St. Elisabeth Cathedral

Saint Elisabeth Cathedral
Dóm svätej Alžbety

St. Elisabeth Cathedral in Košice, Slovakia
Basic information
Location Košice, Slovakia
Geographic coordinates 48°43′12.8″N 21°15′29.18″E / 48.720222°N 21.2581056°E / 48.720222; 21.2581056Coordinates: 48°43′12.8″N 21°15′29.18″E / 48.720222°N 21.2581056°E / 48.720222; 21.2581056
Affiliation Roman Catholic
District Archdiocese of Košice
Ecclesiastical or organizational status Cathedral
Architectural description
Architectural type Church
Architectural style Gothic
Groundbreaking 1378
Completed 1508

The St. Elisabeth Cathedral (Slovak: Dóm svätej Alžbety (Slovak pronunciation: [ˈdoːm ˈsvɛtɛj ˈalʒbɛtɪ]), Hungarian: Szent Erzsébet-székesegyház, German: Dom der Heiligen Elisbeth) is a Gothic cathedral in Košice. It is Slovakia's biggest church, as well as one of the most eastern located Gothic cathedrals in Europe.[1]

Woodcut of cathedral
Floor plan

The record on the existence of Košice, dating from 1230, is connected with the existence of the rectory church. In the process of the settlement's transformation from a rural community into a town, all its periods of successes and failures have been reflected on St. Elizabeth's Cathedral. According to historical and archaeological sources the present-day cathedral was built on the place of the older temple which was consecrated to St. Elisabeth as well. It was referred to the church in the document of Pope Martin V in the year 1283 and in the letter of 1290, which stated that the bishop of Eger Andrew II exempted Košice parish from the dean's sphere of jurisdiction.[2][3]

Description

St Elizabeth Duryn´s Cathedral is the biggest temple in Slovakia with total area of 1,200 square metres (13,000 sq ft) and capacity of more than 5000 people.[1]At the same time it was the most easterly Gothic cathedral in Europe. It is the main church of Košice Archdiocese and St Elizabeth parish church in Košice. The church length is 60 metres (200 ft), width 36 metres (118 ft), height of the north tower is 59 metres (194 ft), central nave is 24 m long and aisles are 12 m long. Construction of the church influenced builders' activity in surrounding towns such as Prešov, Bardejov, Sabinov, Rožňava and it also influenced construction of the other churches in Poland and Transylvania.

The Gothic Cathedral of Košice consists of the choir with the five-side chavet, five naves, two towers, a level sacristy at the north side and two chapels and antechapel at the south side. There is a unique inside layout of the church, where the central nave and four aisles are crossed in the middle by one transept of the same height and width as the central nave which altogether create a Greek cross. This big central space rises in the centre of the church and together with three equal exterior gables with richly decorated portals belong to the acme of medieval stone work of art in the Middle Europe. The complex of the cathedral and adjacent buildings – St Michael Chapel and Urban Tower were declared as Cultural Heritage Monuments in 1970.

History

Original church

The oldest Košice church originated probably in the middle of the 11th century and was sacred to St. Michael. It was built in Romanesque style at the same place as the current church. The church is referenced in the oldest written remark of the town dated in 1230. After German colonizers settled in Košice in the 1240s, when St. Elizabeth has become a town patron, there was also change of the original church patron to Saint Elizabeth. After this change the church started to be adjusted in the Gothic Style in the middle of the 13th century. The church retained the Romanesque tower, but it also got a Gothic vault and an ending of a temple.[4] The temple oriented to the East was 11.5×10.25 m and its main aisle was 27.8×14 m. The whole space was 520 square metres (5,600 sq ft). This parish church had burned around 1380, but it was adjusted and kept in service until the construction of the current cathedral. Several Romanesque artifacts such as Iva statuette, a bronze baptistery and the several gravestones remain up to this day.[5]

First construction stage – end of 14th century until 1420

The fire which destroyed St. Elizabeth church in 1380 was the good opportunity for the construction of a new church.The rich citizens financed the construction of a cathedral with an active support of monarch Sigismund Lucemburgh.[6] He devoted a considerable amount of money to the construction. Building of a church was also supported by Pope curia. In 1402 Pope Bonifac IX issued The Indulgence Bull. All the pilgrims who contributed to Košice ´s church had their sins forgiven. We do not know the exact date of a new church construction, but it is supposed to be between 1380 (fire of old church) and 1402 when there was a first written remark.The first stage of construction works lasted probably until 1420. In this period the church was built as a five-nave basilica. The construction was done in a way that new cathedral was impounded around the original object. The south polygonal chevet of aisles were built as the first ones. This was followed by the south enclosure wall construction, the south portal and the west wall where first two levels of both towers were composed to floor plan of church.[7] A very advanced construction margin having relation to Silesian Gothic and which took part in the Franciscan church construction in the north part of town was working at building of a new church. There exists a reference from 1411 about director Mikulas and about Sigismund´s master builder Peter from Budin.[8]

Second construction stage – 1420–1440

The spiral inner staircase

A discontinuous innovation in a cathedral conception was brought by new construction masonry in 1420. Because of a lack of written reference the architect of construction masonry stays anonymous. Ambition of uprightness, lite materials and spaciousness of church resulted in construction of the three-aisle cathedral, whereby the essential change of plan was added by the counter aisles to the main nave. This was situated unconventionally to the middle of the main nave length by which a unique central hall space was created. The statue portal decoration of a main nave and a side aisles were inspired by Gothic buildings in Prague and Kraków was included in the second construction stage. Influence of Parleř masonry performing at Prague´s Saint Vitus Cathedral in the second half of the 14th century became evident at creating an King´s oratory and its spiral staircase as well as a motive of round banisters of oratory and a stone gallery over sacristy. Then building of the cathedral continued with the north external wall construction, the polygonal chevet of the north aisle (parallels of south apsids) and eight-sided top levels of The Sigimund tower. At the end of the second construction stage the cathedral was ready for vaulting and it was necessary to pull down the old church. St Michael´s church (today called chapel) was built in the same time as the new church, but it was finished in 1400, and it took over temporal function as a parish church.[9]

The third construction stage – 1440–1462

After the demolition of the old church of St Elizabeth, the church was vaulted by stellar vault. The particular symmetric shapes of the vault bays were different from each other and they were not folded from one bay to the other. The youngest part of the construction – sacristy and temple belong to this third construction stage. The Sigimund's Tower was finished and a new town erb granted by Ladislaus the Posthumous was sculpted at the fifth floor of tower in 1453. The date 1462 which is sculpted over the entrance portal to the tower is the year when the work on tower was finished.

