The Mission (band)

The Mission
Background information
Origin Leeds, England
Genres Gothic rock, post-punk, hard rock, alternative rock
Years active 1986–1996, 1999–2008, 2011-present
Labels Current:
SPV GmbH/Cooking Vinyl
Previous:
Playground Recordings, Receiver, Cleopatra, Equator, Vertigo, Nightracks, Mercury, Chapter 22
Associated acts The Sisters of Mercy, Red Lorry Yellow Lorry, Artery, Dead or Alive
Website http://www.themissionuk.com/
Members Wayne Hussey
Craig Adams
Simon Hinkler
Mike Kelly
Past members Mick Brown
Rik Carter
Andy Cousin
Scott Garrett
Rob Holliday
Mark Thwaite
Ritchie Vernon
Steve Spring

The Mission (known as The Mission UK in the United States) are an English gothic rock band formed in 1986.

Initially known as The Sisterhood, the band was started by frontman Wayne Hussey and bassist Craig Adams (both from the Sisters of Mercy), soon adding drummer Mick Brown (Red Lorry Yellow Lorry) and guitarist Simon Hinkler (Artery and Pulp). Aside from Hussey, the line-up has changed several times during the years and the band has been on hiatus twice.

The band's catalogue consists of nine main albums (God's Own Medicine, Children, Carved in Sand, Masque, Neverland, Blue, Aura, God is a Bullet and The Brightest Light) with several complementing albums, compilations and other miscellaneous releases also in existence.[1]

History

Incarnation

After an aborted recording session with Andrew Eldritch in the summer of 1985, Wayne Hussey and Craig Adams left the Sisters of Mercy. Based in Leeds, the duo continued to work on various musical ideas and recorded them over the autumn.[2] Dismissing the use of a drum-machine, Adams and Hussey asked Mick Brown (Red Lorry Yellow Lorry) to help out with the sessions. By the end of the year, he had joined the band on a permanent basis.[3] With Hussey as both the frontman and principal songwriter, the trio required second guitarist to facilitate a live set-up. They eventually recruited Simon Hinkler (Artery) who also contributed keyboards and thus completed the four-piece. The name 'The Sisterhood' was chosen with a nod to past and rehearsals for the first shows started in January 1986. The new name quickly became a point of discussion in the English music-press, giving the four-piece significant amount of publicity. As 'The Sisterhood' the band made their live-debut on January 20, 1986 at the Alice in Wonderland, London.[4]

Main article: The Sisterhood

While the band were on tour as support to the Cult around Europe, Eldritch released a single as The Sisterhood. Back in England, Hinkler was briefly dismissed and reinstated for three UK dates where the band revealed their new name, The Mission. Although Hussey and Adams were still under contract with WEA, manager Tony Perrin prepared their material for a release.[5] In May the EP I (Serpents Kiss) appeared on the Chapter 22 label as the Expedition I tour took the band around Europe. Two months later, II (Like a Hurricane/Garden of Delight) was released on the same label and supported by a number of festival slots that culminated in an appearance on the Reading Festival.[6]

Wayne Hussey of The Mission in 1987 - San Francisco, California, USA

Crusade

Hussey and Adams were released from their WEA contracts and the band signed a seven-album deal with Phonogram in July 1986. Their debut God's Own Medicine was then recorded in six weeks with novice producer Tim Palmer, an acquaintance from Hussey's Dead or Alive days.[7] In October the single III (Stay With Me) was released, preceding the album that appeared the next month. The band set out on a three-month World Crusade I UK/European tour, with their dedicated followers 'Eskimos' in tow. They also appeared on British television a number of times and recorded a session for BBC radio. The single IV (Wasteland) charted at #11 in January 1987.[8]

