Señor Vivo and the Coca Lord
 First edition | |
| Author | Louis de Bernières |
|---|---|
| Country | United Kingdom |
| Language | English |
| Genre | Magic Realism |
| Publisher | Secker and Warburg |
Publication date | 10 Jun 1991 |
| Media type | |
| Pages | 288 |
| ISBN | 0-436-20008-2 |
| Preceded by | The War of Don Emmanuel's Nether Parts |
| Followed by | The Troublesome Offspring of Cardinal Guzman |
Señor Vivo and the Coca Lord is a novel by Louis de Bernières, first published in 1991. It is the second of his Latin American trilogy, following on from The War of Don Emmanuel's Nether Parts and preceding The Troublesome Offspring of Cardinal Guzman.
Setting
Set in an imagined Latin American country the novel's political themes parody the worst excesses of the Pinochet government of Chile, the collapse of democratic social order in Uruguay in the 1970s and other dirty wars of the 1960s to 1980s in Southern and Central America. The story follows the exploits of drug cartels in trying to silence a young philosophy professor, the eponymous Senor Vivo, who attracts a large following through his constant critisicm of the drug trade. It also revisits the former inhabitants of the small town of Chiriguaná, who newly founded the township of Cochadebajo de los Gatos in the previous book. Other parts of the novel take place in the capital city of the fictional nation, in the clubs of the corrupt military commanders, and the palace of the distracted, amoral president.
HALLO
Plot introduction
When the philosophy lecturer Dionisio Vivo confronts drug lords and the government through letters and a series of newspaper articles in La Prensa, he becomes the enemy of the ruthless coca lord El Jerarca, the character of which is probably based on the notorious Colombian drug lord Pablo Escobar. His implausible escapes from the assassins sent by El Jerarca compel the people of the country to regard him as a magical 'brujo' and the saviour to their conflict and poverty. Indeed, hundreds of women follow him in a pilgrimage across the country, each carrying the hope of bearing his child. His excellency President Veracruz attempts to put an end to the country's soaring inflation through a series of foolishly unrealistic measures, and searches for spiritual enlightenment with his ex-prostitute wife through magical potions and alchemy. An array of prostitutes, guerrillas and townspeople from the first book re-appear throughout.
Style
De Bernières pays obvious homage to Latin American magic realism, in particular the comic awareness of life's transcendence which characterises the work of Gabriel García Márquez. However, his political themes are clear and unambiguous.