The Demolished Man

The Demolished Man

Cover of first edition (hardcover)
Author Alfred Bester
Cover artist Mark Reinsberg
Country United States
Language English
Genre Science fiction novel
Publisher Shasta Publishers (first edition)
Publication date
 1953
Media type Print (Hardback)
Pages 250 pp
OCLC 3638143
The first installment of Bester's The Demolished Man was the cover story in the January 1952 issue of Galaxy Science Fiction

The Demolished Man, by Alfred Bester, is an American novel, science fiction and inverted detective story, that was the first Hugo Award winner in 1953. The story was first serialized in three parts, beginning with the January 1952 issue of Galaxy Science Fiction,[1] followed by publication of the novel in 1953. The novel is dedicated to Galaxy's editor, H. L. Gold, who made suggestions during its writing. Bester's title was Demolition!, but Gold talked him out of it.

Characters and story

The Demolished Man is a science fiction police procedural set in a future where telepathy is common, although much of its effectiveness is derived from one individual having greater telepathic skill than another.

In the 24th century, telepaths—"Espers" (short for Extrasensory perception), colloquially known as "peepers"—are completely integrated into all levels of society. Espers are classed according to their abilities: Class 3 Espers, the most common, can detect only conscious thoughts at the time they are formed and are often employed as secretaries or administrators; Class 2 Espers can dig more deeply, to the pre-conscious level, detecting subliminal patterns, epiphanies and tenuous associations, and they are employed in the professional middle class—lawyers, managers, psychologists, etc. Class 1 Espers can detect all of the foregoing plus sub-conscious primitive urges, and they occupy only the highest levels of power in fields such as the police, government and medicine (such as psychiatry). All Espers can telepathically communicate amongst themselves and the more powerful Espers can overwhelm their juniors. Telepathic ability is innate and inheritable but can remain latent and undetected in untrained persons. Once recognized, however, natural aptitude can be developed through instruction and exercise. There is a guild to improve Espers' telepathic skills, to set and enforce ethical conduct guidelines, and to increase the Esper population through intermarriage. Some latent telepaths are undiscovered, or are aware of their abilities but refuse to submit to Guild rule. Some are ostracised as punishment for breaking the rules. One character in the story suffers this fate for 10 years, leaving him desperate for even vicarious contact with other telepaths.

Plot

Ben Reich is the impetuous owner of Monarch Utilities & Resources, a commercial cartel that the Reich family has possessed for generations. Monarch Utilities & Resources is in danger of bankruptcy because of its chief rival, the D'Courtney Cartel, headed by the older Craye D'Courtney. Reich suffers recurring nightmares in which a "Man with No Face" persecutes him.

Reich contacts D'Courtney and proposes a merger of their concerns but Reich's damaged psychological state causes him to misread D'Courtney's positive response as a refusal.[2] Frustrated and desperate, Reich determines to kill Craye D'Courtney. The presence of peepers has prevented the commission of murder for more than 70 years so Reich devises an elaborate plan to ensure his freedom. If caught Reich will certainly face "Demolition", a terrible punishment described only at the end of the story.

Reich hires an Esper to "run interference" for him—hiding his murderous thoughts from any peepers present at the scene of the planned crime. Reich has many Class 2 and Class 3 Espers working for him but for this task he must hire a top Class 1 Esper. Reich bribes Dr. Augustus ("Gus") Tate, a prominent peeper psychiatrist, to be his mental bodyguard during the murder. Tate is a member of the "League of Esper Patriots" who believe in the innate superiority of Espers, and who advocate for a society where Espers are in charge. Reich is covertly funding the League. Tate helps Reich, stealing information about D'Courtney's whereabouts by peeping D'Courtney's personal physician, the Class 1 Esper Dr. Sam Atkins (@kins in the text). D'Courtney lives on Mars but occasionally visits Earth, always staying at the home of socialite Maria Beaumont. Tate learns that he will be there for one night, coinciding with one of Maria's notorious parties.

To further conceal his intentions from telepaths, Reich visits a songwriter, Duffy Wygand (spelled "Wyg&" in the text) who teaches him a deceptively simple jingle --

Eight, sir; seven, sir;
Six, sir; five, sir;
Four, sir; three, sir;
Two, sir; one!
Tenser, said the Tensor.
Tenser, said the Tensor.
Tension, apprehension,
And dissension have begun.[3]

—that proves to be an earworm, so persistent and involving that it blocks most Espers from properly peeping into Reich's mind.

