Suvalkija

This article discusses the Lithuanian part of the region. For the Polish one, see Suwałki Region (Suwalszczyzna).
Etnographic regions of Lithuania with Sudovia highlighted in light orange.

Suvalkija or Sudovia (Lithuanian: Sūduva or Suvalkija or Užnemunė, Polish: Suwalszczyzna) is the smallest of the five cultural regions of Lithuania. Its unofficial capital is Marijampolė. People from Suvalkija are called suvalkiečiai (plural) or suvalkietis (singular).[1] It is located south of the Neman River, in the former territory of Vilkaviškis bishopric.[2] Historically, it is the newest ethnographic region as its most distinct characteristics and separate identity formed during the 19th century when the territory was part of Congress Poland.[3] It was never a separate political entity and even today it has no official status in the administrative division of Lithuania. However, it continues to be the subject of studies focusing on Lithuanian folk culture of the 19th and early 20th centuries.

Most of Lithuania's cultural differences blended or disappeared during the Soviet era (1944–1990), remaining the longest in southeastern Lithuania.[4] The concept remains popular among Lithuanian people. A 2008 survey of freshmen and sophomores at Kaunas' Vytautas Magnus University found that 80% of the students continued to identify themselves with one of the regions.[5] Efforts are made to preserve, record, and promote any remaining aspects of the original folk culture.

Naming

Region

In Lithuania three different names have been applied to region, causing some confusion:

In recent years there has been a public debate as to which name, Suvalkija or Sudovia, is preferable. Historians have argued that Sudovia is an anachronism that refers to the land in the 13th and 14th centuries.[9] One commentator labeled the effort to rename the region as "neotribalism" – an artificial attempt to find connections with the long-extinct tribe.[10] Supporters of Sudovia protested against using a term imposed on the region by the Russian Empire, especially since the city of Suwałki is in Poland and the current region has no connection with it.[11] They have also argued that the term Suvalkija is a fairly recent and artificial political development, popularized by Soviet historians, and that the more archaic Sudovia more correctly reflects the region's historical roots.[12] The suffix -ija is not generally used in the Lithuanian language to derive placenames from city names (the only exception is Vilnija, used to describe the Vilnius Region).[13] An official petition from the Council for Protection of the Suvalkija Regional Ethnic Culture to the Commission of the Lithuanian Language, requesting an official name change from Suvalkija to Sudovia, was rejected in 2005.[9] The Commission based the decision on its finding that Suvalkija prevails in both academic literature and everyday life. The decision was not voted on by the inhabitants of the region.

Sub-regions

Suvalkija is roughly subdivided into two areas, inhabited by Zanavykai (singular: Zanavykas) and by Kapsai (singular: Kapsas). Zanavykai occupy northern Suvalkija in the area approximately bounded by the Neman, Šešupė, and Višakis Rivers.[14] Before 1795 that part of Suvalkija lay within the Eldership of Samogitia, while the rest was within Trakai Voivodeship.[15] Šakiai is considered to be the capital of this subregion, sometimes called Zanavykija. Another important center is in Veliuona. The name Zanavykai is derived from the Nova River, a tributary of the Šešupė River. People who lived beyond the river (Polish: za Nawą) became known as Zanavykai. The prefix za- and the suffix -yk are Slavic.[14] To correct this, linguists proposed naming the group Užnovičiai or Užnoviškiai, terms which also mean "beyond the Nova river" but follow Lithuanian language precedents.[14] However, this proposal did not gain popular support and the term Zanavykai is still widely used.

Kapsai inhabit southern Suvalkija, with major centers in Marijampolė and Vilkaviškis. The term is not used by local inhabitants to identify themselves, but is rather a term coined by linguists; thus it did not gain much popularity in the public. When linguists classified Lithuanian language dialects, they identified two major sub-dialects in Suvalkija: one in the territory inhabited by Zanavykai and another in the south.[16] Southerners pronounced the word kaip (how) as kap. This distinct characteristic earned them the name Kapsai, but they could also be called Tepsai as they pronounced word taip (yes) as tep.[17] A revised classification of the dialects, proposed in 1965 by linguists Zigmas Zinkevičius and Aleksas Girdenis,[18] eliminates this distinction and deems the local dialect a sub-dialect of Western Aukštaitian dialect.[19] However, other cultural distinctions between Zanavykai and Kapsai exist, including their traditional clothing styles.

