List of photographic films

Various films in their boxes

ADOX

The ADOX name traces back to the oldest photographic film manufacturer in the world, started in 1860 in Germany.^[1] ADOX CHS films are still made according to the recipes from the 1950s and are coated slowly on a historic dip and dunk machine, which limits production to only 10,000 films at a time. "ADOX CMS 20 is the highest resolving film in the world and can capture up to 800 l/mm in technical photography. Together with ADOTECH developer it achieves a full tonal separation and up to 300 l/mm, which still exceeds the resolution of all available lenses (except for scientific and NASA-space lenses)."^[2]

Black and white films

ADOX CMS 20 II

Type: Black & White Negative
Speed: ISO 16/12° (normal contrast), 20/14° (reduced contrast)
Available formats: 35 mm, 120
Granularity: (x 1000): RMS 14
Latitude: Wide
Resolving power: contrast 1000:1 800 line pairs/mm (1600 line/mm)^[3]
History: The sharpest, most fine grained and highest resolving image recording system in the world.
Primary usage: Portraits, landscape, architecture
General characteristics: high image quality, ultra-fine grain, highest detail film. Requires ADOTECH developer.
Reciprocity failure: 1/1000 sec + 1/2 F-stop, 1 sec + 1/2 F-stop, 10 sec + 1 F-stop.

ADOX CHS 100 II

Type: Black & White Negative
Speed: ISO 100/21°
Available formats: 35 mm, 120, Super 8, sheet film up to 20x24"^[4]
Granularity: (x 1000):
Latitude:
Resolving power:
History: Replaces CHS 100 that was discontinued in 2012 due to unavailability of the spectral sensitizer.
Primary usage: Portraits, landscape, architecture
General characteristics: high image quality, ultra-fine grain, highest detail film.
Reciprocity failure: up to 1 sec no change, 2 sec + 1.5 F-stop (3 sec), 4 sec + 2 F-stop (8 sec), 8 sec + 2.5 F-stop (20 sec), 15 sec + 3 F-stop (45 sec), 30 sec + 4 F-stop (120 sec), 60 sec + 6.5 F-stop (6 min 30 sec).

ADOX Silvermax 100

Type: Black & White Negative
Speed: ISO 100/21°
Available formats: 35 mm, Super 8^[5]
Granularity: (x 1000):
Latitude: Extremely wide
Resolving power:
History: Has increased silver content for DMAX>3.0 and can reproduce up to 14 zones in dedicated SILVERMAX developer.
Primary usage: all
General characteristics: High dynamic range, deep shadows to bright highlights
Reciprocity failure: 1/10,000 to 1/2 sec no change, 1 sec + 1/2 F-stop, 10 sec or more +1 F-stop

Agfa consumer and professional films

Headquarters in Mortsel, Belgium. A spin-off company, AgfaPhoto, went bankrupt in 2005. The mother company, however, continues to produce films for aerial photography and these films are nowadays repackaged for consumer use by Rollei and Lomography. AgfaPhoto films were made by Ferrania.

Black and white films

Agfapan AP 100 (discontinued)
Agfapan AP 400 (discontinued)
Agfapan APX 25 (discontinued)
Agfapan APX 100. Discontinued but residual stock still available. Production of identical material announced for 2010 by ADOX
Agfapan APX 400. Discontinued. Production of identical material announced for 2010 by ADOX
Isopan ISS (Super Special) (discontinued)
Isopan F - Portrait film (discontinued)
Isopan F (discontinued)
Isopan Ultra (discontinued)
Isopan Super Special (discontinued)
Isopan Fine Grain (discontinued)
Isopan Record (discontinued)
Agfa Vario-XL (C-41 process chromogenic film) (discontinued)
Dia-Direct (reversal film) with speeds of ISO 12 & ISO 32 (discontinued)
Scala (reversal film) Dia-Direct replacement with ISO 200 speed. Discontinued but residual stock still available. Processing as a slide available through DR5 (USA)

Color reversal (slide) films

Agfacolor Neue (discontinued)
Agfa CT18 (discontinued)
Agfachrome 50 S / 50 L (discontinued)
RSX series (discontinued, however RSX200 living on in Rollei DigiBase CR200, manufactured by Agfa Gevaert as AVIPHOT CHROME 200 datasheet)
Precisa CT 100 (believed now manufactured by Fuji - to be verified)