The World Crusade II tour brought the band to North America, where they were known as 'The Mission UK'. The 41-date trek was characterised by substance abuse and led to the collapse of an inebriated Craig Adams in Los Angeles, resulting in him temporarily quitting the band. Sound man Pete Turner filled in for one show, before they enlisted the help of Chris Bocast to play bass with them for the remainder of the tour, which included an opening slot for The Psychedelic Furs. In March 1987, the single V (Severina) with a guest vocal from Julianne Regan was released.[9] Back in England, Adams returned to the band to play a handful of European festivals, and two support dates in the English Midlands on U2's The Joshua Tree Tour. A live video entitled Crusade was released, capturing the band and their noisy audience at the early stage of their career. It coincided with the release of The First Chapter in June 1987, a collection of the material from the first two EPs.[10]

Child's Play

In the summer of 1987, Hussey spent some time writing new material that was first aired during the band's headlining slot at the Reading Festival. The Mission enlisted the help of John Paul Jones to produce their second album Children, engineered by Mark 'Spike' Stent. In October of the same year, Hussey became a father to a girl named Hannah, an event that inspired much of the lyrical content. Musically, the band moved more towards a Led Zeppelin inspired hard rock style.[11] In January 1988, the band recorded some additional material in London together with Stent. In February, the first single "Tower of Strength", was released, reaching number 12 in the UK Singles Chart, making it the band's biggest hit yet. At the end of the same month, the album appeared and charted at number 2 in the UK album chart.[12]

The rest of the year was taken up by the world tour "Children Play", which included a six-night residency at the London Astoria Theatre where John Paul Jones made a guest-appearance on keyboards. The rest of the tour included a support-slot for Robert Plant, the first dates the band played in Latin-America (documented on the fan-club only VHS release called "South America") and a small tour of Japan. A second single, 'Beyond the Pale' made less of an impact and a third scheduled for the end of the year, was cancelled.[13] At the end of the year, the Mission embarked on an eight-date arena tour around the UK, while a collection of their music videos From Dusk To Dawn was released.

Deliverance

Mick Brown of The Mission in 1987 - Santa Clara, California, USA

In the first half of 1989, Hussey spent some time writing new material in the Welsh Mountains before the band reconvened in April to start the recording process. At the end of the same month the band played two shows, one in support of the Lockerbie disaster and another for the Hillsborough disaster fund. The latter featured guest appearances by Pete Wylie and Mick Jones and saw a committed Hussey, who as lifelong Liverpool F.C. fan was keen to support the victims.[14] In between recording, the band played a number of European festivals supporting The Cure. In contrast to the large shows the band had been playing on the Children tour, they decided to embark on a low-key Scottish Highlands tour with some of their most ardent fans in tow. The last commitment of the year was another headline appearance at the Reading Festival, before the band returned to the studio to complete the album.[15]

They once again enlisted the help of Tim Palmer to produce the record, while Reeves Gabrels, Baluji Shrivastav and Guy Chambers also made contributions. Slated for an early 1990 release, the recording of the 'Carved in Sand' album had been completed by the end of August 1989. To kill the time, the foursome then promptly went camp to form a glam rock tribute band The Metal Gurus, playing support for The Wonder Stuff towards the end of the year. The first single, 'Butterfly On A Wheel' was released in January 1990 and narrowly missed the top ten. The new album appeared a month later, together with the "Waves upon the Sand" video that documented the recording sessions and Scottish tour of the previous year.[16]

The 'Deliverance' tour in support of the album proved problematic. The band hired David Wolfenden as a supplemental guitarist to give Hussey free rein as the frontman of the band. An inebriated Hussey appeared on the James Whale show and reports of their debauched behaviour continued to appear in the press. The release of a second single, 'Deliverance', coincided with the UK arena dates.[17] Illness beset the first European leg of the tour as Hinkler contracted scarlet fever leading to some cancellations. Personal tensions led to a confrontation during the North American leg of the tour and Simon Hinkler left the band after a gig at Montreal's Metropolis. The remaining members continued with a variation of stand-ins that included Tim Bricheno (of All About Eve) before he joined The Sisters of Mercy. A third single, 'Into the Blue' was released in May 1990 to coincide with a number of the festival dates, including a headlining slot at Pinkpop. The band also played dates in Australia and New Zealand for the first time in their career. For the second half of 1990, they enlisted the help of Paul "Etch" Etchells (ex-Ghost Dance) on keyboards and guitars. This last leg of the tour, which included a performance filmed for the Rockpalast programme, saw Hinkler returning twice as a guest during the encores at Leeds and the final night at the Brixton Academy.[18]