From Monarch's R&D facility, Reich secures a small flash grenade which can disrupt a victim's perception of time by destroying the eyes' rhodopsin. He also visits Jerry Church, an Esper who is shunned by his kind as punishment for helping Reich break the law. Jerry runs a pawn shop, in which Reich found an antique (20th-century) handgun, a rare object in a largely non-violent society. The gun is described as combining a stiletto knife, a knuckle-duster and a revolver in a folding package, an Apache revolver. To deflect suspicion, Reich has Jerry remove the bullets from the cartridges in the gun before he accepts it. He knows how to replace the bullet in the handgun's ammunition with a gelatin capsule filled with water in order to eliminate ballistics evidence.

To cover his movements at the party, Reich makes sure Maria organizes a game of Sardines to be played in total darkness. Tate having peeped the location of D'Courtney's room, Reich executes his plan during the game. However, there is an unforeseen hitch: the moment he shoots D'Courtney, D'Courtney's daughter Barbara, witnesses the murder, struggles with Reich, grabs the gun and runs away. She is later found suffering severe psychological shock that renders her catatonic and mute. Nobody but Maria knew she was with her father. Reich recovers his composure, returns to the party and pretends to be lost. Just as he is about to leave, completing his getaway, a drop of blood from D'Courtney's body in the room above lands on him, and the party ends in chaos as the police are called.

Police Prefect Lincoln Powell is a Class 1 Esper, a highly talented man expected to become the next president of the Esper Guild. He arrives as his partner, Jackson Beck (Esper 2) has set up a variation of "good cop - bad cop" with Powell as the "good" cop, to get past the suspicion of the louche crowd at the party. Powell meets Reich and immediately hits it off with him, partly due to Reich's charm but also because Powell senses a kindred spirit. However, Reich's Esper attorney is present, ostensibly to guard Reich's business secrets from unwanted peeping. Telepathically-gathered evidence is legally inadmissible in court, but can be used to guide an investigation. This obliges Powell to assemble the murder case with traditional police procedures and to establish motive, opportunity and method.

Even without telepathy, Powell knows Reich is guilty when he interviews the guests at the party about D'Courtney and Barbara. He focuses on Reich, who tries to be casual, saying to Powell: "The whole thing was crazy. If the girl was lunatic enough to sneak out of the house without a word and go running naked through the streets, she may have had her father's scalp in her hand." Moments later, Powell says to Beck, "Didn't you hear the slip when he was busy stiffing me? Reich didn't know there was a daughter. Nobody did. He didn't see her. Nobody did. He could infer that the murder made her run out of the house. Anybody could. But how did he know she was naked?"[4] To check, Powell engineers some impromptu theater to distract Reich's Esper attorney long enough to peep the truth from Reich himself. He pulls Reich aside after promising not to peep him, and reveals what he knows. Reich is not surprised, saying he would have done the same. Powell asks him to surrender, but Reich refuses, relishing the thrill of the hunt to come. They part "with the four-way handshake of final farewell" and the contest between them begins.

Both sides center on finding and questioning (or, in Reich's case, silencing) Barbara D'Courtney. Although Reich finds her first he is unable to kill her before Powell rescues her. Powell loses Reich for a while. The pursuit traverses the Solar System as Reich escapes the police and a series of mysterious assassination attempts. Others are attacked also: during Powell's attempt to interrogate the Esper pawnbroker from whom Reich bought the gun, an unknown person attacks the pawnshop with a "harmonic gun" which kills by resonant sonic vibration. Reich tries but fails to murder Hassop, his chief of communications (to try to prevent him from assisting the police with his knowledge of the corporate codes) and Powell succeeds in abducting Hassop.

Powell has already established opportunity and, eventually, method through discovery of a tiny fragment of gelatin in the body. Just as Powell believes that he has wrapped the case up entirely the interrogation of Hassop yields disturbing results: D'Courtney had accepted the merger proposal. That dashes Powell's case; as he remarks, no court in the Solar System would believe Reich murdered D'Courtney when D'Courtney was needed alive for the merger (which would save Reich and give him all the power and wealth he dreamed of) to succeed.