Color negative films

Agfacolor Negative (discontinued)
Agfacolor CN17 (discontinued)
Agfa CNS (discontinued)
Agfacolor Pocket Special (discontinued)
Agfa Optima (discontinued)
Agfa Portrait (discontinued)
Agfa Ultra (discontinued)
Vista 200/400 (discontinued but residual stock still available)

Film Washi

Factory in Saint-Nazaire, France. Launched in 2013, producing a handcrafted film, handcoated on traditional Washi paper. Also converting other films industrially coated in larger factories and originally made for technical,motion pictures, industrial or aerial applications. Film sales through http://filmwashi.com

Black and white negative films

"W" - 25 iso (120, 4x5", 5x7", 8x10", 18x24 cm) -> handcoated on japanese paper
"Z" - 400 iso (35mm) -> near infrared sensitivity, originally produced for aerial photography
"D" - 500 iso (35mm)-> originally produced for aerial photography
"S" - 50 iso (35mm) -> originally produced for motion picture sound recording
"A" - 12 iso (35mm) -> originally produced as motion picture leader film

Color negative films

"X" - 400 iso (35mm), C-41 without mask, can be processed in E-6

Foma

Factory in Hradec Králové, Czech Republic. Films branded as AristaEDU come from this source.

Black and white negative films

^[6]

FOMAPAN 100 (35 mm, 120, 4x5", 4x5", 8x10", 24x30 cm)
FOMAPAN 200 (35 mm, 120, 4x5", 4x5", 8x10", 24x30 cm) -> has "T" grain
FOMAPAN 400 (35 mm, 120, 4x5", 4x5", 8x10", 24x30 cm)

Black and white reversal

FOMAPAN R 100 (35 mm) true B&W slide film, unsuitable for negative development; processing available through DR5 (USA) or Photo Studio 13 (DE) or using Foma Direct Reversal Kit

Fujifilm

Fujifilm photographic films ^[7] ^[8]

Black and white films

Neopan 100 Acros

Type: Black & White Negative
Speed: ISO 100/21°
Available formats: 35 mm, 120, 4x5"
Granularity: (x 1000): RMS 7
Latitude: Wide
Resolving power: contrast 1000:1 200 line/mm, contrast 1.6:1 60 line/mm
History:
Primary usage: Portraits, landscape, architecture
General characteristics: high image quality, ultra-fine grain, minimal reciprocity defect

Neopan 400 Presto

Type: Black & White Negative
Speed: ISO 400/27°
Available formats: 35mm, 120 (discontinued)

Neopan 1600 Super Presto

Color reversal (slide) films

Velvia 50

Type: Color
Speed: ISO 50/18°
Available formats: 35 mm, 120, 220, 4x5", 8x10", 13x18cm
Granularity: (x 1000): RMS 9
Latitude: ±½ stop
Color saturation: Very high
Resolving power: contrast 1000:1 160 line/mm, contrast 1.6:1 80 line/mm
History: introduced in 1990 and discontinued in 2005 due to problems in raw material availability (with Velvia 100 being offered as a replacement, however it has a different emulsion), after a flood of complaints reintroduced in 2007 (with slightly modified formulary)
Primary usage: Landscape and nature scenes.
General characteristics: Very high contrast, very high saturation.

Velvia 100

Type: Color Reversal
Speed: ISO 100/21°
Available formats: 35 mm, 120, 220, 4x5", 8x10"
Granularity: (x 1000): RMS 8
Latitude:
Color saturation: Very high
Resolving power: contrast 1000:1 160 line/mm, contrast 1.6:1 80 line/mm
History: Set to replace 'classic' Velvia 50.
Primary usage: Landscape and nature scenes.
General characteristics: Very high contrast, very high saturation.

Velvia 100F

Type: Color Reversal
Speed: ISO 100/21°
Available formats: 35 mm, 120, 220, 4x5", 8x10", 9x12cm, 13x18cm
Granularity: (x 1000): RMS 8
Latitude: ±½ stop
Color saturation: Very high
Resolving power: contrast 1000:1 160 line/mm, contrast 1.6:1 80 line/mm
History:
Primary usage:
General characteristics: Very high contrast, very high saturation.

