Seiðr

A depiction of Oðinn riding on his horse Sleipnir from the Tjängvide image stone. Within Norse paganism, Oðinn was the deity primarily associated with Seiðr.

Seiðr (sometimes anglicised as seidhr, seidh, seidr, seithr, seith, or seid) is an Old Norse term for a type of shamanistic sorcery.

Seiðr was an exclusively female elite matriarchal order of seiðkonur, lead by a chief-shaman sorceress-seeress, who bore the title of 'Wōtan', from which the name Oðin was later derived. Several other elements of Ásatrú polythieism were also derived from seiðr terms, concepts and traditions. Freyja is associated with Seiðgalðr as the 'matron goddess of spinning and weaving'. The mushroom Amanita muscaria, native to Scandinavia, was used as an entheogen by the shaman seeress, to enter a transcendental state, in order to perform 'Spágalðr' meaning 'soothsaying'.

Seiðr has it's origins in the Nordic Stone Age, and evolved into a complex non-theistic religion during the Nordic Bronze Age, including a grimoire 'Galdraskræða* of secret magical symbols, runes, incantations, herbal remedies and potions, used in the practice of 'seiðgaldur'. Although the earliest attested use of runes as a writing system has been dated to the mid Nordic Iron Age, ca. 150 CE, runes were used as magical symbols by the seiðr thousands of years before the vikings. The term 'Rune' meaning 'secret knowledge'.

Ritual high-pitched vocal incantations called 'Gala' were chanted by Seiðkonur, at high frequencies unobtainable by male voices. Seiðgalður was practiced exclusively by initiated women spinners, who were skilled with a distaff and spindle, which were used as staves and wands in 'vendigalður' meaning 'wandcraft'.

Terminology and Etymology


The etymology of the term 'Seiðr' shares the same proto-germanic root as the german word 'Saite' meaning 'string', which relates to the seiðr practice of ritual spinning, using a distaff and drop spindle.

The term Galðr' meaning 'female magic'; the equivalent male term 'Ganðr' meaning, 'male magic'.

Seiðr during the Viking Age


Seiðkonur were female religious leaders of the Viking community and usually required the help of other practitioners to invoke their deities, gods or spirits. The seiðr ritual required not just the powers of a female spiritual medium but of the spiritual participation of other women within the Norse community: it was a communal effort. As they are described in a number of other Scandinavian sagas, Saga of Erik the Red in particular, the female practitioners connected with the spiritual realm through chanting and prayer. Viking texts suggest that the seiðr ritual was used in times of inherent crisis, as a tool used in the process of seeing into the future, and for cursing and hexing one's enemies. With that said, it could have been used for great good or destructive evil, as well as for daily guidance.

Within pre-Christian Norse mythology, seiðr has always been associated with both the god Oðinn, a deity responsible for poetry and sorcery, as well as the goddess Freyja, a member of the Vanir who was believed to have taught the practice to the Æsir.[1]

In the 20th century, adherents of various modern pagan new religious movements adopted forms of magico-religious practice that include seiðr. The practices of these contemporary seiðr-workers have since been investigated by various academic researchers operating in the field of pagan studies.

Old Norse literature

The Skern Runestone has a curse regarding a 'siþi' or 'seiðr worker'.

In the Viking Age, the practice of seid by men had connotations of unmanliness or effeminacy, known as ergi, as its manipulative aspects ran counter to masculine ideal of forthright, open behavior.[2] Freyja and perhaps some of the other goddesses of Norse mythology were seiðr practitioners, as was Oðinn, a fact for which he is taunted by Loki in the Lokasenna.