The band had a lot of surplus material after the Carved in Sand sessions and had difficulties deciding on the running order of the album. In October 1990 the companion album Grains of Sand was released. It contained the rest of the candidates, some of which had already surfaced as b-sides supplemented by acoustic renditions and covers. A single 'Hands Across the Ocean' co-produced by Andy Partridge became a minor hit and was backed by a live version of 'Amelia'.[19]The band and Hinkler were on friendly terms again and they resurrected the Metal Gurus project to record a cover version of "Merry Xmas Everybody" with Noddy Holder and Jim Lea from Slade for the Childline charity.[20]

After a break to recuperate, the band teamed up with engineer Joe Gibb to create a high-tech studio setup. Brown had been soaking up the Leeds dance scene, while Hussey's explorations were towards folk music. The band, asked to perform a lucrative headlining gig at Finsbury Park in 1991, brought out quite a different side, joined by Maartin Allcock of Fairport Convention and Anthony Thistlethwaite of The Waterboys. Many long-standing fans left the gig worried about the direction of the forthcoming release, Masque (produced by Mark Saunders). Masque was originally intended to be a solo release by Hussey, however the remaining band members contributed to the recording, and the album was released under the group name as a result. Adams left the group subsequent to the release of the album. Reduced to a duo, the Mission began searching for new members, even placing an ad in the Melody Maker.

Childhood's end

The second incarnation of the Mission consisted of Brown, Hussey, Mark Thwaite (formerly of Spear of Destiny) on guitar, Rik Carter (formerly of Pendragon) on keyboards and eventually Andy Cousin (formerly of All About Eve) on bass. This line-up's first release was a fanclub-only flexi disc cover of the Osmonds song "Crazy Horses" in early 1993. The recording of a new album started, while a BBC live album No Snow, No Show for the Eskimo was compiled by Hussey and Joe Gibb. For the first time in three years, the band decided to tour, and a warm-up was arranged as the "Off the Street" benefit for the homeless in Leeds. As Andrew Eldritch signed up, completely unfounded press speculation about a Hussey/Eldritch reunion became rife. The Club Mission tour played smaller venues around Europe, with new tracks "Afterglow" and "Raising Cain" becoming a regular feature in the set.

The end of 1993 saw Hussey remixing "Tower of Strength" with Youth, and revisiting some of the past material for a greatest hits compilation album. A remixed version of "Tower of Strength" appeared in the UK Singles Chart in January 1994,[21] and the band made their last appearance on Top of the Pops. The compilation, entitled Sum and Substance, was released the next month and featured two new tracks; "Sour Puss" (relating to Adams departing) and a remix of "Afterglow" by Mark "Spike" Stent. The latter was also released as the final single through Vertigo/Phonogram — the seven-album contract was now up, and neither of the parties was interested in a continued relationship.

Recordings proceeded slowly, while the band negotiated a new independent record deal, and Hussey produced a collection of three BBC sessions as Salad Daze. In late 1994, a single, "Raising Cain", was released on Equator Records. Early in 1995, the single "Swoon" paved way for the next album, Neverland, more or less a Mission signature sound but with a much heavier production. The Neverland tour saw a slight revival in popularity, with two of the concerts being filmed for German television, a promo-only live EP released and a handful of summer festivals played.

In March 1996 the band set up in Bristol for eight weeks to record new songs which Hussey had been developing. When the resulting album, Blue, was released, it received mixed review from music critics but left portions of the old fanbase rather unimpressed. Future interviews would see Hussey hating the album, with only the reworked B-side "Evermore & Again" ever becoming a regular staple in subsequent tours. A short stint around the UK, Belgium, Germany and the Netherlands afterwards turned out to be a farewell tour: After ten years, Hussey and Brown decided that enough is enough. The band finished it all off with festivals in Spain and South Africa, the latter being their final gig at the Kyalami racetrack in Johannesburg.