Provia 100F

Type: Color Reversal
Speed: ISO 100/21°
Available formats: 35 mm, 120, 220, 4x5", 8x10", 9x12cm, 13x18cm
Granularity: (x 1000): RMS 8
Latitude: ±½ stop
Color saturation: Very high
Resolving power: contrast 1000:1 140 line/mm, contrast 1.6:1 60 line/mm
History:
Primary usage:
General characteristics:

Astia 100F

Type: Color Reversal
Speed: ISO 100/21°
Available formats: 35 mm, 120, 220, 4x5", 8x10"
Granularity: (x 1000): RMS 7
Latitude:
Color saturation: Subdued
Resolving power: contrast 1000:1 140 line/mm, contrast 1.6:1 60 line/mm
History:
Primary usage: Fashion, portraits, interior, products.
General characteristics: Soft tones

Provia 400X

Type: Color Reversal
Speed: ISO 400/27°
Available formats: 35 mm (discontinued), 120
Granularity: (x 1000): RMS 11
Color saturation: High
Resolving power: contrast 1000:1 135 line/mm, contrast 1.6:1 55 line/mm
History: Replaced Provia 400F
Primary usage: Sports, journalism, stage shows, astrophotography

64T type II

Type: Color Reversal
Speed: ISO 64/19°
Available formats: 35 mm, 120, 4x5", 8x10", 9x12cm
Granularity: (x 1000): RMS 10
Latitude:
Color saturation: Natural
Resolving power: contrast 1000:1 135 line/mm, contrast 1.6:1 55 line/mm
History:
Primary usage: Product photography and reproducing illustrations or paintings.
General characteristics: For tungsten lighting.

Sensia 100

Type: Color Reversal
Speed: ISO 100/21°
Available formats: 35 mm
Granularity: (x 1000): RMS 8
Latitude:
Color saturation: Natural
Resolving power: contrast 1000:1 140 line/mm, contrast 1.6:1 60 line/mm
History:
Primary usage: General
General characteristics:

Sensia 200

Type: Color Reversal
Speed: ISO 200/24°
Available formats: 35 mm (discontinued)
Granularity: (x 1000): RMS 13
Latitude:
Color saturation: Natural
Resolving power: contrast 1000:1 140 line/mm, contrast 1.6:1 60 line/mm
History:
Primary usage: General, indoor
General characteristics:

Sensia 400

Type: Color Reversal
Speed: ISO 400/27°
Available formats: 35 mm (discontinued)
Granularity: (x 1000): RMS 13
Latitude:
Color saturation: Natural
Resolving power: contrast 1000:1 135 line/mm, contrast 1.6:1 55 line/mm
History:
Primary usage: Sports, portraits, nighttime, astrophotography.
General characteristics:

Color negative films

Pro 160S

Type: Color negative
Speed: ISO 160/23°
Available formats: 35 mm, 120, 220, 4x5", 8x10", 9x12cm, 13x18cm
Granularity: (x 1000): RMS 3
Latitude:
Color saturation:
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 63 line/mm
History: Replaced NPS160
Primary usage: Portraits
General characteristics:

Pro 160C

Type: Color negative
Speed: ISO 160/23°
Available formats: 35 mm, 120, 220, 4x5"
Granularity: (x 1000): RMS 3
Latitude:
Color saturation: Enhanced
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 63 line/mm
History: Replaced NPC160
Primary usage: Portraits, fashion, architecture, interior.
General characteristics:

NPL 160

Type: Color negative
Speed: ISO 160/23°
Available formats: 120, 4x5", 8x10"
Granularity: (x 1000): RMS 4
Latitude:
Color saturation:
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 63 line/mm
History:
Primary usage: Studio portraits, copying.
General characteristics: For tungsten lighting.

Pro 400H

Type: Color negative
Speed: ISO 400/27°
Available formats: 35mm, 120, 220
Granularity: (x 1000): RMS 4
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 50 line/mm
History: Used to be called NPH400
Primary usage: Weddings, portraits, fashion.
General characteristics: 4th Color layer.

