Taylor Mac

Taylor Mac
Taylor Mac performing at Celebrate Brooklyn! in August 2015
Background information
Birth name	Taylor Mac Bowyer[1]
Born	1973 California
Genres	Cabaret, pop music, theater, musical theater
Occupation(s)	Singer-songwriter, drag queen, Producer, Director, Writer, Actor
Instruments	Vocals, ukulele
Years active	1994-present
Website	taylormac.org

Taylor Mac (born 1973) is an actor, playwright, performance artist, director, producer, and singer-songwriter active mainly in New York City.

Performance work

Mac's work has been described as a fight against conformity and categorization.^[2] It draws on forms such as commedia dell'arte, contemporary musical theater, and drag performance, and Mac has noted Charles Ludlam, the Theater of the Ridiculous, and theatrical history reaching back to Greek theater as professional influences.^[3] Mac's work has been performed at New York City's Lincoln Center, the Public Theater, the Sydney Opera House, American Repertory Theatre, Stockholm's Sodra Theatern, the Spoleto Festival, as well as many other venues both in the United States and internationally.

Mac is a self-described "fool" and "collagist" who puts together forms and costumes to create a complex and sometimes contradictory look and sound.^[4] Mac has resisted categorization by the press: after being described as Ziggy Stardust meets Tiny Tim, Mac created the show Comparison Is Violence, or the Ziggy Stardust Meets Tiny Tim Songbook.^[5]

Mac toured Europe with the plays The Be(A)st of Taylor Mac and The Young Ladies Of. Mac then developed The Lily's Revenge, combination of "camp extravaganza" and "comic self-deprecation" centered on the hero's journey of a lily that uproots itself to fight against nostalgia.^[6] The play takes place during Ronald Reagan's funeral, who is figured as the leader of the nostalgia movement.^[7] The Lily's Revenge played at HERE Arts Center with Taylor Mac as the Lily.

In 2014, for Mac's performance in the Foundry Theater's production of Bertolt Brecht's Good Person of Szechwan, Mac was nominated for the Lucille Lortel Outstanding Lead Actor Award and the Drama League Distinguished Performance Award. Mac also starred in Classic Stage Company's A Midsummer Night's Dream.

Taylor Mac also created and hosted the political vaudeville Live Patriot Acts: Patriots Gone Wiiiiildd! during the Republican National Convention in 2004.^[8]

Written Work

• Dilating - A set of four one acts including Okay (a black comedy), Maurizio Pollini (the genre of "interlocked happening"), The Levee (a kitchen-sink drama), and A Crevice (an absurdist farce). All four of these one acts have the common theme of pregnancy.^[9]
• The Holy Virgin Mary of Our Time - with music by Edward Ficklin. Based on the true events surrounding the "sensation art exhibit at the Brooklyn Museum and "The Holy Virgin Mary" elephant dung controversy.^[10]
• Peace - co-written with Rachel Chavkin. A one act adaptation of the Aristophanes play of the same name.^[11]
• Mornings - a play about a man's attempt to perform his morning masturbation ritual. Originally written for the performance art play "Cardiac Arrest or venus on a Half-Clam" Now included in The Be(A)st of Taylor Mac.^[12]
• An Oblation
• The Dying Sentimentalist - commissioned by Arena Stage and premiered there in 2014 as a part of the "Our War" monologue collection about the civil war.^[13]
• The Hot Month - produced by Boomerang Theatre Company in 2003 on Center Stage. Addresses issues of time and love in a story about a woman, her brother, and his lover.^[14]
• The Lily's Revenge - Created as part of HARP and premiered in the fall of 2009. Inspired by the arguments of tradition and nostalgia as an argument for discrimination and anti-gay marriage agendas. The music was composed by collaborator Rachelle Garniez.^[15]
• The Walk Across America for Mother Earth - a modern day commedia dell'arte play about a group of anarchists protests against nuclear proliferation. Music by Ellen Maddow. Presented by La MaMa E.T.C. in association with the Talking Band in 2011.^[16]
• The Young Ladies Of - Based on letters written to Taylor's father after he placed an ad asking young ladies to write to him while he was stationed in Vietnam in 1968. Thousands replied to this ad. Combined with Taylor's own text, these letters create a conversation about patriarchy, war, romance, and fatherhood. Premiered at the HERE Arts Center.^[17]
• Red Tide Blooming - a musical celebration of freak-hood. Premiered at PS 122.^[18]
• Cardiac Arrest or Venus on a Half-Clam - written, performed, directed, and designed by Taylor Mac. Premiered at FEZ and subsequently headlined the Queer at HERE festival in 2004. Used Taylor's failing love life as a metaphor for the war on terror.^[19]
• The Be(A)st of Taylor Mac - premiered at Joe's Pub in New York City and performed in various venues over two hundred times. It is now retired (at least for the time being) since it can only be performed by Taylor but there is a recording available for purchase on itunes. This piece of work explores the human condition and challenges the contemporary culture of fear through gender-bending surrealism.^[20]
• Mac's Dionysia Festival: four plays that are being premiered separately but will someday be premiered in an all day festival mirrored after the Greek Dionysia. All of these plays deal with our cultural polarization.
  • Part I: The Fre - about an intellectual aesthete who gets trapped in a mud pit. This is Taylor's first All-Ages play. The Fre is written in the form of old comedy. Commissioned by the Children's Theatre Company where it was also developed and will soon premiere.^[21]
  • Part II: Hir - a play about a dysfunctional family including a mad housewife, a transgender son, a son that spent three years in combat in Afghanistan, and a husband who had a stroke that left him nearly speechless. Produced by Playwrights Horizons in November 2015. Made the New York Time's Top Ten Best Theater of 2015 List.^[22]
  • Part III: The Bourgeois Oligarch - The story of a gauche philanthropist as he prepares his acceptance speech. Commissioned by The A.R.T. and will premiere soon as a collaboration with the Boston Ballet.^[23]
  • Part IV: ?

