We Are What We Are (2010 film)

We Are What We Are

Film poster showing the character Sabina (Paulina Gaitán).
Directed by Jorge Michel Grau
Produced by Nicolás Celis
Henner Hoffman
Liliana Pardo
Screenplay by Jorge Michel Grau
Starring Carmen Beato, Daniel Giménez Cacho, Paulina Gaitán
Music by Enrico Chapela
Cinematography Santiago Sanchez
Edited by Rodrigo Ríos
Production
company
Release dates
Running time
90 minutes
Country Mexico
Language Spanish

We Are What We Are (Spanish: Somos lo que hay) is a 2010 Mexican cannibal horror film directed by Jorge Michel Grau. The movie is about a family of cannibals who, after the death of the father, try to continue a ritualistic tradition of kidnapping and eating other humans.[1] The film stars Paulina Gaitán and Daniel Giménez Cacho.[2]

Plot

In the opening scene, Dad dies on the sidewalk at a local shopping mall. At home, his family is wondering what has become of him. Dad is a watchmaker who repairs watches at the local street market, and the family's sole means of support.

As Dad has not appeared for the day's work, Alfredo and Julián head to the market. Julián gets into a fight with a customer who claims that his watch is three weeks overdue. The woman who runs the market appears and tells the boys to get out; the rent for their booth at the market is three weeks in arrears.

When the boys arrive at home, their sister Sabina enters in a state of shock and announces that their father has died. Their mother, Patricia, locks herself in her room; the children wonder who is going to provide for the family now—specifically, their meals: this family performs cannibalistic rituals.

In a local morgue, Tito the coroner and the director of the funeral home bring in Octavio and Owen, two police detectives. The coroner shows them a finger in a jar: it was pulled from Dad's stomach. The detectives are asked to solve this cold case. Initially, they resist, but as the film continues, they become more interested in the fame that will come with solving it.

Alfredo and Julián attempt to kidnap a homeless child from under a local bridge, but are chased off by the other children. Next, they attempt to kidnap a prostitute, who also resists; Julián punches and stuffs her into the back seat of their car.

Back at home, the boys tie the prostitute to the kitchen table. Patricia comes in and beats the woman to death with a shovel, claiming that Alfredo doesn't know what he's doing, and that prostitutes are not appropriate for the ritual. Alfredo runs out while Julián and Sabina wrap the dead woman in a sheet. Julián and Patricia take the prostitute back to the corner where the boys picked her up and dump her in front of the other street workers. Patricia tells the women to leave her sons alone. The prostitutes report the incident to detectives Octavio and Owen.

Alfredo goes looking for another potential meal; he finds one in a gay bar. Alfredo brings the young man home with him, but Julián says he won't eat a homosexual. As Alfredo and Julián argue the point, an older man comes down from their mother's room. Alfredo's prey escapes while Patricia beats the older man over the head with a shovel and the family later kills him.

As Sabina and Patricia prepare the man for eating, Alfredo and Julián chase after the gay boy. The boy runs to a fast food stand and asks the police to protect him. Detectives Octavio and Owen hear the call over their police radio and head to the scene. They decline to call for backup, as they want to keep the glory of the collar for themselves.

Detective Octavio stops Alfredo and Julián in an alley, but is shot by a beat cop who mistakes Octavio for one of the cannibals. Detective Owen discovers Sabina and Patricia preparing their meal in a ritualistic fashion, but the women kill him. Alfredo and Julián arrive home; Patricia insists on completing the ritual, but Alfredo drags her away to escape over the rooftops.

The police break into the family's home and Julián shoots several of them before the family manages to hide upstairs. Their mother says that one must survive to carry on the ritual and flees to the rooftop. The prostitutes earlier in the film see her escaping and pursue her.

Meanwhile, Alfredo bites Sabina's neck. Julián, thinking Alfredo's attempting to eat Sabina, shoots Alfredo. The police kill Julián and take Sabina away in an ambulance, believing that she is a surviving victim. The next morning Patricia's body is discovered in a playground, beaten to death.

At the end of the film, Sabina escapes from the hospital and is seen watching a young man in the local market, intent on her next meal.

