Song of the West
| Song of the West | |
|---|---|
 | |
| Directed by | Ray Enright |
| Written by | Harvey F. Thew |
| Based on | the Broadway Operetta by Oscar Hammerstein II and Laurence Stallings |
| Starring |
John Boles Vivienne Segal Joe E. Brown |
| Music by |
Harry Akst Grant Clarke Oscar Hammerstein II and Vincent Youmans |
| Cinematography |
Devereaux Jennings (Technicolor) |
| Edited by | George Marks |
Production company | |
| Distributed by | Warner Bros. |
Release dates | March 15, 1930 |
Running time | 82 minutes |
| Country | United States |
| Language | English |
Song of the West (1930) is a musical operetta film produced by Warner Bros., and photographed entirely in Technicolor. It was based on the 1928 Broadway musical Rainbow by Vincent Youmans (music), Oscar Hammerstein II (lyrics) and Laurence Stallings (book). It starred John Boles, Joe E. Brown and Vivienne Segal, and was the first all-color all-talking feature to be filmed entirely outdoors.
Plot
The story takes place in 1849. Captain Stanton (John Boles), who because of a misunderstanding over a woman with Major Davolo, has been cited for a court martial. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meet Davolo, there is another fight and between Stanton and Davolo in which Davolo is killed.
The colonel has Stanton put in the guard house on a murder charge. He escapes disguised as a parson and continues along with the wagon train in order to be near Virginia, the daughter of his former commander, played by Vivienne Segal. They fall in love and when Stanton decides to leave the wagon train, Virginia follows him.
Stanton marries Virginia and opens a gambling hall. When the regiment eventually turns up at the gambling hall, Virginia makes merry with her former friends. Stanton, in a fit of jealousy, leaves the establishment with another woman and tries his luck in California, searching for gold. He has poor luck and becomes a derelict. Eventually he meets his wife in San Francisco, resulting in a happy reconciliation. Some soldiers find him and give him a choice between being deported or re-enlisting in the army. He re-enlists. Joe E. Brown, in the part of Hasty, his doomed sidekick, provided the comedy for the film.
Cast
- John Boles as Captain Stanton
- Vivienne Segal as Virginia
- Joe E. Brown as Hasty
- Marie Wells as Lotta
- Sam Hardy as Davolo
- Marion Byron as Penny
- Eddie Gribbon as Sergeant Major
- Edward Martindel as Colonel
- Rudolph Cameron as Lt. Singleton
Production
This was Boles's follow-up to his successful role in The Desert Song (1929). The film was finished in June 1929. Following a number of dismal previews, however, Warner Bros. shortened the film by two reels, removing some of the musical content in the process. In spite of being delayed for almost a year before release, the film had a worldwide gross of $920,000 and the featured songs were quite popular, leading RCA Victor to hire Boles, who was then at the height of his popularity, to record "The One Girl" and "West Wind" for commercial release.
Songs
All written by Vincent Youmans and Oscar Hammerstein II unless indicated
- "The One Girl" (sung by Boles)
- "I Like You As You Are" (sung by Boles)
- "Come Back to Me" (sung by Boles and Vivienne Segal) (by Harry Akst and Grant Clarke)
- "The Bride Was Dressed in White" (sung by Joe E. Brown)
- "West Wind" (sung by John Boles) (music by Vincent Youmans, lyric by J. Russell Robinson)
- "Kingdom Coming" (sung by chorus) (authors unknown)
Preservation
No copies of the film are known to exist. The complete soundtrack survives.
Although the film's copyright was renewed in 1956, it does not appear to have been shown on television. 16mm prints of early Warner Bros. films, including sound-on-disc films, were made in the 1950s for distribution to local television package (see Associated Artists Productions), and some two-color Technicolor films now survive (in black and white) only because of those prints. It is unclear why this film is not among them. Because it was one of the studio's greatest successes and was then less than thirty years old, it appears unlikely that it was simply overlooked. It may be that a sufficiently complete set of picture and sound elements could not be located at that time.[1]
In a June 2011 forum discussion, a small fragment, running about a minute, was claimed to have been discovered in the UK and identified as being from the film.[2]
See also
References
External links
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