Pro 800Z

Type: Color negative
Speed: ISO 800/30°
Available formats: 35mm, 120, 220
Granularity: (x 1000): RMS 5
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 115 line/mm, contrast 1.6:1 50 line/mm
History: Used to be called NPZ800
Primary usage: Weddings, portraits, fashion.
General characteristics:

Superia Reala

Type: Color negative
Speed: ISO 100/21°
Available formats: 35mm, 120
Granularity: (x 1000): RMS 4
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 63 line/mm
History:
Primary usage: Weddings, portraits, fashion.
General characteristics: 4th Color layer, fine grain.

Superia 100

Type: Color negative
Speed: ISO 100/21°
Available formats: 35mm, 120
Granularity: (x 1000): RMS 4
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 63 line/mm
History:
Primary usage: General.
General characteristics: 4th Color layer.

Superia 200

Type: Color negative
Speed: ISO 200/24°
Available formats: 35mm, 110
Granularity: (x 1000): RMS 4
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 50 line/mm
History:
Primary usage: General.
General characteristics: 4th Color layer.

Superia X-tra 400

Type: Color negative
Speed: ISO 400/27°
Available formats: 35mm
Granularity: (x 1000): RMS 4
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 50 line/mm
History:
Primary usage: General.
General characteristics: 4th Color layer.

True definition 400

Type: Color negative
Speed: ISO 400/27°
Available formats: 35mm
Granularity: (x 1000): RMS 5
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 50 line/mm
History:
Primary usage: General.
General characteristics: 4th Color layer, fine grain.

Superia X-tra 800

Type: Color negative
Speed: ISO 800/30°
Available formats: 35mm
Granularity: (x 1000): RMS 5
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 50 line/mm
History:
Primary usage: General.
General characteristics: 4th Color layer.

Superia 1600

Type: Color negative
Speed: ISO 1600/33°
Available formats: 35mm
Granularity: (x 1000): RMS 7
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 50 line/mm
History:
Primary usage: General.
General characteristics: 4th Color layer.

Press 400

Type: Color negative
Speed: ISO 400/27°
Available formats: 35mm
Granularity: (x 1000): RMS 4
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 50 line/mm
History:
Primary usage: General.
General characteristics: 4th Color layer.

Press 800

Type: Color negative
Speed: ISO 800/30°
Available formats: 35mm, 110
Granularity: (x 1000): RMS 5
Latitude: Wide.
Color saturation: Natural.
Resolving power: contrast 1000:1 125 line/mm, contrast 1.6:1 50 line/mm
History:
Primary usage: General.
General characteristics: 4th Color layer.

Ilford

^[9]

Delta 100

Type: Black and White
Speed: ISO 100, DIN 21
Available formats: 35 mm, 120, Sheet Film
Granularity: Extremely Fine
Resolving power: High
History: 100 speed version of Delta released in 1992
Primary usage: General black-and-white photography
General characteristics: Extreme contrast, fine-grain, fairly wide latitude

Delta 400

Type: Black and White
Speed: ISO 400, DIN 27
Available formats: 35 mm, 120
Granularity: Fine
Latitude: EI 200/24 to EI 3200/36
Resolving power:
History: The Delta films are Ilford's answer to Kodak's T-grained films (T-Max). Unveiled in 1990, it uses Ilford's core-shell crystal technology. The current version was released in 2001.
Primary usage: All-purpose black-and-white film
General characteristics: Relatively fine grain and high contrast, good speed

Delta 3200

Type: Black and White
Speed: ISO 1000/DIN 31
Available formats: 35 mm, 120
Granularity:
Latitude: EI 1600/33 to EI 6400/39, up to EI 25000/45 with push processing
Resolving power:
History: Available since 1998 as a competitor to Kodak's T-Max 3200. Unlike Kodak's emulsion, it is available in 120 format.
Primary usage: Low light and extreme low light depending on what speed it is exposed and developed at.

XP2 Super

Type: Black and White (Chromogenic Dye)
Speed: ISO 400/DIN 27
Available formats: 35 mm, 120
Latitude: EI 50/18 to EI 800/30
History: Replaced XP2 Plus, Ilford decided not to call it XP3
Primary usage: A medium speed, C41 (One hour photo) process film.

Ortho Plus

Type: Black and White Orthochromatic Copy Film
Speed: ISO 80/DIN 20 in Daylight, ISO 40/DIN 17 in Tungsten
Available formats: sheet only
Primary usage: Copy work, B&W duplicating, alternative processes, creative portraiture.
General characteristics: Orthochromatic, thus subjects that reflect red light show little density on the negative. Very fine grain and high resolving power. Highest contrast and Dmax of all Ilford films.