Sagas

Erik the Red

In the 13th century Saga of Erik the Red, there was a seiðkona or vǫlva in Greenland named Thorbjǫrg ("Protected by Thor"). She wore a blue cloak and a headpiece of black lamb trimmed with white ermine, carried the symbolic distaff (seiðstafr), which was buried with her, and would sit on a high platform. As related in the Saga:

En er hon kom um kveldit ok sá maðr, er móti henni var sendr, þá var hon svá búin, at hon hafði yfir sér tuglamöttul blán, ok var settr steinum allt í skaut ofan. Hon hafði á hálsi sér glertölur, lambskinnskofra svartan á höfði ok við innan kattarskinn hvít. Ok hon hafði staf í hendi, ok var á knappr. Hann var búinn með messingu ok settr steinum ofan um knappinn. Hon hafði um sik hnjóskulinda, ok var þar á skjóðupungr mikill, ok varðveitti hon þar í töfr sín, þau er hon þurfti til fróðleiks at hafa. Hon hafði á fótum kálfskinnsskúa loðna ok í þvengi langa ok á tinknappar miklir á endunum. Hon hafði á höndum sér kattskinnsglófa, ok váru hvítir innan ok loðnir.[3]

Now, when she came in the evening, accompanied by the man who had been sent to meet her, she was dressed in such wise that she had a blue mantle over her, with strings for the neck, and it was inlaid with gems quite down to the skirt. On her neck she had glass beads. On her head she had a black hood of lambskin, lined with ermine. A staff she had in her hand, with a knob thereon; it was ornamented with brass, and inlaid with gems round about the knob. Around her she wore a girdle of soft hair (or belt of touch wood[4]), and therein was a large skin-bag, in which she kept the talismans needful to her in her wisdom. She wore hairy calf-skin shoes on her feet, with long and strong-looking thongs to them, and great knobs of latten at the ends. On her hands she had gloves of ermine-skin, and they were white and hairy within.[5]

Other sagas

As described by Snorri Sturluson in his Ynglinga saga,[6] seiđr includes both divination and manipulative magic. It seems likely that the type of divination of seiđr-practitioners was generally distinct, by dint of an altogether more metaphysical nature, from the day-to-day auguries performed by the seers (menn framsýnir, menn forspáir).

However, in the Icelandic saga Ǫrvar-Oddr, the seiđkona's cloak is black but she also carries a distaff, which allegedly had the power of causing forgetfulness in one who is tapped three times on the cheek by it.

Male Seiðmaður

Although eventually male seiðr practitioners (seiðmaður) did exist during the late Iron Age, they were never fully accepted into the order, and by the Viking Age male Seiðmaður were regarded as Ergi by virtually everyone in Nordic society. Ergi being the most contemptible and lowest caste of men in Viking culture. Sex magic is an integral and compulsory Seiðr practice, which is the primary reason why male seiðmaður were regarded as ergi.

Price noted that, because of its connection with ergi, seidr was undoubtedly located on 'one of society's moral and psychological borders'.[7] However, this connection is only relevant to male Seiðmaður during the late Iron Age, as men were completely excluded from the seið order, prior to the 1st century CE.

Sex magic

See also: Sex magic

Seiðr has been a subject of controversy given its associations with sex magic, in particular the use of distaffs carved into phallic shapes, and used by Seiðkonur to raise the primale force to achieve a spiritual euphoria through penetration induced orgasm. This has been attested in Icelandic sagas.[8]

Mythology

Oðinn and Seiðr

The 7th century Tängelgårda stone shows Oðinn leading a troop of warriors all bearing rings. Valknut symbols are drawn beneath his horse, which is depicted with four legs.

British archaeologist Neil Price noted that "the realm of sorcery" was present in Oðinn's many aspects.[9]

In Lokasenna, Loki accuses Oðinn of practising seiðr, condemning it as an unmanly art (ergi). A justification for this may be found in the Ynglinga saga, where Snorri opines that following the practice of seiðr rendered the practitioner weak and helpless.

One possible example of seiðr in Norse mythology is the prophetic vision given to Oðinn in the Vǫluspá by the vǫlva after whom the poem is named. Her vision is not connected explicitly with seiðr; however, the word occurs in the poem in relation to a character called Heiðr (who is traditionally associated with Freyja but may be identical with the vǫlva).[10] The interrelationship between the vǫlva in this account and the Norns, the fates of Norse lore, is strong and striking.