History

Political history

Suwałki Governorate (1867–1914) in yellow. The region gained its name from this governorate.

The lands of the Sudovians and Yotvingians were incorporated into the Grand Duchy of Lithuania during the 13th century. The region was frequently ravaged by the Teutonic Knights and was abandoned by most of its inhabitants. After the 1422 Treaty of Melno, its western borders were fixed and the territory became the sole property of the Grand Duke himself.[15] In 1569 the Grand Duchy joined the Kingdom of Poland to form the Polish–Lithuanian Commonwealth. The Commonwealth was partitioned in 1795 and Suvalkija, as part of the larger territory on the left bank of the Neman River, was incorporated into the Province of East Prussia. This meant that Suvalkija was separated from Lithuania Proper, which was taken by the Russian Empire. In 1807 Suvalkija was briefly part of the Duchy of Warsaw, a small Polish state established by Napoleon Bonaparte, before being incorporated in 1815 into Congress Poland, an entity formed by personal union with the Russian Empire. During the remainder of the 19th century and the early 20th century, Suvalkija was administratively part of the Augustów Governorate, and later of the Suwałki Governorate. Russian census statistics showed that Lithuanians formed a slight majority in the northern part of the governorate, and that Poles, concentrated in the Suwałki Region in the south, accounted for about 23% of the Governorate's total population.[20] Lithuania and Poland became independent states after World War I, and disputed their borders in this region. The Suwałki Governorate was split more or less along ethnic lines. Suvalkija has since been part of Lithuania, and Suwałki Region – part of Poland.

Economic history

Suvalkija has long been known as an affluent agricultural region. An increased demand for wood prompted resettlement and deforestation of the region during the 16th and 17th centuries.[21] The demand led to illegal tree-harvesting incursions from the Duchy of Prussia. To discourage this, the Grand Dukes of Lithuania established several border villages between Jurbarkas and Virbalis.[21] Queen Bona Sforza, who governed the land on behalf of her husband Sigismund I the Old between 1527 and 1556, was especially supportive of these new settlements.[15] Resettlement also came from the north, particularly along the Neman River. There large territories were granted by the Grand Duke to various nobles, including the Sapieha family.[15] These settlements slowly spread further south and east.

By the mid-17th century, the pace of resettlement had slowed. The demand for wood experienced a sharp decrease and the Grand Duchy of Lithuania lost almost half of its population due to the Northern Wars (1655–1661), famine, and plague. Settlers were attracted by its fertile farmland, which had largely been cleared of forests, and by the relative ease of serfdom in the area: because much of the land was owned by the Grand Duke himself, serfs did not have to perform corvée.[21] The repopulation in private holdings of nobles in the north took place at a much slower rate. Another important factor in the area's regrowth was the proximity of East Prussia and its capital Königsberg. The city had become a major trade center and was the second-largest export destination (following Riga, Latvia) of the Grand Duchy.[21] Kudirkos Naumiestis was the region's gateway to Prussia. When the Great Northern War (1700–1721) depopulated Lithuania further, repopulation of Suvalkija was almost complete.[15]

Serfdom in Suvalkija was abolished in 1807 by Napoleon Bonaparte: peasants acquired personal freedoms, although they could not own land. That changed only in 1861 when serfdom was abolished in the entire Russian Empire. By the 1820s,[22] farmers in Suvalkija had begun to divide their villages into individual farmsteads (Lithuanian: singluar – vienkemis, plural – vienkemiai).[23] This development is a clear indicator of economic prosperity among the peasants. The old three-field system was becoming obsolete; under that system the land was managed by the community and individuals could not introduce any technological advances without their approval.[24] By contrast, in other parts of Lithuania this process did not begin until serfdom was abolished throughout the Empire in 1861, intensifying after the Stolypin reform in 1906.

