Summer Music

Summer Music, Op. 31, is a classical composition for wind quintet by Samuel Barber.

Background

Samuel Barber received a commission in 1953 from the Chamber Music Society of Detroit to write a piece of music for string instruments and woodwind instruments.^[1] Barber drew from some of his previous work, including the unpublished orchestral piece Horizon (1945), as material for Summer Music. Originally meant to be a septet for three woodwinds, three strings, and piano, Summer Music evolved into a quintet as Barber experimented with some tuning études written by hornist John Barrows for himself and his colleagues in the New York Woodwind Quintet.^[2]

On March 20, 1956, as part of the twelfth season of the Chamber Music Society, the premiere of Summer Music took place at the Detroit Institute of Arts, performed by the first-desk players of the Detroit Symphony Orchestra: James Pellerite (flute), Arno Mariotti (oboe), Albert Luconi (clarinet), Charles Sirard (bassoon), and Ray Alonge (horn).^[3] The performance was received warmly by the audience, its success partially attributable to the audience's investment in the piece. Instead of a commissioning fee, Barber agreed to accept donations from the audience, with the Chamber Music Society acting as guarantor for a minimum of $2000.^[4]

Summer Music is Barber's only chamber composition for wind instruments, and has become a staple of the wind-quintet repertory.^[5]

Composition

Summer Music showcases each instrument of the wind quintet for which it was composed, namely the flute, oboe, bassoon, clarinet, and horn. The piece is in a single movement, and has been described as ranging from lyrical and lazy to energetic and contrapuntal.^[6] The groups that have recorded Summer Music include the Philadelphia Woodwind Quintet, the Westwood Wind Quintet, the Dorian Wind Quintet, Ensemble Wien-Berlin, the Barry Tuckwell Wind Quintet, Quintet of the Americas, the New York Wind Quintet, the The Prairie Winds, the Soni Ventorum Wind Quintet, the Philharmonia Quintet, the Arioso Wind Quintet, the Michael Thompson Wind Quintet, the Berlin Philharmonic Wind Quintet, the Lieurance Woodwind Quintet, and Pentaèdre.

Notes

1. Hennessee, Don (1985). Samuel Barber: a Bio-bibliography. Westport, Connecticut: Greenwood Press. p. .
2. Heyman, Barbara (1994). Samuel Barber: The Composer and His Music. New York: Oxford University Press. pp. 359, 361–62, 365.
3. Heyman, Barbara (1994). Samuel Barber: The Composer and His Music. New York: Oxford University Press. pp. 367–68.
4. Heyman, Barbara (1994). Samuel Barber: The Composer and His Music. New York: Oxford University Press. pp. 359, 368.
5. Paul R. Laird. "[untitled review]". American Music 17 (2): 238–40. Citation on pp. 239–40.
6. Paul R. Laird. "[untitkled review]". American Music 17 (2): 238–40. Citation on p. 240.]

References

• Wentzel, Wayne C. Samuel Barber: A Guide to Research. Routledge. New York, New York 2001.
• Los Angeles Philharmonics