Sundar Popo

Sundar Popo
Background information
Birth name Sundarlal Popo Bahora
Also known as Sundar Popo, King of Chutney, Father of Chutney
Born (1943-11-04)November 4, 1943
Origin Monkey Town, Barrackpore, Trinidad and Tobago
Died May 2, 2000(2000-05-02) (aged 56)
Genres Chutney
Occupation(s) Singer / Composer
Instruments Harmonium, Dholak, and Dhantal
Years active 1969–2000
Labels Windsor Records / JMC Records

Sundar Popo HBM (born Sundarlal Popo Bahora,[1] 4 November 1943, Monkey Town, Barrackpore, Trinidad and Tobago, died 2 May 2000)[2] was a Chutney musician from Trinidad and Tobago. He is credited as being the father of Chutney music, beginning with his 1970 hit "Nana and Nani".

Biography

Popo grew up in a musical family. Both his parents were musicians; his mother was a singer and his father was an accomplished tassa drummer.[2] At the age of 15, he began singing bhajans at mandirs and weddings in his hometown of Monkey Town. Bahora worked as a watchman at a Barrackpore factory, and trained under Ustad James Ransawak.[2] In 1969, at a mattikoor in Princes Town, he met Moean Mohammed, a radio host and promoter.[2] After listening to "Nani and Nana", a song with lyrics in both Caribbean Hindustani (Bhojpuri) and Trinidadian English, describing the affairs of an Indian grandmother and grandfather, Mohammed got maestro Harry Mahabir to record the song at Television House, accompanied by the British West Indies Airways (BWIA) National Indian Orchestra.[2] The song revolutionized East Indian music in Trinidad & Tobago.[2] After the success of "Nani and Nana", Bahora devoted more of his time to his singing career. He followed "Nani and Nana" with an album combining Trinidadian folk songs with traditional Hindu material.[2] In total, he recorded more than fifteen albums. He is best known for his song "Scorpion Gyul", which spoke about love, death, and happiness. His other hits include "Oh My Lover", "Don't Fall in Love", and "Saas More Lage" (also known as "I Wish I Was A Virgin").[2] His songs were covered several times by the Indian duo Babla & Kanchan, who had a major success with a version of his "Pholourie Bina Chutney", bringing him to a wider international audience, and leading to tours of Europe and the United States.[2]

It was through the production and promotion of Mohan Jaikaran and his JMC music empire and later with Masala radio that Sundar Popo became recognized as the pioneer and founder of Chutney music. There was not a chutney show in Trinidad or New York City promoted by Jaikaran that Sundar Popo was not a part of. Jaikaran's Mother's Day concerts were always headlined by Sundar Popo.

Popo won many awards during his career, and in 1995, Black Stalin won the Trinidad & Tobago Calypso Monarch title with his "Tribute to Sundar Popo".[2]

In addition to his solo albums, Popo has also released collaborations with Trinidadian performer Anand Yankaran, and JMC Triveni.[2]

While Popo had recorded and performed prolifically since the early 1970s, failing health and eyesight forced him to slow down. At the 2000 Chutney Monarch competition, his performance had to be cut short after one song, and he played his final concert on 1 April 2000, in Connecticut.[2] On 2 May 2000, he died at the home he had built in Barrackpore, from heart and kidney ailments relating to diabetes.[2] His funeral was attended by Trinidad & Tobago Prime Minister Basdeo Panday He is survived by his three sons Hemant, Harripersad, and Jaiknath Sundar, and his daughter Sundari. Popo's granddaughter, Chandra Sundar, is now following in her grandfather's footsteps. There is an auditorium called Sundarlal Popo Bahora Auditorium, named after the legend at the Southern Academy for the Performing Arts (SAPA) in San Fernando, Trinidad and Tobago. At that same auditorium there's a play called "Sundar", about Popo's life, produced by Iere Theatre Productions Ltd.

Awards

Albums (LPs, EPs & CDs)

7' & 12'

Selected songs, 1969-2000

References

  1. ↑ "Pretty Baby, Great Artist". Trinidad Guardian. May 4, 2000. Retrieved 2007-02-28.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Thompson, Dave (2002) Reggae & Caribbean Music, Backbeat Books, ISBN 0-87930-655-6, pp. 218-219.

External links


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