Reich's tortured mental state is unknown to Reich himself so Powell does not suspect that the motive for the murder was something other than financial. After more attempts on his life, and more dreams of the Man with No Face, Reich attempts to kill Powell. Powell easily disarms him and then reads his mind. Suddenly Powell recognizes that the forces behind Reich's crime are greater than anticipated. He asks the help of every Esper in attempting to arrest Reich, channeling their collective mental energy through Powell in the dangerous telepathic procedure called the "Mass Cathexis Measure". He justifies this by claiming that Reich is an embryonic megalomaniac who will remake society in his own twisted image if not stopped.

Powell uses the power to construct a solipsistic fantasy for Reich to experience. One by one he removes elements of reality, beginning with the stars in the sky, until Reich is left believing that he is the only real being in a world constructed around him, as a game. Finally Reich is left facing the Man with No Face, who is both himself and Craye D'Courtney.

Reich is revealed to be the natural son of Craye D'Courtney, from an affair with Reich's mother — Reich's hatred of him was probably due to a latent, telepathic knowledge of that fact. Reich's knowledge is not explicitly stated but Barbara, whom Powell discovers to be Reich's half-sister, is herself revealed to be a peeper. The assassination attempts on Reich were carried out by Reich himself as a result of his disturbed state. Once arrested and convicted, Reich is sentenced to the dreaded Demolition— the stripping away of his memories and the upper layers of his personality, emptying his mind for re-education. This 24th-century society uses psychological demolition because it recognizes the social value of strong personalities able to successfully defy the law, seeking the salvaging of positive traits while ridding the person of the evil consciousness of the criminal.

Reception

Reviewer Groff Conklin characterized The Demolished Man as "a magnificent novel. . . as fascinating a study of character as I have ever read."[5] Boucher and McComas praised the novel as "a taut, surrealistic melodrama [and] a masterful compounding of science and detective fiction," singling out Bester's depiction of a "ruthless and money-mad [society] that is dominated and being subtly reshaped by telepaths" as particularly accomplished.[6] Imagination reviewer Mark Reinsberg received the novel favorably, citing its "brilliant depictions of future civilization and 24th century social life."[7] For a 1996 reprint, author Harry Harrison wrote an introduction in which he called it "a first novel that was, and still is, one of the classics."[8]

Richard Beard describes the book as "full of vigorous action", saying, "the ripping pace of the book becomes part of what it's about."[9]

In an SF Site Featured Review, Todd Richmond (who accidentally and consistently writes "Polwell" for "Powell") wrote that the book is "a complicated game of manoeuvring, evasion, and deception, as Reich and Polwell square off against one another," adding,

The game is a very interesting one, because while Reich is a very rich man and has considerable resources, Polwell has an entire network of peepers to help him gather information and obtain evidence... The best part of Bester's story is its timelessness... There are few references to outlandish or dated technology (with the exception of a punch card computer!) or outrageous social practices or fashions. While Bester's future isn't utopia, neither is it a post-apocalyptic nightmare... Bester extrapolates his view of the 50s forward in time, recognizing that while things like technology will change, basic human nature will not. The Demolished Man is a welcome change for those tired of modern trilogies and series.[10]

In his "Books" column for F&SF, Damon Knight selected Bester's novel as one of the 10 best sf books of the 1950s.[11]

The Demolished Man won the 1953 Hugo Award for Best Novel and placed second for the year's International Fantasy Award for fiction.[12] The Orion Publishing Group chose the novel as its fourteenth selection for it series SF Masterworks in 1999.

Characters

Major characters

Minor characters

Other notable characters

The novel is also rich in "color characters" who only marginally participate in the plot but lend humor or depth to the narrative.

Typography

Bester played with typographic symbols when constructing various characters' names. This gave "Wyg&" for "Wygand", "@kins" for "Atkins", and "¼Maine" for "Quartermaine". He also used overtyping to strike out the "2" in Jerry Church's label of "Esper 2", to show that he has been expelled from the Esper community.

As well, in the initial serialized publication, Esper police lieutenant Jackson was referred to as "$$son": dollar signs represented money, and a slang term for money was "jack"; however, Bester subsequently decided that this was too obscure (and, indeed, when Randall Garrett retold Demolished in verse, he thought that Bester had meant the name to be "Dollarson", and thus rhymed "$$" with "collar")[14] and referred to the character simply as "Jackson".