Early abolition of serfdom, fertile land, and close economic ties with East Prussia contributed to Suvalkija's relative wealth. This situation led to the ongoing perception that its inhabitants are very rational, clever, and extremely frugal, even greedy.[25] Such stereotypes, also applied to other regions,[26] gave rise to many anecdotes and practical jokes.[27]

Suvalkija remains the least-forested area of Lithuania (in 2005 forests covered 21.6% of Marijampolė County while forests cover 32% of the country as a whole).[28] The third-largest forest in Lithuania, Kazlų Rūda Forest (587 km²), is in Suvalkija, but is located on sandy soil unsuitable for farming.[29] Suvalkija remains one of the most important agricultural regions of Lithuania, harvesting large crops of sugar beets.

Cultural history

Originally, the region was inhabited by the Baltic tribe of the Sudovians (hence the name "Sudovia"). The Teutonic Knights frequently raided the region during the Middle Ages in ongoing attempts to conquer and baptize the pagan Grand Duchy of Lithuania. As a result most of ancient Sudovia became a sparsely-inhabited wilderness covered by large forests. After the Battle of Grunwald in 1410, which ended the crusades against Lithuania, the territory was slowly repopulated by settlers from Samogitia and Aukštaitija. They brought their cultures, which mingled with that of the remaining local Sudovians, and an ethnologically-distinct culture gradually took shape, combining Samogitian and Aukštaitian elements and indigenous elements not found anywhere else.[18]

Significant changes took place during the late 18th and early 19th centuries. Suvalkija was separated from Lithuania Proper. While the Napoleonic period was brief, it resulted in lasting impacts. Of these impacts, the most important were the introduction of the Napoleonic Code, the usage of the Gregorian Calendar, and the abolition of serfdom almost 50 years earlier than in the rest of Lithuania. Peasants gained personal freedom and opportunities to acquire wealth. The region also offered better educational opportunities to its residents – Veiveriai Teachers' Seminary and Marijampolė Gymnasium continued their operations at a time when most educational institutions in Lithuania were closed following the 1863 January Uprising against the Russian Empire.[17] Students could also attend Roman Catholic seminaries in Sejny and Kaunas. According to the census taken in 1897, the rate of literacy among the peasants of the Suvalkai Province was the highest in the Russian Empire.[3] The people of Suvalkija were also among the first and most numerous emigrants to the United States.[30]

These developments led to the formation of a new well-educated class, which fueled the Lithuanian National Revival in the second half of the 19th century.[31] Among the many notable figures from the region were the patriarch of Lithuanian independence Jonas Basanavičius, Vincas Kudirka, the author of the Lithuanian nation anthem, and Jonas Jablonskis, a linguist frequently credited with the creation of a standardized Lithuanian language. Dialects spoken in Suvalkija became the basis for the modern language.[32] The Revival, which had previously been centered in eastern Samogitia, gradually shifted to Suvalkija due to the activities of these prominent figures and its better economic conditions.[33]

Folk culture

Language

Map of the dialects of the Lithuanian language based on new classification, proposed by Zinkevičius and Girdenis. Three sub-groups of the Western Aukštaitian dialect are distinguished (in green). Sub-dialect of Kaunas, which also covers Suvalkija, is in dark green.

The traditional classification of the Lithuanian dialects divided those of Suvalkija into two sections: Zanavykai, spoken in its north, and Kapsai, spoken in its south. These two sub-dialects are often described as the basis of the standard Lithuanian language.[14] It has proven quite difficult, however, to identify language characteristics unique to those regions, as the characteristics are extremely diverse and unevenly distributed.[15] A revised classification of the dialects, proposed in 1965, eliminates this distinction and groups the Zanavykai, Kapsai, and Central Aukštaitian sub-dialects as a single sub-grouping, named Kaunas sub-dialect of the Western Aukštaitian dialect.[19] The territory of this sub-dialect encompasses a much larger area than Suvalkija and stretches beyond the Neman River.