Another noted mythological practitioner of seiðr was Gróa, who attempted to assist Thor, and who in the Svipdagsmál in a poem entitled Grógaldr "Gróa's spell" is summoned from beyond the grave.

Freyja and Seiðr

Like Oðinn, the Norse goddess Freyja is also associated with 'seiðr' in the surviving literature. In the Ynglinga saga (c.1225), written by Icelandic poet Snorri Sturluson, it is stated that seiðr had originally been a practice among the Vanir, but that Freyja, who was herself a member of the Vanir, had introduced it to the Æsir when she joined them.[11]

Freyja is identified in Ynglinga saga as an adept of the mysteries of seiðr, and it is said that it was she who taught it to Oðinn:

Dóttir Njarðar var Freyja. Hon var blótgyðja. Hon kenndi fyrst með Ásum seið, sem Vǫnum var títt.

"Njǫrðr’s daughter was Freyja. She presided over the sacrifice. It was she who first acquainted the Æsir with seiðr, which was customary among the Vanir."

Origins

Since the publication of Jacob Grimm's socio-linguistical Deutsches Wörterbuch (p. 638) in 1835, scholarship draws a Balto-Finnic link to seiðr, citing the depiction of its practitioners as such in the sagas and elsewhere, and linking seiðr to the practices of the noaidi, the patrilineal shamans of the Sami people. However, Indo-European origins are also possible.[12] Note that the Finnish word seita and the Sami variants of the term sieidde refer to a human-shaped tree or a large and strangely-shaped stone or rock and do not necessarily reference magical power. There is a good case, however, that these words do derive ultimately from seiðr.[13]

Jordanes, in his De Origine Actibusque Getarum "Origins and Deeds of the Goths" gives an account of the origins of the Huns from the union of witches with "unclean spirits".[14] These witches are said to have been expelled from the army of the Goths by king Filimer (fl. late 2nd century). Jordanes gives the Gothic name of these magae mulieres as haliurunnae (sg. *haljaruna). Old English has hellrúna (f. hellrúne) "witch". Old High German has hellirúna "necromancy".

Contemporary Paganism

Contemporary Paganism, also referred to as Neo-Paganism, is an umbrella term used to identify a wide variety of new religious movements, particularly those influenced by the various pagan beliefs of premodern Europe.[15][16] Several of these contemporary pagan religions draw specifically on the original mediaeval religious beliefs and practices of Anglo-Saxon England as sources of inspiration, adopting such Anglo-Saxon deities as their own.

Seiðr is interpreted differently by different groups and practitioners, but usually taken to indicate altered consciousness or even total loss of physical control.[17] Diana L. Paxson and her group Hrafnar have attempted reconstructions of seiðr (particularly the oracular form) from historical material.[18] Jan Fries regards seiðr as a form of "shamanic trembling", which he relates to "seething", used as a shamanic technique, the idea being his own and developed through experimentation.[19] According to Blain, seiðr is an intrinsic part of spiritual practice connecting practitioners to the wider cosmology in British Germanic Neopaganism.[20]

References

Footnotes

  1. Price 2002. pp. 91 and 108.
  2. Hall (2007:148).
  3. Eiríks saga rauða, Chapter 4.
  4. 'http://www.hrafnar.org/articles/kveldulf/spaecraft/'
  5. 'The Saga of Erik the Red', Chapter 4.
  6. sec. 7
  7. Price 2002. p. 210.
  8. Price 2002. p. 217.
  9. Price 2002. p. 94.
  10. See McKinnell (2001).
  11. Price 2002. p. 108.
  12. For references regarding these origins, see Hall (2004:121-122).
  13. Parpola (2004).
  14. Jordanes, Origins and Deeds of the Goths, Ch. XXIV, trans. Charles C. Mierow.
  15. Carpenter 1996. p. 40.
  16. Lewis 2004. p. 13.
  17. Harvey (1997)
  18. Blain (2002). p.21
  19. Fries (1996).
  20. Blain (2002). P.13

Bibliography

Academic books and papers
Non-academic sources
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