Pan F Plus

Type: Black and White (Silver, Panchromatic)
Speed: ISO 50/DIN 18
Available formats: 35 mm, 120
Granularity: Very Fine
Latitude: EI 25/15 to EI 50/18
Resolving power:
History: Available since 1992
Primary usage: Portraiture, Landscape, Still life.
General characteristics: Very fine grain and high resolving power. High contrast and Dmax.

FP4 Plus

Type: Black and White
Speed: ISO 125, DIN 22
Available formats: 35 mm, 120, Sheet Film
Granularity: Very Fine
Latitude: EI 50/18 to EI 200/24
Resolving power:
History:
Primary usage: General Black and White Photography, Landscape Photography
General characteristics: Very fine grain, Medium-high Contrast

HP5 Plus

Type: Black and White
Speed: ISO 400, DIN 27
Available formats: 35 mm, 120, Sheet Film
Granularity:
Latitude: EI 400/27 to EI 3200/36
Resolving power:
History:
Primary usage: Photojournalism, amateur, students.
General characteristics: medium to fine grain, depending on developer and format used; medium contrast

SFX 200

Type: Black and White with Extended Red Sensitivity
Speed: ISO 200, DIN 24
Available formats: 35 mm, 120
Granularity: Medium-Coarse
Latitude:
Resolving power:
History:
Primary usage: Infrared Photography
General characteristics: medium grain, sensitive to IR up to about 750 nm

Pan 100

Type: Black and White
Speed: ISO 100, DIN 21
Available formats: 35 mm, 120
Granularity:
Latitude: EI 50/18 to EI 200/24
Resolving power:
History:
Primary usage:
General characteristics:

Pan 400

Type: Black and White
Speed: ISO 400, DIN 27
Available formats: 35 mm, 120
Granularity:
Latitude: EI 200/24 to EI 3200/36
Resolving power:
History:
Primary usage:
General characteristics:

Kodak

^[10]^[11]

Black-and-white films

Plus-X (discontinued)
Panatomic-X
T-MAX
Ektagraphic High Contrast Slide (HCS) orthochromatic negative film for making reverse-text title slides etc.
Fine Grain Release Positive, blue-sensitive negative film specially for motion film duplication
Rapid Process Copy (RPC) ultra-slow duplicating film with a blue-tinted base (similar product: see Rollei RSD)
BW400CN (chromogenic film for the C-41 process, discontinued 2014-08-14)
Tri-X
- Speed: ISO 400 (TX) / 320 (TXP)
- Available formats: 35 mm (TX) and 120 (TX); Sheet Film (TXP, different emulsion with ISO 320 speed !)
- History: introduced in 1954
- Primary usage: Photojournalism

Color negatives

Kodak Gold
Kodak Ultramax 400
Kodak Ektar 100
Portra 160/400/800

Color slides

Ektachrome E100G
Ektachrome E100VS

Maco

Headquarters in Stapelfeld, Germany. Film sales through www.macodirect.de

ORT

Type: Black and White (orthochromatic)
Speed: ISO 25, DIN 15°
Available formats: 35 mm, 120, Sheet Film
Granularity: Extremely Fine
Resolving power: Extremely High (>330lp/mm)
History: evolution of Agfa Ort25c, same emulsion as MACO EM miocrography film, evolved later in ORTO25
Primary usage: Reprography, Micrography, specialty black-and-white photography
General characteristics:
Discontinued

^[12]

Rollei

R3

Speed: ISO 200, DIN 24° (can be used from ISO25 to ISO6400)
Available formats: 35 mm, 120, Sheet Film
Granularity: Fine
Resolving power: High
History: launched in 2004
Primary usage: General black-and-white photography
General characteristics: Fairly wide latitude, PET base for better film flatness, extended spectral sensitivity from IR to near-UV, to be stored in special black cartridges
Discontinued

^[13]

IR

Nominal speed EI 400
Pseudo-IR, i.e. red sensitive having only moderate IR effect
Same emulsion as Retro 400S

RPX 100/400

same emulsion as Kentmere 100/400

ATO (Advanced Technical Ortho)

same emulsion as Maco Genius Film
clear base
suitable for reversal process

ATP1.1 (Advanced Technical Pan)

may be used as Kodak Technical Pan replacement
extended red sensitivity
clear base
suitable for reversal process