The Western Aukštaitian dialect, unlike other dialects of Lithuanian, preserves the mixed diphthongs an, am, en, em and the ogonek vowels ą and ę.[18] The dialect is subdivided into Kaunas and Šiauliai sub-dialects. The Kaunas sub-dialect, in contrast to the Šiauliai sub-dialect, in most cases separates long and short vowels and stresses word endings in the same way as standard Lithuanian. Since they had close economic contacts with East Prussia, people from Suvalkija borrowed a number of German words.[18] There are efforts to preserve, record, and promote the local dialects. Between 2003 and 2006 the Science and Encyclopaedia Publishing Institute published a three-volume dictionary of Zanavykai sub-dialect. Since 1973, Šakiai district municipality organizes an annual Language Day to encourage preservation of the sub-dialect.[34]

Along a gradient from north (Zanavykai) to south (Kapsai and Dzūkija) the stressed first component of mixed diphthongs ul, um, un, ur, il, im, in, and ir, changes from short to semi-long to long (from kúlt to kùlt to kūlc – to thresh, from pírmas to pìrmas to pyrmas – first, from pínti to pìnti to pync – to braid).[17] Kapsai tend to modify word beginnings. If a word starts in ei or e, they often replace it with ai or a (aik instead of eik – go, ažeras instead of ežeras – lake). Zanavykai also modify vowels, but in the other direction (ekmuo replaces akmuo – stone, ešis instead of ašis – axis).[14] Kapsai often add a v to words that, in standard Lithuanian, start with uo, u, or o (vuoga instead of uoga – berry, voras instead of oras – air) and j to words that start with i, y, or i.e. (jilgas instead of ilgas – long, jieva instead of ieva – bird cherry).[16] Zanavykai tend to shorten words. They often drop n from verbs (gyvek instead of gyvenk – live!) and truncate the past tense form of verbs (žino instead of žinojo – he knew, galė instead of galėjo – he could, ė instead of ėjo – he walked).[14] Zanavykai also preserved some archaic forms and rules of declension, especially in pronominal pronouns, and of conjugation, especially in dual verbs.[18]

Clothing

Examples of traditional clothing from Suvalkija

Traditional peasant clothing in Suvalkija, while consisting of the same basic items, can be clearly differentiated from clothing in other parts of Lithuania. Because the region was relatively wealthier, the clothes were richer in color, decoration, and ornament. They were also made of better and more expensive materials, including brocade, silk, wool, and damask. Regional differences existed even within Suvalkija. Kapsai women wore long, wide dress garments with large designs of stars and tulips, semidark in colour and partially striped. The Zanavykai costume is one of the most decorative in design, colour and style.[35]

Suvalkija women wore wide, gathered skirts of one main color (dark and rich, such as dark red, blue, violet, or green) with narrow multi-colored stripes woven into the fabric. Women's blouses in Suvalkija are distinguishable from those of other regions by their wider sleeves and by more extensive decorations.[36] Their aprons were especially richly decorated and colorful,[37] with Kapsai laying stripes and other ornaments horizontally, while the Zanavykai preferred vertical compositions.[36] Women also wore richly decorated sashes around their waists. These sashes used more complex ornaments than in other regions, where more archaic but simpler geometric forms prevailed. Because of their relative complexity, folk art collectors placed a higher value on these sashes.[37] A few examples were presented in the first Lithuanian art exhibition in 1907.[31] Bodices at first were identical to those in Dzūkija, but diverged by the mid-19th century. Bodices in Zanavykai had short laps, while bodices of Kapsai were long and flared.[36] Young girls and married women could be told apart by their headdresses. Young girls in Kapsai wore tall golden galoons, while maidens in Zanavykai wore narrow galloons, sometimes replacing them with beads. Married women wore bonnets similar to those in Dzūkija.[36]

Cradle from Suvalkija on display in the museum in Rumšiškės

Men's wear was simpler and only occasionally decorated with a modest amount of embroidery. Men wore caftans pleated at the back. These caftans, usually sewn from light gray or white woolen cloth, were later replaced by coats.[36] Shirts, resembling a tunic, were sewn from white linen cloth and were not usually decorated. The most ormamental detail of men's garments were the decorative patterned sashes they wore around their waists. Men also wore high boots and hats with straight brims that were decorated with feathers and flowers.[36]