The forth construction stage – 1462–1490

After finishing of The Sigimund Tower all the attention was given to the building of the south tower, which was named after the monarch of that time and contributor to the building of tower Matthias Corvinus. This tower was built in a more decorated and vertical style than the north tower of the cathedral, because the construction masonry had changed. At the same time the south shield and portal were finished and there are many elements that recognize Matthias' generosity. During the period between 1464 and 1490 Master Stephan Lapicidus or Master Steffen Staimecz from Košice, mentioned in documents, was working on the cathedral construction.[10] Master Stephan built side aisles of the cathedral that were not included in an origin floor plan. It was financed by rich city-dweller families. The Saint Cross Chapel was built by senator August Cromer in 1475. The Saint Maria chapel was built by Satmary Rod in 1477 and by the end of the same century The Saint Joseph Chapel (which no longer exists) was built at the north side of the cathedral. An Inside feature from this period is a work of Master Stephan – stone pastophorium and probably relief of St Elizabeth at the sacristy wall. At that time the church was furnished by rich Gothic mobiliari, from which not too much was kept until today. But the main altar of St Elizabeth from the years of 1474–77 from the unknown artist is conserved.

Final construction stage – 1491–1508

After Matthias Corvinus' death began the contest of the throne in Hungary. At that time Polish-Latvia regent John I Albert mobbed Košice city. It was the first time that Košice was shot by cannons. The church was heavily damaged. Mikuláš Krumpholz from Nis was charged with its reconstruction. Master builder Vaclav from Prague assisted him with the reconstruction. According to the retained writing at cordon of the west façade the reconstruction was done between 1496–1498. During the years 1496–1497 The Sigimund tower, timber of roof and singboard were fixed. The tower also got a clock. In 1508 the presbytery was finished under their guidance. This is considered to be the year when the cathedral construction was finished. This fact is documented by the scroll of parchment with the particular year and the name of Master builder Krumholz which was found in the presbytery pillar after the big reconstruction of the church in 1908.[11]

Reformation period

In 1556 Košice was affected by a huge fire which damaged the cathedral as well. The church roof, timbers of the roof and a big part of interior were burnt. All the necessary repairs were done by Master builder Stanislaus from Kraków, builder masters Johann and Gebriel and stone master Matyas.[11]

After this the church was administered by Protestants. They owned the church until 1604 when it was violently garrisoned by Catholics and Eger´s chapter house. This incident became one of the main reason of anti – Habsburg revolt of Stephen Bocskai who devoted the church to Calvins. The church was returned to Eger´s chapter house in 1671 by Leopold I emperor´s decision. During this time the necessary repairs were done and a chapter house treasure was placed in the church. In the period of Imre Thököly's revolt in 1682–1685 the church was again owned by Protestants. In 1685 the church was definitely and permanently owned by Catholics.

Baroque period

In 1706 the church was damaged during the Francis II Rákóczi occupation. The most damaged parts were the west and the south side of the church. During the 18th century several parts of the church were fixed and embellished. In the second half of the 18th century the church already had 14 altars (with comparison to the 10 that exist today). Baroque–Rococo helmit with sightseeing view obtained The SIgimund´s tower after the fire in 1775.

Fabry's reconstruction in 1858–1863

After several years of religious wars and neglected maintenance it was necessary to update the cathedral in the beginning of the 19th century. There was an earthquake in 1834 and in 1845; the town was flooded and the flood extended to the cathedral where several parts of the ground pavement were damaged. During the 19th century there was an initiative for the cathedral reconstruction in Neogothic style, which was organised by Bishop Ignac Fabry and Imrich Henszimann Fine Arts establisher and monuments innovator in Hungary.

In 1857 St. Elizabeth Cathedral Alliance was established by the members who were devoted to the cathedral repairs which took place during 1856–1863 under the control of Emperior-Royal Central Commission of Preservation and Repair of Architectural Monuments and as well as under the assistance of Henszlmann. Works were masterminded by builders masters Karol Gerster and Ladislav Frey. The Fabry's reconstruction effected change of several portal's statues, clapboards to ceramic roof-tiles, stock of new window panes, repair of the south hall and Romantique interior painting. But on the other hand very important structural defects of the church which were evident at that time was not removed and repaired. Some of the pillars were off center from their central line. Their bases were standing on a colour blade layer which was soaked by ground water. Arch ruptures were covered by mortar or were covered by wood. Such an unprofessional practise led to the destruction and state of disrepair after the big windstorm in 1875.