Resolving power: contrast 1000:1 900 Lp/mm (1600 lines/mm), 300 Lp/mm at a contrast of 1,6:1. ^[14] ^[15] ^[16]

Retro Tonal

same emulsion as Maco PO100C
an orthopanchromatic ("RectePan") film
clear base
suitable for reversal process

Retro 80S

extended red sensitivity
clear base
suitable for reversal process

SuperPan

same emulsion as Agfa Aviphot Pan
ISO 200
extended red sensitivity
clear base
suitable for reversal process

Rollei Pan

ISO 25
clear base, well suited for B&W slides

Rollei Ortho

orthochromatic film with a clear base
spectral sensitivity 380 - 610 nm
resolving power of 330 lines/mm (with a fine-grain developer)
especially suited for digital scanning

RSD

same emulsion as Agfa Copex Slide Direct
a pre-fogged orthochromatic film specially for negative or slide duplication
exposure index (EI) in daylight around 0.2 (thus it has a DIN value of -6 !) = about EI 6 + 5 f stops (not many cameras will handle this correctly)
after a massive exposure will produce a positive in traditional B&W process, i.e. is NOT run through a reversal process; see also solarisation
contrast adjustment using different developers, i.e. lower contrast: for ex. Rodinal/Adonal (1:25 about 10 mins., 1:50 about 20 mins.) or higher contrast: any paper developer 1+4 about 5 mins.

DigiBase CN200

without a mask, very well suited for scanning
subdued colors and unusual effects in reversal process (E-6)

ScanFilm

same emulsion as Agfa Aviphot Color X400
without a mask, very well suited for scanning

DigiBase CR200

same emulsion as Agfa RSX200

CrossBird

normal results in E-6 reversal process
specially designed for cross-processing in C-41

Gigabit

Gigabit Film

Type: Black and White
Speed: ISO 40, DIN 17°
Available formats: 35 mm
Granularity: Extremely Fine
Resolving power: Extremely High
History: said to be Agfa Copex micrography film, sold with special low-contrast developer to increase dynamic range
Primary usage: General black-and-white photography, with scanning in mind
General characteristics: PET base for better film flatness, strong contrast and low exposure tolerance, fine grain not much subject to grain aliasing in usual resolution scans

^[17]

Efke (Fotokemia)

Factory in Samobor (near Zagreb), Croatia. Closed since 2012. Products sold by Fotoimpex (Berlin, Germany) under the name ADOX. Manufactured B&W papers and for example, the following B&W films:

KB/R/PL 25/50/100 in 135, 120 and sheet formats
IR820, a true infrared film

References

↑ http://www.adox.de/english/ADOX_History/About_ADOX.html
↑ http://www.adox.de/english/ADOX_Films/ADOX_Films.html
↑ "ADOX CMS 20 II & ADOTECH II". http://www.adox.de/Photo/?page_id=2395. External link in |website= (help); Missing or empty |url= (help); |access-date= requires |url= (help)
↑ "ADOX CHS 100 TYPE II". http://www.adox.de/Photo/?page_id=2591. External link in |website= (help); Missing or empty |url= (help); |access-date= requires |url= (help)
↑ "ADOX Silvermax". http://www.adox.de/Photo/?page_id=2604. External link in |website= (help); Missing or empty |url= (help); |access-date= requires |url= (help)
↑ "Foma Black & White Photo". Retrieved 2013-01-15.
↑ "Fujifilm consumer film line-up". Archived from the original on 2007-03-25. Retrieved 2007-04-14.
↑ "Fujifilm professional film line-up". Archived from the original on 2007-01-17. Retrieved 2007-04-14.
↑ "Ilford consumer and professional films". Retrieved 2007-04-14.
↑ "Kodak consumer film". Retrieved 2007-04-14.
↑ "Kodak professional products". Retrieved 2007-04-14.
↑ "Product sheet of EM film"
↑ "Product sheet"
↑ "Technical Data Sheet"
↑ "ATP DC Developer MSDS"
↑ ""
↑ "Product sheet"

External links

Some facts and opinions about modern slow-speed high-resolution B&W films

This article is issued from Wikipedia - version of the Tuesday, February 16, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.