As elsewhere, clothing styles began to rapidly change at the beginning of the 20th century as city and town culture increasingly influenced the traditional peasant life. Clothes became simpler, less colorful and decorated. Women started wearing a variety of jackets, usually of one dark color, and covered their heads with simple scarves tied under their chins.[36] Skirts became less and less gathered and colored stripes disappeared. The celebrated aprons and sashes were completely lost.[36]

The first concepts and models of the national costume were formed in Lithuania Minor (East Prussia), where Lithuanian cultural activities were legal and not suppressed by the Lithuanian press ban. After the ban was lifted in 1904, clothing from Lithuania Minor was promoted as the best candidate for the national dress until the 1920s, when attention shifted to clothing from Suvalkija.[38] The shift can be attributed to the relative abundance of original clothing from the region, which was rich in decoration and could compete with the costumes of other European nations. A number of prominent activists, including President of Lithuania Kazys Grinius and his wife Joana Griuniuvienė, collected and promoted the clothing of Suvalkija, especially aprons and sashes.[38] At the time regional differences were not emphasized and cultural activists were attempting to arrive at a single model of a "Lithuanian" national dress, based on samples from Suvalkija. The concept of a single representative Lithuanian national dress was dropped in the 1930s in favor of regional costumes, unique to each of the ethnographic regions.[38]

Music

The musical traditions of Suvalkija are distinctive. The kanklės, possibly the most archaic Lithuanian instrument, took on distinguishable characteristics in the region; more heavily ornamented than elsewhere, its end is narrow, spreading out into a rounded shape.[39] Recordings made in the 1930s, and reissued in the 21st century by the Institute of Lithuanian Literature and Folklore, contain waltzes, marches, schottisches, and krakowiaks. Popular polkas performed on the fiddle were a significant part of the local musicians' repertoire. The recordings from this era are monodic; there is usually one singer, and the music relies on variable modal structures, changes of tempo, and subtle ornamentation of the melody for interest.[40]

The composition of the musical ensembles in the region changed during the middle 19th century. Earlier versions featured between one and three kanklės, a fiddle, and a būgnas (drum). Later ensembles often included one or two fiddles, a German or Viennese harmonica, a būgnas, and at times a cymbal, a clarinet, a coronet, or a besetle (a stringed bass). Ensembles featuring the fiddle and the būgnas were also popular.[41]