Major reconstruction in 1877–1896

In 1872 the Hungarian Temporary Monuments Commission was established, with Imrich Henszlmann was the commission secretary. A major reconstruction was realized between 1877–1896 and was the main priority of the Monuments Commission. It was financed mostly from the state budget of Hungarian government. Imrich Steindl, a professor of Medieval Architecture of Budapest Technical University and the most famous architect of the Hungarian Neo-Gothic, was named as the main architect of the reconstruction works. Based on the ruptures in arches he decided that pillars´ allocation in the aisles was the main reason for the state of a disrepair of the cathedral statics. He worked out a completely new purist projection of the cathedral's reconstruction where the three-aisle cathedral was rebuilt to a five-aisle cathedral and added arches in side aisles. Originally medieval star arches at the main as well as the side aisles were rebuilt to network ones. An old choir was removed and on its place Steindl built expanded replicas with more pillars. The next works involved the exterior – adjusting the external walls and gavels, supporting the pillars, the water-shoots and windows' carved works, the portals decoration and the change of Matthias' tower roof. A Late Gothic chapel of St Joseph at the north part of the cathedral was completely removed. A Neo-Gothic tower which was crossing the main and the side aisles, flèche was created. Primary Steindl´s plan was to rebuild all Neo-Gothic additional building and components in the cathedral. But those suggestions were declined by the commission and which requested a cheaper exchange of old stone parts for the new ones. Re-Gothic (re-gothisation) of towers was not realized due to lack of money. This fact reflected in a cheaper construction material. During the Exchange of a base system in 1878–1882 cheap but low-quality sandstone from the nearby stone-pit Spiššké Vlachy was used.[12] Its quick dilapidated outer surface resulted in removing pinnacles and gargoyles because it endangered pedestrians. With the next reconstruction after 1882 good quality sandstone from Banská Bystrica was used.[11] The main Master builder of the major reconstruction in 1877–1880 was Josepf Weber. In 1880–1896 Friedrich Wilhelm Fröde from Wien was the main master builder. Supervision was done by Austrian architect Friedrich von Schmidt. After that a famous architect, Schmidt's student, Imrich Steindl had started to work on Budapest parliament (in 1885), and Otto Sztehló became his successor. This architect used a preservative method at The Matthias tower in contrast with the previous purist method of his forerunners. The Sigimund Tower, The Matthias tower (except the roof), the inner side of exterior walls, the Medieval portals with reliefs, the stone inventory of interior and the whole temple (just the interior part) were kept from Neo-Gothic reconstruction. In 1896 a newly delivered Neo-Gothic interior equipment (altars, statues, pictures) was bought and donated for Košice's Cathedral by Hungarian clergy, Košice Bishop and maecenas Zigmund Bubics. In 1906 a cathedral crypt was built under the north side aisle according to project of Frigyes Schulek. This crypt was prepared for enclosing relics of Francis II Rákóczi and his companions from Turkey.

Major reconstruction 1978 until today

In 1970 the area of St. Elizabeth Cathedral was declared as a National Cultural Monument. All the profiled architectural features (pinnacles, gargoyles, gadroon) were destroyed either by the rain water or were unmounted. Also the stone decoration at the north portal was very much affected by weathering. The cathedral reconstruction started again in September 1978 with detailed architectural documentation. After a short break, works started again in 1984. In the meantime authorities started with the complex solution of Košice centrum monuments innovation, which was in 1983 declared as the biggest town monuments reservation in Slovakia. One of the factors that contributed to higher care of church was excluding motor-vehicle traffic from the main street in 1984 and tram traffic in 1986.[13] During the reconstruction it was decided to use a method of a maintaining the stage from the big reconstruction at the end of the 19th century. First the roof of the main and side aisles was repaired where the ceramic coloured enamel tiles were changed, but with the original pattern from the 19th century.[14] The flèche was reconstructed and it was necessary to add 264 pieces of plumber decorations. From 1980–1992 the most damaged part of the temple and sacristy were reconstructed. The works were done by Polish company Pracownie Konserwacji Zabytkow from Vratislaw. It was necessary to construct the new crown gardoons, gargoyles and pinnacles – according to the accessible documents and projects from the town's archival collection. Similarly the staircase towers were done. The gargoyles' reconstruction was done according to original Medieval patterns which are retained in the museums. This reconstruction included the interior repair of a temple. In 1992–1995 the south façade (cleaning and preservation), including windowpanes was done. The Sigimund's tower was under consistent renovation in 1995–1997 when a rococo copper helmit was replaced. Cleaned and gilded plumbing decorations are originals from 1775. In 2008 reconstruction of the Rakoczy crypt was finished and in 2009 reconstruction of the most precious north portal was finished.[15] Today there is renovation work at the exterior of the north façade of the church and the west portal and interior of the crossed north aisle.The Matthias tower is awaiting reconstruction.

Architecture

The base of the space composition is formed by the central nave with five bays which is divided by the cross aisle with one bay in axis. Apparent substitution of an idea are four subordinate spaces, inset into the ground plan of the building and inserted between the arms of main and cross aisle. In the first decades probably the enclosure walls were built and the main outline of space disposition was finished. In the next few years the question of portals and arches construction should have been solved. In spirit of the main conception the excellent stone sculpture works between 1420–1440 enriched construction structure by three big portals. The north, the south, west portals in Košice have difficult profiles, eventuated in dynamic curves, alternating by horizontal and vertical cornices of relief boards and were decoratively enriched by pinnacles. Those architectural works through profile ceiling and allow new conception using decorative regards and play of light and shadow.

Vaulting

As it is seen from the reconstruction of V. Mencl, the conception of the figural vaulting is based on individual parts of split arcades' curves and inter vault parts. Their shape's difficult play is formed by the scheme of the sun rising with its spikes out of the splitting pillars. For the each sun an individual pattern of its middle is very important. From its diagonal vectors it is creating shapes of the cross, rhombus and the trapezoid. In the subordinate spaces, which are clutched by the arms of main Greek cross of the main aisle and the side aisle, at connecting walls and the east side the sun scheme is lost in a tangle of cranked rib networks. Master Štefan built a sacrarium over the anteroom at the south wall and he is adding adoration The chapel of St. Cross to its east side and chapel of Mettercia to the west side. At the north side there is The chapel of St. Joseph. In these parts the ribs are not reaching the head of the lisena but they are gathering to the arch construction. The vaulting of the chapels is based on irregular star net vault.

