Suryakant Tripathi 'Nirala'

Suryakant Tripathi 'Nirala
Suryakant Tripathi 'Nirala'
Native name सूर्यकांत त्रिपाठी 'निराला'
Born Dinbandhu Nirala
(1896-02-21)21 February 1896
Midnapore, Bengal
Died 15 October 1961(1961-10-15) (aged 65)
Allahabad, Uttar Pradesh
Pen name Nirala
Occupation Writer, poet, essayist, novelist
Nationality Indian
Period Chhayavaad

Suryakant Tripathi 'Nirala' (Hindi: सूर्यकांत त्रिपाठी 'निराला') (21 February 1896[1] – 15 October 1961) was one of the most famous figures of modern Hindi literature. He was a poet, novelist, essayist and story-writer. He also drew many sketches.

Life

Suryakant Tripathi 'Nirala', one of the most significant poets of modern Hindi, was born on 21 February 1896, in a Brahmin family of Midnapore in Bengal (originally from Gadhakola, Unnao, Uttar Pradesh).[2] He was also a regular in literary circles such as the Kavi Sammelans and gained fame from his poetry readings. Though a student of Bengali, Nirala took keen interest in Sanskrit from the very beginning. In that time, through his natural intelligence and acquired knowledge, he became an authority on various languages – Bengali, English, Sanskrit, and Hindi.

Nirala's life, barring short periods, was one long sequence of misfortunes and tragedies. His father, Pandit Ramsahaya Tripathi, was a government servant and was a tyrannical person. His mother died when he was very young. Nirala was educated in the Bengali medium. However, after passing the matriculation exam, he continued his education at home by reading Sanskrit and English literature. Subsequently, he shifted to Lucknow and thence to Village Gadhakola of District Unnao, to which his father originally belonged. Growing up, he gained inspiration from personalities like Ramakrishna Paramhans, Swami Vivekananda and Rabindranath Tagore.

After his marriage at a young age, Nirala learnt Hindi at the insistence of his wife, Manohara Devi. Soon, he started writing poems in Hindi, instead of Bengali. After a bad childhood, Nirala had a few good years with his wife. But this phase was short-lived as his wife died when he was 20, and later his daughter (who was a widow) also expired. He also went through financial troubles during this time. During that phase, he worked for many publishers, worked as proof-reader and also edited Samanvaya.

Most of his life was somewhat in the Bohemian tradition. Since he was more or less a rebel, both in form and content, acceptance did not come easily. What he got in plenty was ridicule and derision. All this may have played a role in making him a victim of schizophrenia in his later life. He wrote strongly against social injustice and exploitation in society.

Nirala died in Allahabad on 15 October 1961. The world of Hindi literature is remarkable for ideological and aesthetic divisions. But today, the same reviled Nirala is one of the very few people in Hindi literature who are admired and respected by almost all, across all divisions.

Today, a park, Nirala Uddyan, an auditorium, Nirala Prekshagrah, and a degree college, Mahapran Nirala Degree College, in the Unnao District are named after him.[2] His life-size bust has been installed at the main market square of Daraganj, Allahabad, a place where he lived for most of his life. His family still lives in Daraganj, Allahabad.

Work

Nirala pioneered the Chhayavaad movement along with Jaishankar Prasad, Sumitranandan Pant and Mahadevi Varma. Nirala's Parimal and Anaamika are considered as the original Chhayavaadi Hindi literature. He was unrecognised during his life. His style of poetry, revolutionary for his time, often was unpublished due to its unconventional nature. He voiced his protest against exploitation through his verses. He amalgamated Vedanta, nationalism, mysticism, and love for nature and progressive humanist ideals in his works. The sources of his themes include history, religion, nature, Puranas and contemporary social and political questions. He initiated the use of blank verse in his poems. He introduced aesthetic sense, love of nature, personal viewpoint and freedom of form and content in writing which went on to become the chief tenets of Chhayawad. His multifaceted genius, which ushered in a new style of poetry, acquired him a pseudonym, Nirala (unique). His poem Saroj Smriti is one of the greatest, showing his emotions and sentiments for his daughter.

Nirala is also credited with bringing in free verse in the modern Hindi prose. His thinking was influenced by Sri Ramakrishna Paramahansa and Swami Vivekananda and in the literary field by Michael Mudhusudan Dutt and Rabindranath Tagore.

Works

Poetry (काव्य)

Novels (उपन्यास)


Story-collections (कहानी संग्रह)

Essay-collections (निबंध संग्रह)

Prose (गद्य)

Translations (अनुवाद)

References

  1. ↑ A history of Indian literature: Modern Indo-Arayan literatures ..., Volume 8
  2. 1 2 Famous Personalities Unnao district Official website.

External links

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