Sean Costello

For the Canadian author, see Sean Costello (author).
Sean Costello

Sean Costello performing at Tipitina's, New Orleans on March 11, 2005 (photo: Donald Schellhaas)
Background information
Born (1979-04-16)April 16, 1979
Philadelphia, Pennsylvania, United States
Died April 15, 2008(2008-04-15) (aged 28)
Atlanta, United States
Genres Blues, soul
Instruments Guitar, vocals
Years active 1995–2008

Sean Costello (April 16, 1979 – April 15, 2008) was an American blues musician, renowned for his fiery guitar playing and soulful singing.[1][2][3] He released five critically acclaimed albums before his career was cut short by his sudden death at the age of 28. Tinsley Ellis called him ‘the most gifted young blues guitarist on the scene... he was a triple threat on guitar, vocals and as a songwriter’.[4]

Career

Costello mastered traditional blues guitar at an early age and began his career while still in high school. His records became increasingly eclectic as his career progressed.[5][6]

Early years

Born in Philadelphia, Costello moved to Atlanta at the age of nine. Obsessive about the guitar from a young age, he got hooked on the blues after buying Howlin’ Wolf's 'Rockin' Chair Album'.[7] At 14 the young prodigy created a stir in a Memphis guitar shop, where an employee tipped his father off about a talent contest sponsored by the Beale Street Blues Society, which Costello duly entered and won. He formed his first band shortly after.[8]

At sixteen, Costello recorded his first album, Call The Cops (1996), already ‘displaying a flawless command of 1950s blues guitar’, in the words of music historian Tony Russell.[9] His lead guitar work on Susan Tedeschi's gold-selling album, Just Won't Burn, (1998), subsequently brought him national exposure. Costello's band later toured as Tedeschi's backing group.[6]

"His playing is shockingly deep for a 20-year old", wrote the Allmusic guide of Costello's second album, Cuttin’ In (2000),[10] which was nominated for a W. C. Handy Award for Best New Artist Debut.[11] The follow-up, Moanin’ For Molasses, was equally well received; the Allmusic guide drew attention to Costello's "soulful voice" and his "ability to mesh blues, R&B and soul".[12] "Passionate... distinctive and often compelling... Costello's vocals are most astonishing," reported Blues Revue Magazine.[13]

In concert

Costello honed his skills through almost constant performing, playing over 300 gigs a year and touring widely in the USA and Europe.[14] His reputation as a brilliant live performer enabled him to play alongside blues luminaries such as B. B. King and Buddy Guy (Ma Rainey House benefit concert, Columbus, Georgia, June 1997), James Cotton (Cotton's 64th birthday concert in Memphis) and Hubert Sumlin (South by Southwest, Austin, Texas, March 2005). When not touring, Costello made a living playing small venues in his home town of Atlanta, Georgia, such as the Northside Tavern.[8] Richard Rosenblatt, former President of Tone-Cool Records, recalls Costello's performances:

As a guitarist he was astounding, but for Sean it was never about showing off monstrous chops or stroking his own ego. His playing always fit the song; he would work the tone and phrasing, sometimes with an economy of notes that let the empty spaces hang achingly for what seemed like hours. When he did take off on the occasional blazing run, he was the ultimate tightrope walker, flirting fearlessly with danger before bringing it all back home with the unlikeliest of phrases that was still, somehow, perfect.[15]

Later career

Through Amy Helm of Ollabelle, Costello met her father, Americana musician Levon Helm, formerly of The Band,[16] whose eclecticism encouraged Costello to further develop his interests outside the blues: "he really blew it wide open for me. He’d play a Chuck Berry tune, then a blues, then a country tune or a rock number or whatever, and he didn’t even think twice about it."[6] Levon Helm and the members of Ollabelle were among the contributors to Costello’s fourth, self-titled album, recorded in New York with input from local musicians.[7] With an eclectic set list, and arrangements reminiscent more of Memphis soul than Chicago blues, Sean Costello (2005) marked a departure from his earlier work.[17] Costello’s guitar took a backseat to his voice, which by now "had acquired a ragged edge of considerable power" (Tony Russell).[9]

In 2007 Costello's playing on Nappy Brown's comeback album, Long Time Coming, was singled out for praise by the critics.[18][19][20][21] The following year Costello released what was to be his last album, We Can Get Together, acclaimed by many as his best work.[22][23][24][25] His guitar playing on this record was described variously as "incendiary",[1] "searing",[2] and "blistering red hot".[3] It earned Costello two Blues Music Award nominations for Best Contemporary Album and Best Contemporary Male Artist.[26] Hal Horowitz of the Allmusic guide summed up We Can Get Together with the following:

The material is so strong and the ensemble playing of his band so effortless that he doesn't need to distract attention from the songs with the extended soloing he is capable of. Most importantly, he establishes a greasy groove that weaves through each cut, connecting them even when the styles differ. While Costello is clearly inspired by the blues greats, many of whom he has covered on previous collections, he slants more to '70s Southern soul, rock, and R&B here, dousing these genres with a bucket load of swamp water and spearheaded by his whiskey-laced vocals. There's a thick, gooey atmospheric vibe that hangs over the album, gels its contents, and shows Costello to be a terrific singer and songwriter and guitar talent just hitting his peak.[22]

Death

Sean Costello was found dead in his Atlanta hotel room on April 15, 2008, one day before his 29th birthday.[27][28] A medical report later determined that he died of an accidental drug overdose.[29] Posthumously, Costello's family revealed that he had suffered from bipolar disorder, and set up the Sean Costello Memorial Fund for Bipolar Research in his honor.

Discography

Solo releases

Guest appearances

References

  1. 1 2 "Elmore Magazine, April–May 2008, p. 36" (PDF). Retrieved 2011-02-06.
  2. 1 2 "Big City Blues Magazine, February–March 2008, p. 46" (PDF). Retrieved 2011-02-06.
  3. 1 2 iNet Technologies, www.inetzone.com (2008-02-21). "Vintage Guitar magazine, February 2008". Vintageguitar.com. Retrieved 2011-02-06.
  4. ↑ "Obituary by Rob Turner, April 16, 2008". Jambands. 2008-04-14. Retrieved 2011-02-06.
  5. ↑ "Interview in Blues Revue, April 2008". Deltagrooveproductions.com. Retrieved 2011-02-06.
  6. 1 2 3 "Interview in Connect Savannah, April 2008". Deltagrooveproductions.com. Retrieved 2011-02-06.
  7. 1 2 Sean Costello : Guitar Lifestyle says: (2008-04-17). "A1 Artist Spotlight interview, April 14, 2008". A1artistspotlight.com. Retrieved 2011-02-06.
  8. 1 2 "Creative Loafing, June 4, 2008". Deltagrooveproductions.com. Retrieved 2011-02-06.
  9. 1 2 Tony Russell (2008-05-14). "Obituary: Sean Costello | Music | The Guardian". London: Music.guardian.co.uk. Retrieved 2011-02-06.
  10. ↑ Allmusic review of Cuttin' In
  11. ↑ Allmusic biography
  12. ↑ Allmusic review of Moanin' For Molasses
  13. ↑ Blues Revue Magazine's review of Moanin' For Molasses
  14. ↑ "Blues Source live preview". Bluessource.com. 2008-08-08. Retrieved 2011-02-06.
  15. ↑ "Recollections from Richard Rosenblatt, Elmore, June 2008" (PDF). Retrieved 2011-02-06.
  16. ↑ Radford, Chad (2008-06-11). "Levon Helm on Sean Costello". Blogs.creativeloafing.com. Retrieved 2011-02-06.
  17. ↑ "Sierra Blues Society review of ''Sean Costello''". Sierrabluessociety.org. Retrieved 2011-02-06.
  18. ↑ Allmusic review of Long Time Coming
  19. ↑ "Blues Bytes review of ''Long Time Coming'', December 2007". Bobcorritore.com. Retrieved 2011-02-06.
  20. ↑ "Blueswax review of ''Long Time Coming'', October 25, 2007". Bobcorritore.com. Retrieved 2011-02-06.
  21. ↑ "Music City Blues review of ''Long Time Coming October 5, 2007". Bobcorritore.com. Retrieved 2011-02-06.
  22. 1 2 Allmusic review of We Can Get Together
  23. ↑ "Blues In The Northwest review of ''We Can Get Together'', March 2008". Deltagrooveproductions.com. Retrieved 2011-02-06.
  24. ↑ "The Examiner's review of ''We Can Get Together'', February 2008". Deltagrooveproductions.com. Retrieved 2011-02-06.
  25. ↑ "WNY's review of ''We Can Get Together'', June 2008". Deltagrooveproductions.com. 2008-04-15. Retrieved 2011-02-06.
  26. ↑ "Blues Music Award nominees, 2009". Blues.org. Retrieved 2011-02-06.
  27. ↑ Eldredge, Richard L. (2008-04-16). "Atlanta blues guitarist Sean Costello found dead". Accessatlanta.com. Retrieved 2011-02-06.
  28. ↑ "Atlanta Bluesman Sean Costello Found Dead". Wsbtv.com. 2008-04-16. Retrieved 2011-02-06.
  29. ↑ Radford, Chad (2008-06-03). "Sean Costello's autopsy cites accidental drug overdose". Blogs.creativeloafing.com. Retrieved 2011-02-06.

External links

This article is issued from Wikipedia - version of the Wednesday, March 30, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.