; violist William Primrose; and the Juilliard String Quartet. He also gave many first performances of contemporary composers, not only Czech such as by his friends Martinů and Vítězslava Kaprálová but also Howard Hanson, Gian Carlo Menotti, Samuel Barber, and Alberto Ginastera.

Firkušný taught at the Juilliard School in New York, and in Aspen, Colorado as well as in the Berkshire Music Centre in Tanglewood. Among his students were Yefim Bronfman, Eduardus Halim, Alan Weiss, Sara Davis Buechner, Carlisle Floyd, Kathryn Selby, Avner Arad, June de Toth, Richard Cionco, Robin McCabe, Anya Laurence, Natasa Veljkovic and Carlo Grante. After the fall of the communist regime in his homeland (the "Velvet Revolution" of 1989), Firkušný returned to Czechoslovakia to perform for the first time after more than 40 years of absence. This was acclaimed as one of the major events of his festival, along with the return of his compatriot and friend the conductor Rafael Kubelík. Firkušný retained his remarkable talents well into his later years and, for example, played a full Dvořák-Janáček-Brahms-Beethoven sonata recital in Prague on 18 May 1992 together with the violinist Josef Suk (the namesake and grandson of his teacher, and great-grandson of Dvořák). He played only two times at the Prague Spring International Music Festival, first in 1946 performed Dvořák's piano concerto, and in 1990 he played the second piano concerto of Martinů.

Firkušný won praise from his famous colleague Vladimir Horowitz, who once exclaimed, "Rudolf Firkušný can play Schubert, that's for sure. I heard him on the radio this afternoon ... playing the three Klavierstücke. Beautiful!"[2] And the noted piano teacher and critic David Dubal called Firkušný "the preeminent Czech pianist of the twentieth century."[3]

Firkušný died in Staatsburg, New York in 1994. In 2007, his ashes and those of his wife, Tatiana Nevolová Firkušný, were reburied together in an honorary place at the Central Cemetery in Brno, close to his first teacher, Janáček, and directly next to the grave of Czech composer Jan Novák. In 2012, coinciding with the 100th anniversary of his birth, there was a large festival held by Brno's Janáček Academy of Music and Performing Arts to commemorate the centennial, featuring many of his former alumni from The Juilliard School. In 2013, the Prague Spring Festival established the Rudolf Firkušný Piano Festival held in Prague.

His student Carlisle Floyd wrote his only Piano Sonata in the 1950s, for Firkušný, who performed it once, at a Carnegie Hall recital. It then languished until being taken up in 2009 by the 74-year-old Daniell Revenaugh, who studied it with the composer and made its first recording.[4]

Discography selection

Notes

  1. Whitney, Craig R., "Rudolf Firkusny Once Again Plays In Czechoslovakia". The New York Times, May 29, 1990.
  2. Dubal, David, Evenings with Horowitz: A Personal Portrait, Amadeus Press, 1991, p. 101.
  3. Dubal, David, The Art of the Piano, A Harvest Book, 1995, p. 80.
  4. Tabitha Yang (September–October 2009) The Restoration of Carlisle Floyd. Tallahassee Magazine

References

External links

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Interviews

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