The Magus (novel)

This article is about the novel by John Fowles. For the book on the occult, see The Magus (book). For other uses, see The Magus (disambiguation).
The Magus

First UK edition, cover painting by Tom Adams
Cover artist Tom Adams
Country United Kingdom
Language English
Publisher Little, Brown and Company (US)
Jonathan Cape (UK)
Publication date
 1965 (revised version 1977)

The Magus (1965) is a postmodern novel by British author John Fowles, telling the story of Nicholas Urfe, a young British graduate who is teaching English on a small Greek island. Urfe becomes embroiled in the psychological illusions of a master trickster, which become increasingly dark and serious. Considered a metafiction, it was the first novel written by Fowles, but the third he published. In 1977 he published a revised edition.[1] In 1999 The Magus was ranked on both lists of Modern Library 100 Best Novels, reaching number 93 on the editors' list, and 71 on the readers' list.[2] In 2003, the novel was listed at number 67 on the BBC's survey The Big Read.[3]

Background

The Magus was the first novel John Fowles wrote, but his third to be published after The Collector (1963) and The Aristos (1964). He started writing it in the 1950s, under the original title of The Godgame. He based it partly on his experiences on the Greek island of Spetses, where he taught English for two years at the Anargyrios School.[4][5] He worked on it for twelve years before its publication in 1965. Despite gaining critical and commercial success, he continued to rework it, publishing a final revision in 1977.

Plot summary

The story reflects the perspective of Nicholas Urfe, a young Oxford graduate and aspiring poet. After graduation, he briefly works as a teacher at a small school, but becomes bored and decides to leave England. While looking for another job, Nicholas takes up with Alison Kelly, an Australian girl met at a party in London. He still accepts a post teaching English at the Lord Byron School on the Greek island of Phraxos. After beginning his new post, he becomes bored, depressed, disillusioned, and overwhelmed by the Mediterranean island; Nicholas struggles with loneliness and contemplates suicide. While habitually wandering around the island, he stumbles upon an estate and soon meets its owner, a wealthy Greek recluse Maurice Conchis. They develop a sort of friendship, and Conchis slowly reveals that he may have collaborated with the Nazis during World War II.

Nicholas is gradually drawn into Conchis's psychological games, his paradoxical views on life, his mysterious persona, and his eccentric masques. At first, Nicholas takes these posturings of Conchis, what the novel terms the "godgame," to be a joke, but they grow more elaborate and intense. Nicholas loses his ability to determine what is real and what is artifice. Against his will and knowledge, he becomes a performer in the godgame. Eventually, Nicholas realises that the re-enactments of the Nazi occupation, the absurd playlets after de Sade, and the obscene parodies of Greek myths are not about Conchis' life, but his own.

Characters

Main

Other

Story characters

Ending

The book ends indeterminately. Fowles received many letters from readers wanting to know which of the two apparently possible outcomes occur; but he refused to answer the question conclusively, sometimes changing his answer to suit the reader. The novel ends quoting the refrain of the Pervigilium Veneris, an anonymous work of fourth-century Latin poetry, which has been taken as indicating the possible preferred resolution of the ending's ambiguity.[6]

Literary precedents

John Fowles wrote an article about his experiences in the island of Spetses and their influence on the book.[7] He acknowledged some literary works as influences in his foreword to the 1977 revised edition of The Magus. These include Alain-Fournier's Le Grand Meaulnes, for showing a secret hidden world to be explored, and Richard Jefferies' Bevis (1882), for projecting a very different world. In the revised edition, Fowles also referred to a Miss Havisham, a likely reference to a character in Charles Dickens's Great Expectations (1861).

Critical reception

It has been recently featured on the Modern Library List of Best 20th-Century Novels: No. 71 on the Readers' List and 93 on the Critics' List.

Film adaptation

Main article: The Magus (film)

The novel was adapted for film with a screenplay by Fowles, directed by Guy Green, and released in 1968. It starred Michael Caine as Nicholas Urfe, Anthony Quinn as Maurice Conchis, Anna Karina as Alison, Candice Bergen as Lily/Julie, and Julian Glover as Anton. It was filmed in the island of Majorca. The adaptation was generally considered a failure as film.

Caine said that it was one of the worst films he had been involved in, along with The Swarm and Ashanti, because no one knew what it was all about. Woody Allen was quoted in 2005 saying, "If I had to live my life again, I'd do everything the same, except that I wouldn't see The Magus."[8] Despite the critical failure, the film was nominated for a BAFTA Award for Best Cinematography. In recent years, it has gained a cult following, which resulted in its commercial release on DVD in the United States on 17 October 2006.

References

  1. ↑ http://www.theguardian.com/news/2005/nov/08guardianobituaries.booksobituaries
  2. ↑ "100 Best Novels". Modern Library. Retrieved 28 October 2012
  3. ↑ "BBC – The Big Read". BBC. April 2003, Retrieved 26 October 2012
  4. ↑ John Ezard, "Obituary: John Fowles", The Guardian, 8 November 2005
  5. ↑ http://books.google.com/books?id=csxV2sfcNJAC&lpg=PA51&pg=PA51
  6. ↑ "Translating the Last Lines of The Magus." John Fowles the Website. Accessed 6 November 2008.
  7. ↑
  8. ↑ http://www.fowlesbooks.com/movie.htm

External links

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