Smile Orange (film)

Smile Orange
Directed by Trevor D. Rhone
Produced by Edward Knight
Written by Trevor D. Rhone (play)
David Ogden
Starring Carl Bradshaw
Glenn Morrison
Stanley Irons
Vaughn Crosskill
Music by Melba Liston
Cinematography David McDonald
Edited by Mike Gilligan
Joe Staton
Production
company
Knuts
Release dates
  • May 19, 1976 (1976-05-19)
(New York)
Running time
86 minutes
Country Jamaica
Language English

Smile Orange is a 1976 satirical film set in Jamaica. It follows the day-to-day life of Ringo (Carl Bradshaw) a smooth-talking waiter and con-man. The film explores the tourism industry in the Caribbean and seems to suggest there are similarities to slavery in that industry. The film was directed by Trevor D. Rhone, who also wrote the play on which it is based, and was produced by Edward Knight. The movie stars Bradshaw, Glenn Morrison, and Stanley Irons.

Critical acclaim

Trevor Rhone’s 1976 Smile Orange has received praise and criticism across the globe. The day after the film’s debut in the United States "New York Times" writer Richard Eder remarked on the film’s “wittiness and pungency” but criticized its technical cinematographic elements as “terribly awkward.”[1]

"Time Out London" hailed Smile Orange a “genuinely hilarious politicized farce…a satire on tourism that centers on hotel waiter Ringo Smith's efforts to exploit the exploiters.”[2]

However, perhaps the film’s greatest praise comes from "Gleaner" a Jamaican newspaper. On November 6, 2010, writer Andrew Robinson published the newspaper’s top five Jamaican Films. Smile Orange was placed at number three, and called “comedic, cinematic gold.”[3]

Praise for Smile Orange has carried on through the Internet until present day. IMDb.com, Inc. (the Internet Movie Database) calls it “a humorous and somewhat acidic view of the tourism business.” [4]

Ras Zuke, author of Rastaman Vibration has also commented on Smile Orange. He explains that the film allows people to experience the exploited resort culture of Jamaica with a clearer understanding of the relationships between skin color and positions of power, the urban and rural lifestyle conflicts, and the interaction between women and men of Jamaica.

References

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