Set the Thames on Fire

Set the Thames on Fire
Directed by	Ben Charles Edwards
Produced by	Emma Comley Sadie Frost Andrew Green
Written by	Al Joshua
Based on	Characters by Ben Charles Edwards and Al Joshua
Starring	Michael Winder Max Bennett Noel Fielding Sally Phillips Sadie Frost Lily Loveless David Hoyle
Music by	Al Joshua
Cinematography	Sergio Delgado
Edited by	Darren Baldwin
Production company	Blonde to Black Pictures
Release dates	21 April 2016 (2016-04-21) (BFI Southbank)
Running time	83 minutes^[1]
Country	United Kingdom
Language	English

Set the Thames on Fire is a 2015 British science fiction fantasy comedy-drama film directed by Ben Charles Edwards in his directorial debut and written by Al Joshua based on characters created by Edwards and Joshua. The film stars Michael Winder and Max Bennett, alongside an ensemble cast featuring Noel Fielding, Sadie Frost, Sally Phillips, Collette Cooper, and Lily Loveless.^[2]^[3]^[4]^[5]

Plot

Art is a down-on-his-luck lowlife pianist, whose life has stalled in a grief filled frozen moment – shipwrecked on the lonesome shore of his own life. Sal is a cracked pinball machine; full of energy, light and fun but out of control and dangerously chaotic. Having escaped from Bedlam Psychiatric Hospital, Sal is an easy-going, sweet natured imp of the perverse and agent of trouble.

The two boys meet whilst working as the help at a vile cocktail party for the rich and corrupt. The boys make a connection, finding refuge in each other – the only shipmates on a drunken boat, tossed about on a stormy London sea. At the cocktail party, the elegant and sophisticated Colette reads the dangerously paranoid Impresario’s tarot cards, predicting the demise of the old, bloated and corrupt. This sets in motion a series of strange events that may connect together like a great unseen plan, or may simply be the random coincidences of an uncaring universe.

The boys become caught up in the cogs as they turn, like two rats caught in the machinery of Big Ben, as the cogs drags them ever nearer a terrifying climax. A confrontation between two different natures – the Impresario’s relentless "progress" of greed and brutality, and the boys’ urge for freedom, friendship and beauty. And ever present in the background is the dark and powerful Thames – representing the forces of nature, chance and instinct – but who will it back in this battle of heart and imagination versus bestial brutality?

Cast

Michael Winder as Art
Max Bennett as Sal
Noel Fielding as Dickie
Sally Phillips as Colette
Sadie Frost as Mrs Hortense
Lily Loveless as Emily
Gerard McDermott as The Impresario
David Hoyle as The Magician

Production

The film entered production in May 2014 in London, England.

Release

The film was selected to premiere at the Palm Springs International Film Festival on 8 January 2016. Receiving it's UK premiere to a sold out audience at the BFI Southbank, London on the 21st April, 2016.

Critical reception

Following the film's first USA screening at the Palm Springs Film Festival, The Hollywood Reporter described the film as "Brimming with visual invention" and "Director Ben Charles Edwards’ background as a painter is evident in the lurid whimsy of his dark-comic "Agony in Three Acts", and fans of Terry Gilliam will appreciate the sick and twisted fantasy details of the feature". With other critics writing "Set the Thames on Fire follows the fine tradition of quirky out-there movies like Brazil, A Clockwork Orange, Delicatessen, and The Cook, the Thief, His Wife & Her Lover." and "An absolute must see experience, and certainly the most interesting film I saw at the festival."

The film has also been listed as one of the "Top London Films To See In 2016" by the Londonist.^[6]

Following the UK festival premiere at The BFI Southbank, critical response was positive with film review site Dirty Movie making it a four star ‘dirty gem’, stating in their opinion ‘it resonates with the absurdist play ‘Waiting for Godot’, by Samuel Beckett.’ Hey U Guys says that the film is ‘Visually enticing with solid special effects and an enchanting score’ with Smokescreenlondon adding that the ‘kaleidoscopic vision of the capital is a striking feast for the eyes.’ The Velvet Onion concluded that Set the Thames on Fire is ‘Beautifully-imagined and uncomfortably visceral’ and is ‘an astonishing achievement for a debut’.

Ex editor of Time Out Dominic Wells transcribed the proceedings on his culture blog London, Hollywood and in his view ‘The BFI Southbank (was) an unexpectedly conventional setting in which to see one of the most original, daring and visually ravishing British debuts in years.’ Wells surmises his round up of the event by saying ‘when so many low-budget British films re-tread the same old gangster, horror or kitchen-sink clichés, it’s incredibly refreshing to see one that aims for the stars. This is one of the most startlingly original and ravishing films to come out of Britain since Ben Wheatley."

References

External links

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