Sheila Black

Sheila Black, an American poet, has written over 40 books for children and young adults as well as four poetry collections. She was a 2000: U.S. co-winner of the Frost-Pellicer Frontera Prize, and a 2012 Witter Bynner Fellowship.[1]

Life

She graduated from Barnard College and received her master's degree from the University of Montana.[2] . Teaching part-time at New Mexico State University and also working as Development Director for the Colonias Development Council, Sheila Black continues to write poetry, recently becoming co-editor of Beauty Is A Verb: The New Poetry of Disability with Jennifer Bartlett and Mike Northen. Sheila Black was diagnosed with XLH, commonly referred to as Vitamin-D Resistant Rickets,[3] at a young age. Black continues to advocate for equal rights for persons with disabilities. She has three children, a 22 year old daughter, a 17 year old son, and a 15 year old daughter. She lives with her younger daughter, son, and husband.

Style

Confessional Poetry

In her poems, Sheila Black writes in a confessional style, often referencing past conflicts that resulted from her diagnosis of XLH, such as in her poem What You Mourn.[4] According to Sheila Black,

“As a poet, a storyteller, I am attracted to the unruly and confrontational elements of the confessional, to the ways it complicates personal truth through a presentation that makes the audience continually question whether the speaker is to be trusted”[5]

Reviews

Sheila Black's poems are heavy and yet porous, racing toward transcendence and then slowing down to whisper a telling detail[6]
Perhaps the broad message of Love/Iraq can be understood simply by taking its title at face value. There is a borderline—a slash—between two wholly different states (one a political state, the other a state of being). The concept can be viewed as a face in stark relief, with one half shadowed black and the other white: the yin and the yang. It’s this balance that characterizes the experience of reading Love/Iraq, as the collection offers a narrative circularity, along with the seamless interweaving of the ethereal and the concrete. Sheila Black’s poems are heavy yet porous, racing toward transcendence then slowing down to convey a telling detail.[7]
In How to Be a Maquiladora, Sheila Black demonstrated her gift for using details to create images that evoke the life and environment of a specific locale. In House of Bone, her first major collection of poetry, Black paints with a much broader stroke. Not only does House of Bone, cover a much wider range of topics and experiences, but the particularities that she describe also seem to begrudgingly conceal the universal in the particular. This collection is also a much more personal book. While individual poems in Maquiladora, such as "Desert Life," remind the reader that the poet was no mere observer but a part of that environment about which she wrote, in House of Bone, Black's own experiences provide the grist for the poems.[8]

Her Works

Poetry Collections
Poetry Collections, Collaborative
Poetry Collections, Co-Editor
Children's books

References

  1. ↑ http://www.loc.gov/today/pr/2012/12-047.html
  2. ↑ http://www.blackbird.vcu.edu/v2n1/poetry/black_s/index.htm
  3. ↑ http://www.xlhnetwork.org
  4. ↑ http://www.wordgathering.com/past_issues/march_2007/poetry/black1.html
  5. ↑ Black, Sheila. "Waiting to Be Dangerous: Disability and Confessionalism." Beauty Is A Verb: The New Poetry of Disability. Ed. Jennifer Bartlett, Sheila Black, & Michael Northen. El Paso, TX: Cinco Puntos Press, 2011. pp. 208. Print.
  6. ↑ "The Title Says It All". Vastano, Joe E. Book Review. Web. http://www.amazon.com/Love-Iraq-Sheila-Black/dp/193499975X
  7. ↑ Love/Iraq. Front Porch Journal. Book Review. Web. http://www.frontporchjournal.com/170_review_black.asp
  8. ↑ "Black Review". Wordgathering. Book Review. Web. http://www.wordgathering.com/past_issues/issue3/book_review/blackreview.html

External links

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