Sharada Srinivasan
Dr. Sharada Srinivasan | |
---|---|
Education |
University of London, (PhD, 1996) School of Oriental and African Studies, London (M.A. Art, Archaeology, and Archaeometallurgy, 1990) Indian Institute of Technology, Bombay (BTech Engineering Physics, 1987) |
Alma mater | University of London , School of Oriental and African Studies, London , Indian Institute of Technology, Bombay |
Occupation | Professor, National Institute of Advanced Studies(NIAS), Bangalore |
Known for | Contributions in the field of Applications of scientific studies in art and Archaeology, Indian Classical Dance |
Notes | |
Daughter of Indian nuclear scientist Dr. M.R.Srinivasan |
Sharada Srinivasan, professor, National Institute of Advanced Studies, Bangalore, India, works in the field of inter-disciplinary scientific studies in art, archaeology, archaeometallurgy and culture and is also an acclaimed exponent of classical Bharata Natyam dance. She has a PhD. in Archaeometallurgy from the Institute of Archaeology, University College London (1996) on the theme of Archaeometallugical and art historical studies on South Indian metal icons'.[1] Dr Sharada Srinivasan is a Lead Investigator on a prestigious UKIERI grant of British Council with Exeter University's Dr Gill Juleff and Prof Ranganathan on the project 'Pioneering metallurgy: origins of steel making in the southern Indian subcontinent'.[2]
After obtaining a Master's degree at the University of London, she joined the Institute of Archaeology University College London to continue the project on the characterisation of South Indian bronze sculptures. During the tenure of Homi Bhabha Fellowship,Srinivasan visited the UK and USA as a visiting scholar at the Smithsonian, the Conservation Analytical Laboratory, Museum Applied Sciences Centre for Archaeology (MASCA), University of Pennsylvania, Conservation Analytical Laboratory, Smithsonian & Conservation Department, Freer& Sackler Galleries, Smithsonian, and presented papers at the Conference on Indus Archaeology, University of Wisconsin Madison and The Cost Committee Meeting on Ion Beam analysis in Art and Archaeology at Oxford organised by European Commission. She also undertook further original research on technical evidence for high carbon steel by ancient crucible processes and ancient high-tin Bronzes and the surviving groups in Kerala for manufacture of high-tin bronze vessels and mirrors and lost wax casting.[3] Sharada Srinivasan is co-chairperson of the prestigious international conference Beginning of the Use of Metals and Alloys, BUMA VII, 14–18 Sept. 2009, Bangalore.[4]
In this International Year of Astronomy the photo-montage exhibition 'Danse e-Toile: Nataraja et le Cosmos' curated by Sharada Srinivasan, scientist-dancer is featured at Alliance Française Bangalore Atrium. It explores cosmic sensibilities and the art, metallurgy and science of the Nataraja bronze and from the evocative lens of both the Bharata Natyam and French contemporary dance forms. It will be at Cité De L'Espace, Toulouse for the Festival La Novela as a prelude to an internet-streamed dance event between Sharada Srinivasan and K.Danse, France.[5]
She is also an acclaimed performing artist specialising in the South Indian classical dance of Bharatanatyam. She has performed and lectured at the Royal Asiatic Society, the Royal Academy of Arts, for the Chola exhibition, the International Academy of Astronautics, the International Centre for Theoretical Physics, Trieste, INTACH-Belgium, Nehru Centre, London, China Conservatory of Music, National History of Science Seminar, Hyderabad, University of Toyoma, Japan and others. She had a photo-exhibition in June 2008 at Alliance Française Bangalore entitled 'Cosmic Dance of Shiva' on art-science-dance perspectives related to South Indian bronzes and the Nataraja.[6]
Danse e-Toile: Nata-raja et le Cosmos (Dance of stars: Nataraja and the Cosmos) was the first ever live, internet-streamed interactive dance and music programme between India and Europe. The event was held in Bangalore on 17 October 2009 as part of the celebration of the International Year of Astronomy 2009. What made it more noteworthy were the creative choreography and the amazing synthesis of art, science and advanced technology.[7]
Sharada Srinivasan was conferred with the Dr. Kalpana Chawla State Award for Women Scientists 2011 instituted by the Government of Karnataka.[8]
Education
- PhD (1990–95) Institute of Archaeology, University College London
- M.A. (1988–89) School of Oriental & African Studies, University of London
- BTech (1983–87) Indian Institute of Technology, Mumbai
Honors, awards, and recognitions
- Sharada Srinivasan was conferred with the Dr. Kalpana Chawla State Award for Women Scientists 2011 instituted by the Government of Karnataka.
- Chairperson, Regional Sessions, Indian subcontinent, World of Iron Conference, London; 16–20 February 2009.
- 'Les pierre chantantes' 28 Feb 2009, a classical south Indian dance performance and talk on the theme of the stone 'musical' pillars in some south Indian temples such as Hampi and the scientific and artistic aspects by Sharada Srinivasan in Haber Poche, France.