References

  1. ↑ Rywkin, Michael; Ronald Wixman (1982). The Peoples of the USSR: An Ethnographic Handbook. M.E. Sharpe. p. 181. ISBN 0-87332-506-0.
  2. ↑ "Lietuvos etnogafinių regionų visuomeninės kultūros organizacijos". Žemaičių žemė (in Lithuanian) 4. 2002. ISSN 1392-2610. Archived from the original on 2011-03-05.
  3. 1 2 Kudirka, Juozas (1991). The Lithuanians: an ethnic portrait. Lithuanian Folk Culture Centre. OCLC 27947396. Archived from the original on 2011-03-06.
  4. ↑ Nakienė, Austė (2006). "Lietuvių muzikos tautiškumo problema. Pietryčių Lietuvos liaudies melodijos XX a. I pusės fonografo įrašuose" (PDF). Literatūra (in Lithuanian) 48 (5): 143–157. ISSN 0258-0802.
  5. ↑ Venskienė, Asta (2008). "Lietuvos jaunimo etnografinis-lokalinis tapatumas XXI a.: geografinės apibrėžtys ir kilmė" (PDF). Lituanistica (in Lithuanian) 1 (73): 88–100. ISSN 0235-716X.
  6. ↑ Kuckailis, Juozas (2003-10-23). "Apie Dainavą nuo pat jotvingių laikų". Voruta (in Lithuanian) 20 (542). ISSN 1392-0677. Archived from the original on 2011-03-05.
  7. ↑ Centre for Cartography, Vilnius University (1999). "Etnografinės sritys (pagal XIX a. materialinę kultūrą)" (in Lithuanian). Database for Business and Public Administration. Archived from the original on 2011-03-05. Retrieved 2008-05-23.
  8. ↑ Šaknys, Žilvytis Bernardas (2002-12-12). "Lietuvos Respublikos administracinio teritorinio suskirstymo perspektyvos: etnografiniai kultūriniai regionai" (in Lithuanian). Seimas. Archived from the original on 2011-03-05. Retrieved 2008-05-12.
  9. 1 2 ELTA (2005-12-21). "Suvalkijos ir suvalkiečio nekeis Sūduva ir sūduvis" (in Lithuanian). Sekunde.lt. Archived from the original on 2011-03-05. Retrieved 2008-05-12.
  10. ↑ Kalnius, Petras (2007). "Regioninių tapatumų judėjimo prieštaros dabartinėje Lietuvoje" (PDF). Lituanistica (in Lithuanian) 3 (71): 92–112. ISSN 0235-716X.
  11. ↑ Nekrošius, Liutauras (2007). "Verta didžiuotis esant sūduviu". Archiforma (in Lithuanian) (2). ISSN 1392-4710. Archived from the original on 2008-08-05.
  12. ↑ Simanaitis, Edmundas (2004-11-04). "Sūduviams rūpi ne tik Sūduvos kultūra". Nemunas (in Lithuanian) 29 (470). ISSN 0134-3149. Archived from the original on 2011-03-05.
  13. ↑ Labutis, Vitas (2003-11-28). "Tarp Lietuvos kraštų turi būti Sūduva, o ne Suvalkija". Literatūra ir menas (in Lithuanian) 2978. ISSN 0233-3260. Archived from the original on 2011-03-05.
  14. 1 2 3 4 5 6 Simas Sužiedėlis, ed. (1970–1978). "Zanavykai". Encyclopedia Lituanica VI. Boston, Massachusetts: Juozas Kapočius. pp. 293–294. LCC 74-114275.
  15. 1 2 3 4 5 6 Salys, Antanas (1953–1966). "Zanavykai". Lietuvių enciklopedija XXXV. Boston, Massachusetts: Lietuvių enciklopedijos leidykla. pp. 34–38. LCC 55020366.
  16. 1 2 Simas Sužiedėlis, ed. (1970–1978). "Kapsai". Encyclopedia Lituanica III. Boston, Massachusetts: Juozas Kapočius. p. 38. LCC 74-114275.
  17. 1 2 3 "Kapsai". Lietuvių enciklopedija X. Boston, Massachusetts: Lietuvių enciklopedijos leidykla. 1953–1966. pp. 485–486. LCC 55020366.
  18. 1 2 3 4 5 Janina Jašinskienė, ed. (2005). Tradicijos. Iliustruota Lietuvos enciklopedija (in Lithuanian). Kaunas: Šviesa. pp. 52–55. ISBN 5-430-04158-0.
  19. 1 2 Girdenis, Aleksas Stanislovas (2006-04-12). "Samogitians: The Development of Inflexional Endings and the Chronology of the Divergence of Dialects". Center of Regional Cultural Initiatives. Archived from the original on 2011-03-05. Retrieved 2008-05-01.
  20. ↑ Nikolajew, Christina Juditha (2005). Zum Zusammenhang zwischen nationaler Identitätsbildung und Katholischer Kirche in Litauen (PDF) (in German). Eberhard Karls University of Tübingen. p. 16.
  21. 1 2 3 4 Kavoliutė, Filomena (2002). "Socialiniai ir gamtiniai veiksniai Nemuno žemupio lygumos kraštovaizdžio formavime" (PDF). Geografija (in Lithuanian) 38 (1): 34–40. ISSN 1392-1096.