Windows

Master Ján of Prešov demolished old walls and suggested an atrial type which can be seen mostly at the triple aisle. As from the artistic point of view he used efficiency of the smooth walls and the large windows in order to whiten the interior.

Heraldries at windows of main aisle

From the main altar towards the west gate is decorated by windows of the main altar with heraldries of Košice, Abov's chair and Hunyady chair as well as the heraldies of the countries of the King Matthias Corvinus: Dalmatia, Vladivostok, The Big Bulgaria, Transylvania, Hungary, Serbia, Slavonia, Croatia, Czech, Moravia and Silesia.

Interior

Altars

The Altars Main altar of Saint Elisabeth

This altar was crafted in the period of 1474–1477 and is ranked among the most remarkable monuments of Medieval art in Slovakia. The two pairs of both-side decorated wings each containing six Gothic paintings are adjoined to the central part. As a whole, it is a set of 48 paintings[16] in three themed cycles – Elizabethan, the Passion and the Advent. Such construction of an altar is unique even in the European scale.[17]

Altar of the Visitation

The winged altar was crafted to the order of a rich merchant of Košice named Michal Gunthert in 1516. The guiding motive of the altar, located in the arche, is a sculpture of the visit of Mary with Elizabeth. On both sides, the altar has a pair of movable wings. When opened, they represent scenes of the Angelic salutation, the Nativity, the Adoration of the Magi and the Flight to Egypt.

When closed, they depict the sacred personages: Saint Catherine, John the Baptist, Saint Barbara and John the Apostle. The predella is painted with the motives of Vir dolorum, Mary, John the Evangelist, Saint Michael the Archangel, Margaret the Virgin. The latter were patrons of the Gunthert family. Alike the main altar of the Saint Elizabeth, the upper part of this altarpiece is late gothic. It is decorated with the three groups of sculptures: the legend of three marriages of Saint Anne, statues of the Apostotles and of Mary on the top.

Altar of Anthony of Padua

The particularity of this altarpiece resides in the fact that it is composed of the two late gothic altarpieces from the first half of the 16th century, which were saved after a great fire of the city of Košice in 1556. The paintings on wings are the oldest dated of the all altarpiece paintings in the cathedral. They depict 16 saints on the both sides. In 1860, the altar image of Anthony of Padua painted by Frantisek Klimkovic was placed in the original arch.

Altar of Mettercia

The neo-gothic altarpiece from the end of the 19th century was manufactured to order of bishop Zigmund Bubics, for the purpose of emplacement of new-found late gothic painting of Mettercia. The rare painting of Tyrolean origin from 1516 depicts Saint Anne and ancestry of Isaiah. The painting was made to order of the family of pharmacist Bartolomej Czottman, while his wife and he are also depicted with their coats of arms, among which the coat of arms of Košice is placed in accordance to the latest grant of arms. A mortar, as a symbol of pharmacists is featured beyond the municipal coat of arms.

Altar of Saint Anne

It is one of the series of neogothic altarpieces from 1896 bought for the cathedral on the occasion of millennial celebration of Hungarian’s arrival to the homeland, as well as of the termination of restoration works. The altarpiece was a gift from incumbent Bishop Zigmund Bubics.

Altar of Wise Men

Bought in Paris, it was a gift from Zigmund Bubics in 1896.

Altar of Saint Joseph

A gift from Konstantin Schuster, the bishop of Vac, in 1896. It was crafted of pieces bought in Brussel by Ludovit Lantay, the sculptor from Piešťany.

Altar of Saint Stephen

A gift from Frantisek Pogac, the canon of Košice, in 1896. Crafted by Ferdinand Stufflesser, the Tyrolean carver.

Altar of the Three Martyrs of Kosice

The Three Martyrs of Kosice were beatified in 1905. Ludovit Tihanyi crafted the altarpiece dedicated to them in 1923 in Banska Bystrica. Their remains are stored in the predella.

Altar of the Holy Cross

It is historically the youngest altarpiece in the cathedral, which was crafted in Kosice in 1931 by Vojtech Buchner in commemoration of victims of the World war I. Two iron panels feature names of all the people who contributed to the construction of the altarpiece.

Not installed altars

Altar of the Last Supper

A triptych altarpiece from the last third of the 15th century is segmented in the deposit of the East Slovak Museum.

Altar of John the Baptist

A neogothic altarpiece crafted for a rare oil tempera painted panel from 1516. It was installed in the cathedral until 1944. After reconstruction works in 1965–1970 the panel was obtained by the East Slovak Museum. One side of the panel depicts scene of the Baptism of Christ in Jordan and the other depicts the torture of Saint John. They are of high quality with a notable impact of the Dutch and Flemish renaissance.

Altar of the Death of Mary

Original Gothic altarpiece was not installed in 1943, only predella was preserved, which is for the once lost in the archival store of the cathedral.

The bronze baptistery

The roman-gothic baptistery from the 14th century is the oldest monument preserved in the cathedral. It comes from the old church of Saint Elizabeth, the ancestor of today’s cathedral. The leg of the baptistery is decorated with triangles, the chalice is ornamented with zoomorphic reliefs of lions, gryphs and eagles. The upper brim is lined with an illegible Latin inscription. The lid dates back to 1914.

Wall frescoes

In 1892, during the large-scale reconstruction works, a number of original gothic frescoes was discovered hidden under a layer of plaster since the period of Reformation. Three of them are in the south apse: The Savior on the Day of Judgement in an aureola (sitting Christ holding a sword, Mary and Saint Peter below him), Twelve Apostotles and the Resurrection of Christ (with his right hand holding a battalion and blessing with his left hand). In the northern side apse next to the entry of sacristy another set of genuine gothic frescoes could be found: the Descent from the Cross, dating back to the 16th century, conceived as winged wall altarpiece. Paintings on the right side are: the Flagellation and the Coronation with Crown of thorns and on the left side there are: Christ nailed at the cross and Christ before Pilate.