A 24-Decade History of Popular Music

Since at least 2014, Mac has been developing a new work A 24-Decade History of Popular Music that covers music popular in the United States from the 1770s to the 2010s, with one hour dedicated to each decade with a corresponding costume designed by long-time collaborator Machine Dazzle. This work will culminate in a 24-hour performance, with one hour dedicated to each decade.^[24]

Personal life

Mac was born and raised in Stockton, California Taylor Mac Bowyer, the child of Joy Aldrich and Vietnam War veteran Lt. Robert Mac Bowyer.^[25] Mac's mother opened a private art school that influenced Mac's early aesthetic by embracing collage and teaching students to build from mistakes rather than attempt to erase them.^[26] Mac moved to New York in 1994 to study at the American Academy of Dramatic Art. After graduation, Mac began working as an actor and wrote the plays The Hot Month (1999), The Levee (2000), and The Face of Liberalism (2003).^[27]

Taylor Mac prefers judy (lowercase) as a gender pronoun.^[28]

Awards and Residencies

• Herb Alpert Award in the Arts (2015)
• Ethyl Eichelberger Award
• Peter Zeisler Memorial Award
• Helen Merrill Playwriting Award
• Sundance Theater Lab Residency (2 time winner)
• Rockefeller MAP Grant (3 time winner)
• Creative Capital Grant
• New York State Council of The Arts Grant
• Massachusetts Council of the Arts Grant
• Edward Albee Foundation Residency
• The Franklin Furnace Grant
• Peter S. Reed Grant
• HERE Arts Center Resident Artist
• New Dramatists Resident Playwright
• New York Theatre Workshop Usual Suspect

References

1. Svich, Caridad. "Glamming it Up with Taylor Mac." American Theatre. November 2008.
2. Fitzgerald, James. (2010) "The Lily's Revenge." Theatre Journal. Volume 62, Number 3. pp. 457-458
3. Taylor Mac. "Taylor Mac. Interview for Theaterjones.com. Video by Mark Lowry. 2010.
4. Svich, Caridad. "Glamming it Up with Taylor Mac." American Theatre. November 2008.
5. Armstrong-Morris, Greg. "The incomparable Taylor Mac" XTRA! Pink Triangle Press. January 26, 2012.
6. Fitzgerald, James. (2010) "The Lily's Revenge." Theatre Journal. Volume 62, Number 3. pp. 457-458
7. Svich, Caridad. "Glamming it Up with Taylor Mac." American Theatre. November 2008.
8. "Live Patriot Acts: Patriots Gone Wiiiiild!". TAYLOR MAC. Retrieved 2016-04-10.
9. "Dilating". TAYLOR MAC. Retrieved 2016-04-10.
10. "The Holy Virgin Mary Of Our Time". TAYLOR MAC. Retrieved 2016-04-10.
11. "Peace". TAYLOR MAC. Retrieved 2016-04-10.
12. "Mornings". TAYLOR MAC. Retrieved 2016-04-10.
13. "The Dying Sentimentalist". TAYLOR MAC. Retrieved 2016-04-10.
14. "The Hot Month". TAYLOR MAC. Retrieved 2016-04-10.
15. "The Lily’s Revenge". TAYLOR MAC. Retrieved 2016-04-10.
16. "The Walk Across America for Mother Earth". TAYLOR MAC. Retrieved 2016-04-10.
17. "The Young Ladies Of". TAYLOR MAC. Retrieved 2016-04-10.
18. "Red Tide Blooming". TAYLOR MAC. Retrieved 2016-04-10.
19. "Cardiac Arrest or Venus on a Half-Clam". TAYLOR MAC. Retrieved 2016-04-10.
20. "The Be(a)st of Taylor Mac". TAYLOR MAC. Retrieved 2016-04-10.
21. "The Fre". TAYLOR MAC. Retrieved 2016-04-10.
22. "Hir". TAYLOR MAC. Retrieved 2016-04-10.
23. "The Bourgeois Oligarch". TAYLOR MAC. Retrieved 2016-04-10.
24. "Taylor Mac's History of American Pop Music in 24 Hours." Kurt Andersen, Interviewer. Aired 22 August 2014. Accessed 9 July 2015.
25. http://www.latimes.com/entertainment/arts/la-et-cm-taylor-mac-lgbt-20160311-story.html
26. Svich, Caridad. "Glamming it Up with Taylor Mac." American Theatre. November 2008.
27. Edgecomb, Sean F. (2012) "The Ridiculous Performance of Taylor Mac." Theatre Journal. Volume 64, Number 4. Johns Hopkins University Press, 2012. pp. 549-563.
28. "about". TAYLOR MAC. Retrieved 2016-04-10.

External links

• Taylor Mac's website
• Biography on the New Dramatists website
• Interview on WNYC's and Public Radio International's Studio 360 with Kurt Andersen