Sarenput II
| Sarenput II Nomarch of the 1st nomos of Upper Egypt | |
|---|---|
 Sarenput II on the painted niche in his tomb | |
| Dynasty | 12th Dynasty |
| Pharaoh | Amenemhat II, Senusret II, Senusret III |
| Father | Khema |
| Burial | Qubbet el-Hawa, tomb 31 |
Sarenput II, also called Nubkaurenakht (Nbw-kȝw-rˁ-nḫt, "Strong is Nubkaure", i.e. Amenemhat II) was an ancient Egyptian nomarch during the reign of pharaohs Senusret II and Senusret III of the 12th Dynasty.
Career
Sarenput was the son of a man named Khema and the nephew of the nomarch Sarenput I. Among his titles, he was nomarch of the 1st nomos of Upper Egypt ("Land of the Bow"), mayor of Elephantine, high priest, overseer of the priests of Satet and Khnum, and "leader of the border patrols at the narrow door of the southern lands".[1] He held the title of nomarch since regnal Year 4 of Senusret II until Year 8 of Senusret III at least.[2]
Like many of his predecessors, Sarenput made additions at the sanctuary of Heqaib at Elephantine: in particular, he ordered a shrine for his father Khema and one for himself, containing a statue of Khema and one of Sarenput II respectively.[1] The two statues are stylistically different, with the former (Khema) being idealized and typical of the reign of Amenemhat II while the latter (Sarenput II) is more expressive, realistic and detailed, reflecting the style in use during the subsequent reign of Senusret II: both statues are considered to be masterpieces of the Middle Kingdom sculpture. Another statue depicting Sarenput II and probably coming from his tomb, is again stylistically typical of the reign of Amenemhat II.[3][2][4]
Tomb
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| Sarenput Sȝ-rnpwt in hieroglyphs |
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Sarenput II built for himself the finest and largest tomb of Qubbet el-Hawa (n. 31). After crossing a courtyard, a hallway lead to a large hall whose ceiling is supported by six pillars. Then another hallway – with several niches containing osirian statues of Sarenput on both sides – lead to the inner room, with four pillars and a niche once hosting a granodiorite statue whose remains are now in the British Museum (EA98[5]). In spite of the tomb's grandness, only the niche and few pillars of the innermost chamber are decorated; nevertheless, the scenes are vividly painted and detailed, chiefly depicting the tomb owner.[1]
References
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- 1 2 3 Simpson, William K. (1984). "Sarenput II". In Helck, Wolfgang; Otto, Eberhard. Lexikon der Ägyptologie. Band V. Wiesbaden: Otto Harrassowitz. pp. 429–30.
- 1 2 Freed, Rita E. (2010). "Sculpture of the Middle Kingdom". In Lloyd, Alan B. A companion to Ancient Egypt, volume 2. Wiley-Blackwell. pp. 899–900. ISBN 9781405155984.
- ↑ Habachi, Labib (1985). Elephantine IV: The Sanctuary of Heqaib. Mainz am Rhein: von Zabern. pp. 42–44. ISBN 3-8053-0496-X.
- ↑ Assmann, Jan (1996). "Preservation and Presentation of Self in Ancient Egyptian Portraiture". In Der Manuelian, Peter. Studies in Honor of William Kelly Simpson, volume 1. Boston: Museum of Fine Arts. pp. 72–3; figg. 21–22. ISBN 0-87846-390-9.
- ↑ Statue of Sarenput II at the British Museum