Calvary

The sculpture of Calvary dating back to 1420 is one of the oldest articles of cathedral’s inventory. Its components are: 4.34m tall cross with 3.12m tall nailed Christ in the centre, 2.73m tall statue of Mary on the right side and 2.5-metre-tall statue of John the Evangelist on the left. Originally, the group of statues was installed in triumphal arch of the nave until 1936, when it was reinstalled in the royal oratory. This monumental carved wood piece of art is notable for its deep theatricality of emotional expression of the Christian Period culture.

Four wooden gothic polychromed sculptures

The four wood carvings crafted around 1470, whose authorship is attributed to Jan Weysz, the woodcarver from Presov, correspond to the period style of the main altarpiece of Saint Elizabeth. The sculptures are 108–112 cm tall and their current installation is secondary, i.e. in the choir’s pillars of the western portal. Originally they probably formed a component of bounteous décor of unpreserved upper part of Saint Elisabeth’s altarpiece. Four polychromed sculptures represent Saint Stephen, his son Saint Emeric of Hungary, Saint Ladislaus and Stanislaus of Szczepanów, the Polish bishop.

Mater Dolorosa on column

A polychromed wood carving from the period of 1500 is 112 cm tall. It is installed on a late Gothic twisted column. Above the statue, a Gothic ciborium was additionally inserted into the southern side wall. The expressivity and the pleating of the gown attest to the high level of late Gothic wood-carving in Košice.

Lantern of Matthias Corvinus

The pinnacle with a niche for lantern built on a stone twisted column dates back to the end of the 15th century. The pinnacles‘ tympanums are ornamented with the coat of arms of Košice, Kingdom of Hungary, of Czech and Dalmatia. One unidentified coat of arms is present as well as the one of the Hunyadi family. Originally, the lamp illuminated the area in front of the southern portal towards to neighbouring cemetery. It served its purpose until the early 20th century when it was adapted to gas lighting. It was installed to its current place on the tower wall of Matthias in 1940.

Choir

The pipe organ choir was completely replaced in the period of large-scale reconstruction works in the end of the 19th century. The current replica is a bit longer and has more pillars than the original one. Four polychromated sculptures described above are secondarily installed on the pillars and complemeted with another four neogothic sculptures of Kings of Hungary: Charles I of Hungary, Louis I of Hungary, Sigismund of Luxemburg and Matthias Corvinus. A new pipe organ was crafted by Angster from Patkostolie. Access to the pipe organ is through a stairway in the southern tower. The original one was discovered on Kosice by a collector, Austrian Count Johann Nepomuk Wilczek who bought it and had it transported to his castle Burg Kreuzenstein near Vienna.[18][19]

Pastophorium

A stone pastophorium for storing the eucharist, which is located in the northern pillar of triumphal arch, is the most accurate stone masonry work in the cathedral. It was crafted by Master Stefan around 1477.The pastophorium with hexagonal plan is ornated with complex composition of pillars moldings, friezes, arcades and arches. The twisted niche for storing the eucharist is located on the first floor of pastophorium. The metal-tipped door decorated with thumbnails of coat of arms of some lands and noblemen dates back to the 15th century. The tiny plaster sculptures of prophets and kneeling angels replaced former missing parts in the end of the 19th century. Since the Council of Trent, the pastophorium lost its function and the staircase leading to the pastophorium therefore lost its purpose and was removed in 1860.

The relief of Saint Elisabeth

It originated on the same period as the stone pastophorium and the authorship is also attributed to the Stefan. It is composed of three parts which do not fit together because of their compositions. The relief by itself is decorated in abrupt manner in a contrast with hexagonal ciborium with bolt ending with filigree scenes from the Old Testament. The tip of the ciborium in the shape of the pinnacle is ended with composition of nestled pelican which is the symbol of Christ’s blood. In the 19th century the relief was complemented with a Latin inscription S.Elisabeth ora pro nobis positioned above the console.

Epitaph of Reiner

The Baroque epitaph of Melichar Reiner’s family, who was a municipal retreeve is one of the few neogothic relics preserved in the cathedral and dates back to the beginning of the 17th century. The image of Flagellation is between two family coats of arms; above, there is a sculpture of Christ Crucified and above the tympanum, there is a Baroque group of sculptures of two angels on the sides and Christ holding the Earth in the middle.

Aurole of Madonna

Another baroque relic in the cathedral which appropriately exponentiates the aesthethic interior décor is hanging aureole from the first half of the 18th century, installed under the triumphal arch. The double sided sculpture of Madonna with child is in the middle of the aureole.

A Pew

Some of the cathedral pews are from the 18th century and crafted in Baroque style, other are from the end of the 19th century. Oppositely positioned canonical pews in presbytery were crafted during the period of the large-scale reconstruction works of the cathedral in accordance with the design of the main architect Imrich Steindl. He also designed the patronal pew of communs with a ravishingly engraved and painted coat of arms of Kosice.

Chapel of Mettercia – Announciation to the Blessed Virgin Mary

One of the two chapels in the cathedral is the Chapel of Annunciation to the blessed Virgin Mary located in the area between Matthias Corvinus‘ tower and vestibul of the southern portal. It was built in 1477 by Stefan and allegedly, his portrait is on the console of cross-ribbed vaults. The builder holds a paper strip in his hands. The altarpiece of Mettercia is installed in the chapel, hence the other name. Parents of the Hungarian primate Juraj Szatmary had it built, hence the name of the chaple is also Chapel of Szatmary. In the beginning of the 19th century, a crypt of bishops of Košice was established under its floor. Their gravestones are embedded into the enclosure walls. Ignac Fabry, Zigmund Bubics, Augustin Fischer-Colbrie and Jozef Carsky are buried here.

