Satisfied Mind

Satisfied Mind
Studio album by The Walkabouts
Released 1993
Recorded at Avast Studios, Seattle by Kevin Suggs, September 1993
Genre Alt-country, folk rock, indie folk, Americana
Length 59:26
Label Sub Pop, Glitterhouse
Producer Kevin Suggs & The Walkabouts
The Walkabouts chronology
New West Motel
(1993)
Satisfied Mind
(1993)
Setting the Woods on Fire
(1993)

Satisfied Mind is the sixth album by The Walkabouts released in 1993 on Sub Pop Records. [1] It consists entirely of acoustic covers of roots music and compositions by modern singers-songwriters, including songs authored by the Carter Family, Gene Clark, Mary Margaret O'Hara, John Cale, Nick Cave, Patti Smith and Charlie Rich.[2]

Track listing

  1. "Satisfied Mind" (Jack Rhodes & Joe Hayes) – 4:47
  2. "Loom of the Land" (Nick Cave) – 5:59
  3. "The River People" (Robert Forster) – 5:17
  4. "Polly" (Gene Clark) – 4:15
  5. "Buffalo Ballet" (John Cale) – 3:28
  6. "Lover's Crime" (Pee Wee Maddux) – 2:52
  7. "Shelter for an Evening" (Gary Heffern) – 3:04
  8. "Dear Darling" (Mary Margaret O'Hara) – 2:27
  9. "Poor Side of Town" (Johnny Rivers) – 4:31
  10. "Free Money" (Lenny Kaye, Patti Smith) – 5:17
  11. "The Storms Are on the Ocean" (The Carter Family) – 5:01
  12. "Feel Like Going Home (Charlie Rich) – 8:17
  13. "Will You Miss Me When I'm Gone?" (Traditional) – 4:10

Release history[1]

Region Date Label Format Catalog
Germany 1993 Sub Pop Records LP SP 116/294
CD SPCD 116/294, EFA CD 08294-2, G-0294[3]
November 12, 1993[4] Glitterhouse Records SP 116/294, GRCD 294
United States 1996 Creative Man CMD 029

Personnel

The Walkabouts
Additional musicians
Technical personnel

Artwork

The cover photo ("Herman in the Wheatfield") was found at Grandma's Village Antiques. The cover design was made by Modern Dog.

Critical reception

Professional ratings
Review scores
SourceRating
Allmusic[2]

Jason Ankeny writing in a highly positive review for Allmusic said: "Satisfied Mind represents the purest evocation to date of the Walkabouts' aesthetic and its standing at the crossroads of country, rock, folk, and punk."[2]

References

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