Major themes

Jo Walton has said that The Demolished Man is shaped by Freudian psychology, comparing it to The Last Battle's relation to Christianity, and emphasizing that the resolution of the plot only makes sense in a Freudian context: Reich's hatred of D'Courtney is motivated by oedipal feelings.[15] Writer Richard Beard thought the Freudian aspects problematic: "Not all his future projections have worn so well. Reich's motives are stiffly dependent on Freudian theory, but most glaringly Bester fails to predict any type of feminism. The words girl and pretty always come as a pair."[9]

Bester chose family names for his two main characters which apply to their competition: "Powell" suggests "power," while "reich" is the German word for "rich" and "Reich" means "Empire."

Adaptations

In 1959, novelist Thomas Pynchon applied for a Ford Foundation Fellowship to work with an opera company, proposing to write, among other possibilities, an adaptation of The Demolished Man. The application was turned down.

Since reading the novel as a young man, director Brian de Palma has considered adapting it for film.[16][17] Lack of financing has long since kept the film unproduced.

The Demolished Man was adapted for German radio by RIAS Berlin in 1973 under the title Demolition. Demolition was the first radio drama recorded with the dummy head recording method.[18]

References

  1. ↑ Von Ruff, Al. "Alfred Bester - Summary Bibliography". Internet Speculative Fiction Database. Retrieved October 2, 2012.
  2. ↑ The two corporations use a set of four-letter commercial codes; D'Courtney replies WWHG, which according to the codebook listed in the opening pages means 'Accept Offer', but Reich assumes it means rejection.
  3. ↑ Bester, Alfred (1996). The Demolished Man. New York: Vintage Books. p. 43. ISBN 0-679-76781-9.
  4. ↑ Bester, Alfred (1996). The Demolished Man. New York: Vintage Books. p. 75.
  5. ↑ "Galaxy's 5 Star Shelf", Galaxy Science Fiction, September 1953, p.121-22
  6. ↑ "Recommended Reading," The Magazine of Fantasy & Science Fiction, July 1953, p. 84.
  7. ↑ "Imagination Science Fiction Library", Imagination, June 1953, p. 144
  8. ↑ Bester, Alfred (1996). The Demolished Man. New York: Vintage Books. p. viii.
  9. 1 2 Beard, Richard (26 August 2011). "Book Of A Lifetime: The Demolished Man, By Alfred Bester". The Independent. Retrieved October 2, 2012.
  10. ↑ Richmond, Todd (2000). "The Demolished Man". SF Site. Retrieved October 2, 2012.
  11. ↑ "Books", F&SF, April 1960, p.99
  12. ↑ "Recommended Reading," F&SF, November 1954, p.96.
  13. ↑ Bester, Alfred (1996). The Demolished Man. New York: Vintage Books. p. 41.
  14. ↑ "Also, there’s a character in the original called “$$son.” Now, I could have sworn that was “Dollarson” and I wrote the verse accordingly. But when the book came out, it was spelled “Jackson.” “Obscure, Alfie,” says I. “That’s why I changed it,” says he. - introduction to ""Alfred Bester's The Demolished Man: A Review in Verse", by Randall Garrett; in Takeoff!, published by Starblaze Graphics/the Donning Company (1980); also in The Best of Randall Garrett, published 1982 by Pocket Books
  15. ↑ Telepaths, murder and typographical tricks: Alfred Bester’s The Demolished Man, by Jo Walton, at Tor.com, October 22, 2010 (retrieved January 4, 2011)
  16. ↑ De Palma, Brian; Laurence F. Knapp (2003). Brian De Palma: Interviews. Jackson, Mississippi: University Press of Mississippi. pp. 167–168.
  17. ↑ The Demolished Man: Screenplay. Google Books. Retrieved October 2, 2012.
  18. ↑ Bülow, Ralf (31 August 2013). "Vor 40 Jahren: Ein Kunstkopf für binaurale Stereophonie". Heise News (in German). Hannover: Heinz Heise. Retrieved 27 July 2014.

External links

This article is issued from Wikipedia - version of the Wednesday, January 27, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.