Chapel of Saint Cross

The second Chapel of the Dome is The Chapel of Saint Cross also built in year 1475. Its donor was the city consul and reeve Augustín Cromer, the reason that the chapel is also called Cromer's chapel. Nowadays it is used as the sacristy.

King's oratory

To the period of building old the cathedral belongs the construction of king's oratory. Oratory was created on the first floor of the polygonal arch of the south annex of transept aisle. On the wall under the oratory is a very significant epigrafic relic from the acting time of John Jiskra from Brandys in the function of Košice captain.[20]

Twisted staircase

The twisted staircase is from the ¼ of 15th century and it is the staircase going to the king emporia.[21] The stairs are divided into two arms of staircase and the west arm heads to the attic of cathedral.[22] It is constrains and therefore it is assumed it had mainly just decorative character. This twisted staircase is the oldest existing one in Europe.[23][24]

The singer stage

The stone gallery which is located on the north wall of the main aisle in a place of presbytery belongs to the original accommodation of the cathedral. We assume that its purpose was to depict the canvas by the actors and singers with the different medieval allegories and mysteries during the worship ceremony.

Statue of saint Florian

Saint Florian was the patron of firemen and was protecting from the fires. The town built his statue in 1748, which first stood near the chapel of saint Michael, later on near the south wall of St. Urban tower, until the year 1940 when it was replaced to where it stands now at the entrance hall of the south portal.

Adyton

Building of the adyton belongs to the third part of construction of the Dome,to years 1440–1462. In addition there are neogothic statues on the consoles from Jana Marschalek from the end of 19th century. They represent saints. Windowpanes were created by Karl Geyling in Wien in 1860. On the panes are illustrated coats of arms of minor canons.

The sacrificial altar

The youngest element of the cathedral's inventory is the sacrificial altar of the celebrating priest. It is located in the front of the main altar. It is carved from one piece of sandstone in the shape of two arms creating an ellipse. The sacrificial altar stands on the tabernacle of the shape of a heart. Near the altar is a new ambon (place for preaching) and the sedeses (chairs). All the three objects were created by Michael and Thomas Baník in 1994.

Pulpit

The stone pulpit with wooden shelter is the masterpiece of sculptors W. Aubram and R. Argenti. On the twisted staircase are on the parapel of balustrade placed statues of the argurs and the church fathers.

Crypt of Rákocy

Beside the north wall of the Dome a crypt was built in 1906 for remains of Francis II Rákoczi and his playfellows.The crypt and the four stone sarcophagi were designed by professor Frigyes Schulek from Budapest. In one sarcophagus are buried together the prince, his mother Helen Zrínska and his older son Joseph. South from him is sarcophagus of general count Anton Esterházi, north from his is buried Mikuláš Šibrik and in the fourth sarcophagus on the other side of crypt is buried count Mikuláč Berčéni and his second wife Kristína Čáki.

Apotheosis of life Frnas II.Rákoci

The monumental mural painting above the north portal of the cathedral is from years 1914–16 and its author is Andor Dudics. It is triptych.

Exterior

The North portal

The north portal
Statues of the north portal

Design of the north portal is very rare according to medieval tradition in which on the north sides of churches was not very used to have portals. Also its statue decor is the most decorative from all the three portals of the cathedral. The reason for this is probably its turning to the main area of happening in medieval Košice-to the city market and the city hall. The portal is known as The golden gate, because it was gilted in Middle Ages. The north portal composes of two entrance doors above those is arc with relief of The last judgement. The relief is divided into two parts-areas. In the lower one is visualised a crowd of people heading to the gates of heaven,where there are welcomed by an angel and the others who are going to the hell are heading to the leviathan jaws with devils and are enchainment. The upper part visualises The last judgement,the two angels with horns are announcing the end of the world. The other figures represents the 12 apostles. Around relief of The last judgement is in three degrees placed five frame reliefs decorated by pinnacles, profilation and traceried motives. Two lower reliefs are referring to the life of saint Elisabeth. The other three are creating the scene from Calvary. At the top is Christ crucified on the cross in a shape of tree of life. Interesting is the shaping of the other two crucified on Golgote, on the left side is the saved soul carried by angel to heaven,while on the right side the soul is carryed to hell by devil. Under the scene of Crucifixion are on the left side crying women around Virgin Mary under the cross and on the right side is John the Evangelist surrounded by roman soldiers. During the great reconstruction of Dome they added niches along the both gates of north portal by neogothic statues of the saints. The niches are original and it is not known what statues stood on them during the last centuries.The other neogothic statues decorate the portal of the east gavel. The statues are: Ugarian kings Charles I of Hungary,his wife Elisabeth of Poland and Luuis of Hungary.Neo-gothic statues of north portal are masterpiece of Budapest sculptulor Ľudovít Lantay.

The West Portal

According to liturgical custom the main entrance to the church is the west portal. Even if it consists of three gates, entrance has the most simple stone decoration. Two sides entrances are without figure decoration. Above the main gate are two reliefs. One of them which is directly over the gate shows Christ in Getseman garden piteously praying to the God Father. To the left from the Christ are apostles Peter, John and Jacob, from the right comes soldiers headed by Judas. In the seddle finish of the portal is the scene of Pieta, Virgin Mary holding Christ body, surrounded by Maria Magdalene and Mary Joseph. The most upper relief expresses angels holding the Veronica's towel with Christ face print. The whole symbology of portals relates with local tradition of The Holy Blood. At the end of 19th century two Neo-Gothic statues were placed to the main gate from which only one – the statue of John the Baptist preserved.