- Materials Research Society of India Medal 2006
- Malti B. Nagar Ethnoarchaeology Award
- Indian representative for project for UNESCO Chair in History of Science
- Member, International Committee, Conference of Beginning of the Use of Metals and Alloys
- Junior Research Fellow, Ministry of Culture (1999–2000)
- Forbes Fellowship 1999
- Post-Doctoral Smithsonian Fellowship ( April 1999– September 1999)
- Materials Research Society Graduate Student Award 1996
- Homi Bhabha Fellowship (1996–98)
- Petrie Award (1989)
- JN Tata Endowment(1988)
Research interests
- Applications of scientific studies in Art and Archaeology
- Archaeomaterials
- Archaeometallurgy
- History of science
- Classical Indian dance and Performing arts
- Crafts documentation
Publications
Quotes
- ...Talking about cosmic dance she said: “It is a metaphor of movement. There is also a personal metaphor — creation emerging out of destruction. I use the dance of the cosmos or the dance of science to discover aspects of ancient art that art historians have not been able to find ..[9]
- ...There are fascinating interfaces between art and science. I returned to dance because of science. Dance injects an element of normalcy where I can enjoy contact with human emotions while science has an alienating quality. Bharatanatya is liberating and constricting at the same time because of its set forms and structure. I would have found it very limiting had it not been for science. Now I see the dance form as an element of movement of art forms..[10]
- ...Capra was certainly not the first in portraying the Nataraja as a universal metaphor for the interface between science,spirituality, dance and art. But he definitely helped the idea to catch on.[11]
- ...There is also something a bit Jungian in the Nataraja imagery that it somehow holds out a positive message of hope for coming to terms with loss through artistic endeavours or through acts of dedication.[12]
Notes
- ↑ http://leonardo.info/rolodex/srinivasan.sharada.html From Sharada Srinivasan's profile page on the official website of Leonardo Electronic Directory.
- ↑ Website of Exeter University
- ↑ From Sharada Srinivasan's profile page on the official website of Homi Bhabha Fellowships Council.
- ↑ Official web page of BUMA VII
- ↑ K-Dance Website
- ↑ Sharada Srinivasan performs Bharatanatyam At international conference on Southeast Asian Archaeology 1 September 2008 Leiden, Holland
- ↑ Cosmic Ball- The Week, Nov8 2009
- ↑
- ↑ From the leading Indian National Newspaper in English – The Hindu
- ↑ From the leading Indian National Newspaper in English – The Hindu
- ↑ The Sensuous and the Sacred – Article from Tamil Nation.org Website
- ↑ Doing the Cosmic Tango
References
- [Leonardo Electronic Directory Official Website]
- Homi BhabhaFellowships Council Official Website
- History of Indian Science & Technology official website
External links
- Kalpana Chawla State Award for Women Scientists 2011, Government of Karnataka
- Video : Danse e-toile: Nataraja et le cosmos' between Sharada Srinivasan and K.Danse, France
- Breaking art-science divide – The Hindu Article
- Doing the Cosmic Tango – Interview
- NIAS Faculty Home page
- Leonardo Electronic Directory
- Sharada Srinivasan's article The Sacred and the Sensuous
- Feature article on Sharada Srinivasan in the leading english news paper The Hindu
- Rhythm Divine – Sharada on Nataraja and Metaphysics – The Week, April1, 2007
- Sharada Srinivasan performs Bharatanatyam At international conference on Southeast Asian Archaeology 1 September 2008 Leiden, Holland
- Heritage: The Nataraja catapulted onto the global stage form sacred environs
- "Wootz steel: an advanced material of the ancient world", in Iron & Steel Heritage of India
- Heritage: Kerala's mirror gets patent protection. The Week Sept 12, 66–8
- "Metallurgical Heritage of India" in Golden Jubilee Souvenir, Indian Institute of Science, pp. 29–36. Bangalore
- Heritage: Simmering Cauldrons, The Hindu: Sunday Mag – 13 July 2003
- Textures of wootz: technocultural insights on steel, cast iron and ferrous metals from south Indian antiquity
- Cosmic Ball- The Week, 8 Nov 2009
- A photo-montage and a multimedia exhibition is currently on display at the Alliance Francaise – Deccan Herald Report
- YouTube video on Casting Nataraja and Metal Images at Swamimalai, Tanjavur district, Southern India, narrated by Sharada Srinivasan and shot by Peter Vemming, Middelaldercentret, Denmark
- Video of Bharata Natyam dance performance by Sharada Srinivasan of Mahadeva Shiva Shambho, at the event and exhibition 'Cosmic Dance of Siva' at Alliance Francaise, Bangalore, June 2008, video by Rakesh and Digvijay Mallah
- Video Danse et percussions. Sharada Srinivasan et Sébastien Sauvage ont réalisés une performance musicale et danse baratha natyam
- Pierres Chantantes Video