Cast

Production

The director Jorge Michel Grau himself narrated his film on the 2010 Cannes Film Festival.[3] We Are What We Are was completely shot in Mexico City.[4] Daniel Giménez Cacho reprised his role as Tito the Coroner, a character from the horror movie Cronos from 1993, directed by Guillermo del Toro. Some characters are also played by Paulina Gaitán and Francisco Barreiro who won with his former project Perpetuum Mobile film the Best Mexican Feature award on the Guadalajara International Film Festival.[5][6]

Release

It featured the Mexico's National Film School[7] and premiered on 15 March 2010 as part of the Guadalajara International Film Festival.[8] The film tells of the violence of the people and their foreclosure and was part of the Cannes Film Market 2010.[9] The Mexican horror film is part of the Fantasia 2010.[10] The film will release over IFC Films as We Are What We Are in the United States.[11] The film had his UK premiere on 30 August 2010 as part of the Film4 FrightFest 2010.[12] IFC Film will release the film in the United States as Video-on-demand.[13] Artificial Eye will release We Are What We Are in the UK on 12 November 2010.

Soundtrack

The score was composed by Odd Crew.

Reception

Deborah Young of Reuters said, that We Are What We Are "is perhaps too dark and relentlessly humorless to find wide international audiences." Young stated that "another limiting factor is the difficulty of identifying with any of the characters, who are played expressively but still remain abstract and alien, distant from the viewer."[14] Review aggregator Rotten Tomatoes gives the film a score of 72% based on 43 reviews from critics, with a "Certified Fresh" rating.[15]

Awards

Fantastic Fest[16]

Fantasia International Film Festival

Expresión en Corto International Film Festival

Chicago International Film Festival

Festival international du film fantastique de Gérardmer

Remake

Memento Films International optioned the rights for an English-language remake starring Julia Garner and Ambyr Childers, directed by Jim Mickle and written by Mickle and Nick Damici, who previously worked together on Mulberry Street and Stake Land.[21]

References

  1. Schager, Nick (September 22, 2010). "Hunger Pains in Jorge Michel Grau's We Are What We Are". Village Voice. Retrieved September 26, 2010.
  2. Todd Brown. "Cannes 2010: An Exclusive First Look At The Trailer For Mexican Cannibal Drama We Are What We Are (Somos Lo Que Hay)".
  3. Todd Brown. "Cannes 2010: Fresh Images From Mexican Cannibal Thriller Somos Lo Que Hay (We Are What We Are)".
  4. "CANNES 2010: Trailer for Mexican cannibal film WE ARE WHAT WE ARE (Somos Lo Que Hay)".
  5. "FanTasia '10 Review: Mr. D Scarfs Down 'We Are What We Are'".
  6. "Trailer For Award Winning Mexican Slacker Drama PERPETUUM MOBILE".
  7. Todd Brown. "Meet The Family From Mexican Cannibal Thriller SOMOS LO QUE HAY".
  8. We Are What We Are – ::|FICG 25|::Festival Internacional de Cine en Guadalajara
  9. Cannes 2010: SOMOS LO QUE HAY (WE ARE WHAT WE ARE) Review
  10. "FanTasia '10: A Few New Stills From 'We Are What We Are'".
  11. "IFC Midnight Scores Mexican Cannibal Flick 'We Are What We Are'!".
  12. "Film4 FrightFest 2010 Releases Schedule".
  13. "We Are What We Are Picked up by IFC for Video-on-demand".
  14. Young, Deborah (May 17, 2010). ""We Are What We Are" visits cannibals in Mexico". Reuters. Retrieved September 26, 2010.
  15. http://www.rottentomatoes.com/m/somos_lo_que_hay/
  16. http://fantasticfest.com/press/release/fantastic_fest_2010_announces_the_fantastic_fest_awards
  17. http://twitchfilm.com/2010/07/fantasia-awards-top-prizes-to-a-serbian-film-ip-man-2-summer-wars-and-symbol.html
  18. http://www.giff.mx/?page_id=20
  19. http://www.chicagofilmfestival.com/history/overview.php?festival=ciff_2010
  20. http://www.festival-gerardmer.com/2014/historique/
  21. Goodfellow, Melanie (February 9, 2012). "Memento bites into Jim Mickle's We Are What We Are remake". Screen Daily. Retrieved February 12, 2012.

External links

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