The South Portal

The south portal differs from the previous two portals by the fact that it is placed to the ante-room under the king's empora. It has two gates same as the north portal. But there are not figure's reliefs as it is at the north portal, they are finished by the saddles with triangle circling pikes above which is the other raw of saddles. The portal makes the impression of triple level entrance to the cathedral.An interesting component of the portal is aerial bolt of gothic arch of a Ante–room with leaves ornaments. Very interesting is also the baldachin of the statue in the middle of the portal which is formed by flying rooks. The other rook and beast hold devices of the torment. Based on this it is supposed that under the baldachin was previously a statue of Christ. Today there is statue of Imaculata from the end of the 19th century made by statue maker John Marschalko. The other statues at the portal are saints, emperor Constantine the Great, Elizabeth of Hungary, Prague's Bishop Adalbert, apostle Andrew (patron of Košice archdiocese), Xavier and Bishop Teodor. These statues have nothing to do with the symbolic of the portal, they represent patrons and donators of the big reconstruction of the Cathedral at the end of the 19th century. The middle portrait belongs to architect Imrich Steindl, the other belongs to Fridrich Wilhelms Frödem, Imrichi Seideni, Ľudovít Steinhausi and Otto Sztehló.

The Zigmund Tower

The north tower which was built in the second period of church construction in 1420 – 1440 was finished in the third period of construction in 1462. This is proved by Košice ´s arm with sculpted year 1462 over the portal of the west façade which is also the entrance to the tower. The tower stays at four – square floor plan and has three levels. From the fourth level it is narrowing to octagonal floor plan.A simply decorated tower has between floor cordons decorated by cresting with a geometric motive. Between the fourth and the fifth floor the decoration is complemented by rosette – roses, while each of them is profiled to the different shape. The Zigmund tower was heavily destroyed between 1490–1491 when Košice were besieged with John I Albert army. The tower was reconstructed by Mikláš Crompholz from Nisa, under the guidance of Vaclav from Prague in 1494 – 1497. After the fire in 1775 tower was built up a little bit and on the top of it a Rococo monkshood was mounted, which created the sixth floor of the tower.[25] The monkshood is covered by the copper sheet with the gold coated plumber components. On the top of it there is copper cross which is 3 meters tall. On the first floor there is mechanism of big clock, on the second floor there is construction for the bells establishment. On the third floor are two bells from 1926. Alexander Buchner had new bells casted – The God´s heard which has 1 530 kg and which holds names of killed people in The World War I. There is also fire brigade room which was used until seventies of the 20th century.[26]

The Mathew Tower

The south tower was built in the second period of cathedral construction in 1420–1440. It had a fourth – square floor plan. After the construction break the work on building the tower followed in 1462 when the north tower was finished. The works were managed by Master Stephan until 1477. He constructed it in a more decorated and massive way in comparison with the north tower, even if it was not built up to planned height. It is finished at a level of crown cordon of the main aisle by decorative wreath with heraldries of countries belonging to King Matthias and heraldry of Košice. The tower is now covered by an octagon metal-sheet roof. The curiosity of the tower is a labyrinth of a circular staircase which are linked to each other. Its importance has not been clarified. The entrance is from the west choir of cathedral and its staircase also allows accession to the pipe organ. The rich decoration of the exterior is complemented by the statues of Matthias Corvinus's supporters which are from Budapest sculptor František Mikula from the 20th century.

The sun dial

On the exterior wall of the south façade above the biggest window of the Mettercie Chapel is situated the sun dial of horologe type from the year 1477.[27]

Flèche

The tower at the crosspoint of the main and the transept aisle is the product of the neogothic remaking while the great reconstruction of the dome at the end of the 19th century. It is created of the wooden skeleton which is metaled by copper.

The Frans II. Rakocy memorial

In 1906, the remains of Francis II Rákóczi and his band were carried from Turkey to Košice and entombed in the Cathedral Crypt. On 24 July 1938, the memorial of the Curuc Revolt was unveiled. The memorial was designed by Sipos and Vojtech Loffler. Vojtech Buchner moulded it with bronze.[28]

The monarch donations

In the Middle Ages and during modern times St. Elisabeth Cathedral was the biggest church in the Kingdom of Hungary. Its building happened to be a very prestigious issue for the bourgeois, wealthy merchants and craftsmen of Košice.[29]

Legends of the cathedral

Over the years legends of the cathedral were created and maintained. Most of them have their roots in the Middle Ages of building the dome. Construction continuing over the century gave birth to the legend of the hollow stone, which the builders put on an unknown place in the cathedral. If the stone was lost, the whole cathedral would fall. Also there is a legend about the gargoyle of the drunk women – it is said that she was the master builder's alcoholic wife. The legend says that because she was tarnishing his reputation by her appearance in the town, he made her a gargoyle forever. Also there is a legend about lantern of King Matthias. The lantern was said to have a power to take away the guilt from every criminal who stood under it. The last legend is about the Christ blood. While the common Sunday mass the priest spilt consecrated goblet full of wine on the floor where the image of suffering Christ was created, while some believers heard the Christ moan, they said.[30]