  22. ↑ Vaskela, Gediminas (1998). "Žemės reforma ir Lietuvos žemės ūkio pažanga". Žemės reforma Lietuvoje 1919-1940 m.: Analizuojant Rytų ir Vidurio Europos agrarinės raidos XX a. III-IV dešimtmečiais tendencijas (in Lithuanian). Vilnius: Lithuanian Institute of History. pp. 239–295. ISBN 9986-780-17-9. Archived from the original on 2011-03-05.
  23. ↑ Purvinas, Martynas (2004-01-30). "Etnografinių kaimų atrankos kriterijai" (in Lithuanian). Seimas. Archived from the original on 2011-03-05. Retrieved 2008-05-12.
  24. ↑ Vaskela, Gediminas (1998). "Agrarinių santykių evoliucija". Žemės reforma Lietuvoje 1919-1940 m.: Analizuojant Rytų ir Vidurio Europos agrarinės raidos XX a. III-IV dešimtmečiais tendencijas (in Lithuanian). Vilnius: Lithuanian Institute of History. ISBN 9986-780-17-9. Archived from the original on 2011-03-05.
  25. ↑ Michelson, Annika (2005-12-10). "Suvalkija (west of river Nemunas)". Culture and nature geography of South-East Baltic Sea Area. VirtuaaliAMK. Retrieved 2008-05-12.
  26. ↑ Muktupāvels, Valdis. "Some bits of humour". Music in Latvia. Archived from the original on 2011-03-05. Retrieved 2008-05-12.
  27. ↑ "Sūduva (Suvalkija)". Lithuanian State Department of Tourism. 2004. Archived from the original on 2011-03-05. Retrieved 2008-05-01.
  28. ↑ "Forest resources". Lithuanian Statistical Yearbook of Forestry 2005. State Forest Survey Service. 2005. Archived from the original on 2011-03-05.
  29. ↑ Vaitiekūnas, Stasys; Elena Valančienė (2004). Lietuvos geografija (in Lithuanian). Alma littera. pp. 105, 115–116. ISBN 9955-08-534-7.
  30. ↑ Budreckis, Algirdas (April 1979). "Pirmieji lietuviai Bostone". Aidai (in Lithuanian) 4. ISSN 0002-208X. Archived from the original on 2011-03-06.
  31. 1 2 Jazerskas, Valentinas (2007-06-21). "Apie Suvalkijos (Sūduvos) regioną" (in Lithuanian). Seimas. Retrieved 2008-05-01.
  32. ↑ Stražas, A. S. (Fall 1996). "Lithuania 1863–1893: Tsarist Russification and the Beginnings of the Modern Lithuanian National Movement". Lituanus 42 (3). ISSN 0024-5089. Archived from the original on 2011-03-06.
  33. ↑ Staliunas, Darius (2007). Making Russians: Meaning and Practice of Russification in Lithuania and Belarus after 1863. Rodopi. p. 398. ISBN 90-420-2267-1.
  34. ↑ Kazakevičius, Kazys (2006-06-17). "Zanavykai puoselėja gimtąjį žodį". Lietuvos žinios (in Lithuanian) 137 (11474). Archived from the original on 2011-03-06.
  35. ↑ Simas Sužiedėlis, ed. (1970–1978). "National Costumes". Encyclopedia Lituanica IV. Boston, Massachusetts: Juozas Kapočius. p. 30. LCC 74-114275.
  36. 1 2 3 4 5 6 7 8 Jurkuvienė, Teresė. "The Clothing of Suvalkija". Anthology of Lithuanian Ethnoculture. Lithuanian Folk Culture Centre. Archived from the original on 2011-03-06. Retrieved 2008-05-01.
  37. 1 2 Welters, Linda (1999). Folk Dress in Europe and Anatolia: Beliefs about Protection and Fertility. Berg Publishers. pp. 214–215. ISBN 1-85973-287-9.
  38. 1 2 3 Jurkuvienė, Teresė (2001). "Suvalkijos tautinis kostiumas pirmaisiais XX a. dešimtmečiais" (PDF). Menotyra (in Lithuanian) 2 (23): 77–79. ISSN 1392-1002.
  39. ↑ Lunys, Arūnas. "Instrumental Music – String Instruments (Chordophones)". Anthology of Lithuanian Ethnoculture. Lithuanian Folk Culture Centre. Archived from the original on 2011-03-06. Retrieved 2008-05-13.
  40. ↑ "Songs and Music from Suvalkija". Institute of Lithuanian Literature and Folklore. Archived from the original on 2008-03-28. Retrieved 2008-05-13.
  41. ↑ Lunys, Arūnas. "Instrumental Music – Instrumental Ensembles". Anthology of Lithuanian Ethnoculture. Lithuanian Folk Culture Centre. Archived from the original on 2011-03-06. Retrieved 2008-05-13.

Further reading

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