Bibliography

Gallery

See also

References

  1. ↑ "St. Elisabeth Cathedral". Visit Kosice. Košice, Slovakia: visitkosice.eu. 2010. Retrieved 6 November 2013.
  2. ↑ Slovak Republic.org retrieved 19 June 2013
  3. ↑ Historia from Dom Rimkat retrieved 19 June 2013
  4. ↑ Jump up ↑ In: Dóm sv. Alžbety - Košice [online]. Slovakia.travel, 2005, rev. 2010, [cit. 2011-07-19]. Available online. (slovak)
  5. ↑ Jump up ↑ Skočit nahoru ↑ DUCHOŇ, Jozef. Priamy predchodca Dómu svätej Alžbety. korzár.sk. 1. 2006.Available online. ISSN 1335-4566.
  6. ↑ Jump up ↑ ↑ Skočit nahoru k: a b DUCHOŇ, Jozef. O posvätnej bazilike svätej Alžbety [online]. Košice: cassovia.sk, 22.12.2000, [cit. 2011-07-19].Available online. (slovak)
  7. ↑ Jump up ↑ Skočit nahoru ↑ DUCHOŇ, Jozef. Košice v stredoveku. Luxemburská éra. Zlatá doba kostolov [online]. Košice: cassovia.sk, 8.3.2002, [cit. 2011-07-19]. Available online. (slovak)
  8. ↑ Jump up ↑ ↑ Skočit nahoru k: a b c d MENCL, Václav. Gotická architektúra Košíc. Vlastivedný časopis. 1966, roč. XV, čís. I, s. 3-25.
  9. ↑ Jump up ↑ Skočit nahoru ↑ LUKAČIN, Alfonz. Staviteľ chrámu. Košice : PressPrint, 1999. 125 s. ISBN 80-968272-1-9. (slovak)
  10. ↑ Jump up ↑ ↑ Skočit nahoru k: a b JUDÁK, Viliam. Katedrála – matka chrámov v diecéze. In Pútnik svätovojtešský 2011. [s. l.] : Spolok svätého Vojtecha ISBN 978-80-7162-824-8. S. 55. (slovak)
  11. 1 2 3 Jump up ↑ ↑ Skočit nahoru k: a b ŠAŠKY, Ladislav. Stav Dómu svätej Alžbety v Košiciach. Vlastivedný časopis. 1966, roč. XV, čís. I.. Available online. ISSN 1335-4566.
  12. ↑ Jump up ↑ Skočit nahoru ↑ Katedrála - Dóm sv. Alžbety [online]. Košice: Košická arcidiecéza, 2005, [cit. 2011-07-24]. Available online. (slovak)
  13. ↑ Jump up ↑ Skočit nahoru ↑ Dóm sv. Alžbety v Košiciach [online]. antiskola.eu, [cit. 2011-07-28]. Available online. (slovak)
  14. ↑ Jump up ↑ Skočit nahoru ↑ Košice. Sprievodca.. Košice : Východoslovenské vydavateľstvo, 1989. ISBN 80-85174-40-5. S. 69. (slovak)
  15. ↑ Jump up ↑ Skočit nahoru ↑ SPOLOČNÍKOVÁ, Mária. Dóm sv.Alžbety v Košiciach. Košice : Saša, 2000. ISBN 80-967096-4-X. Kapitola O oltári sv.Alžbety, s. 41. (slovak)
  16. ↑ http://travel.spectator.sme.sk/articles/1546/kosice_second_city_second_to_none
  17. ↑ Jump up ↑ Kreuzenstein [online]. Slovakia.travel, 29.7.2003, [cit. 2011-08-19]. Dostupné online. (německy)
  18. ↑ Jump up ↑ Skočit nahoru ↑ KAUNTZ, Bernhard. Burg Kreuzenstein [online]. Västerås: Werbeka Netschop, 2002, [cit. 2011-08-19]. Available online. (German)
  19. ↑ Jump up ↑ Skočit nahoru ↑ BAUER, Juraj. A plynuli stáročia... Pamätné tabule a nápisy, erby, busty, monogramy, domové znaky mesta Košice. Košice : OTA, 2007. ISBN 978-80-969686-1-9. S. 27.
  20. ↑ Jump up ↑ Skočit nahoru ↑ Doppelwendeltreppe Graz [online]. wikipedia.de, [cit. 2011-08-25]. Available online. (German)
  21. ↑ Jump up ↑ Skočit nahoru ↑ Biserica romano-catolica Sf. Mihail Cluj Napoca [online]. www.cazarelanoi.ro, [cit. 2011-08-25]. Available online. (Romanian)
  22. ↑ Jump up ↑ Skočit nahoru ↑ Biserica din Deal - Sighisoara [online]. www.cazarelanoi.ro, [cit. 2011-08-25]. Available online. (Romanian)
  23. ↑ Jump up ↑ Skočit nahoru ↑ Graz Burg [online]. burgen-austria.com, 21.4.2004, [cit. 2011-08-25]. Available online. (German)
  24. ↑ Jump up ↑ Skočit nahoru ↑ Severná veža Dómu sv. Alžbety – možnosť vyhliadky na mesto [online]. Košice: cassovia.sk, [cit. 2011-08-27]. Available online. (slovak)
  25. ↑ Jump up ↑ Skočit nahoru ↑ ĎURÍČEK, Andrej. Tajomstvá Dómu svätej Alžbety: Čo o ňom neviete? [online]. čas.sk, 26.12.2008, [cit. 2011-08-27]. Available online. (slovak)
  26. ↑ Jump up ↑ Skočit nahoru ↑ NOSEK, Miloš. Sluneční hodiny ve střední Evropě [online]. astrohk.cz, 1.1.2003, rev. 28.10.2005, [cit. 2011-08-27]. Available online.
  27. ↑ Jump up ↑ Skočit nahoru ↑ BAUER, Juraj. A plynuli stáročia... Pamätné tabule, erby, busty, domové znaky mesta Košice. Košice : OTA, 2007. ISBN 978-80-969686-1-9. S. 29. (slovak)
  28. ↑ Jump up ↑ ↑ Skočit nahoru k: a b DUCHOŇ, Jozef. Košice v stredoveku. Luxemburská éra. Zlatá doba kostolov [online]. Košice: cassovia.sk, 8.3.2002, [cit. 2011-08-27]. Available online. (slovak)
  29. ↑ Jump up ↑ Skočit nahoru ↑ Dóm Sv. Alžbety a jeho kúzlo [online]. slovenskyarchivar.pweb.sk, 5.10.2008, [cit. 2011-07-19]. Available online. (slovak)
  30. ↑ Jump up ↑ Skočit nahoru ↑ Tajomstvá Dómu svätej Alžbety: Čo o ňom neviete? [online]. čas.sk, 26.12.2009, [cit. 2011-07-19]. Available online. (slovak)

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