Afterlife

After the Mission disbanded, Hussey spent his time in Orange County, California with his wife and young daughter. In semi-retirement, he produced sporadic remixes and singles for Cleopatra Records and Dancing Ferret Records, as well as up-and-coming acts, and contributing a new song for a Mission album put together by Mission fans over the internet.

In 1999, after releasing an album of solo versions of Mission classics in his home studio, Hussey resurrected the band with Adams, drummer Scott Garrett (Adams' band-mate in The Cult) and Mark Thwaite, for what was intended to be a one-off tour with Gene Loves Jezebel across the United States and an also-resurrected All About Eve across the United Kingdom. The success of the tour and the reaction of the crowds gave the band plenty of encouragement to continue beyond the tour, and 2000 saw the band take on a mammoth world tour, heading festivals in Europe and sharing the bill with the Sisters of Mercy at the M'era Luna Festival in Germany. A souvenir CD of the 1999 tour was released as Ever After, with the various live tracks complemented by three tracks from the 1995 promo-only Live EP and the even-rarer fanclub-only studio outtake "Crazy Horses".

At the end of 2000, the band recorded tracks for a new album at The Levellers' Brighton studios, and Dave Allen (who produced the first Sisters of Mercy album) was drafted in to oversee the recording of tracks in Bath. Before the release of the album, dubbed Aura, the band were invited to play support for the German tour of the Finnish band HIM. At this juncture, Thwaite left the band (first due to touring commitments with Tricky and later to form the band New Disease) to be replaced by Rob Holliday of Sulpher.

Aura was released on their own Playground label run by former Phonogram A&R man Charlie Eyre. The sound was heavy and the production very intricate, but fans noted that several songs were uncomfortably similar to previous Mission songs, notably "Dragonfly", which was very similar to 1990 hit "Butterfly on a Wheel". Nonetheless, the band undertook a large world tour supporting the album. However, the stresses of touring and diminishing returns once again saw tensions grow, and during the South American leg of their 2002 tour, Adams decided to leave once again. Hussey continued the leg of the tour by himself, with some acoustic shows backed by pre-recorded tapes, also lining himself up for a number of much more successful solo acoustic shows in Europe.

In early 2003, The Mission gained a new bass player in the form of Ritchie Vernon and within a matter of months, Garrett also left, to be replaced by Steve Spring. This new line-up carried on through to mid-2004.

Lighting the Way

In September 2005 the band's first DVD, Lighting the Candles, was released, complemented by a live CD. It took over a year for Hussey to compile this 2 DVD set which includes a live gig, some video clips, a commented biography and discography and many interviews, live performances and backstage shots. The result gained good reviews and good sales. The single "Breathe Me In" hit the top of the Alternative Chart in Germany, and the band once again undertook an extensive EU tour. Mark Thwaite rejoined the band, as Holliday was occupied touring with The Prodigy. The band evolved the hard rock angle further, while audience ranks grew throughout the tour. Hussey announced that 2006 would hold no tours, as he would concentrate on the new album and his personal projects. As well as Lighting the Candles, 2005 saw the release of Waves Upon the Sand and Crusade for the first time on DVD.

In 2006 Hussey marked the 20th anniversary of the band with the issue of a limited edition T-shirt designed especially for the occasion. Meanwhile, Phonogram records released another "best of", Anthology: The Phonogram Years, a two-CD set including all 11 of the band's Top 40 hits alongside rare mixes, long lost B-sides, BBC sessions, 5 previously unavailable tracks and 5 tracks appearing on CD for the first time.

The Bullet Years

A new single, "Keep It In the Family" was released in March 2007, followed a month later by the new album God is a Bullet featuring Hussey, Thwaite, Vernon and Spring and guest musicians Simon Hinkler, Bricheno and Julianne Regan. To coincide with the release of the new album, Mercury Records reissued the first three Mission albums as enhanced CDs complete with bonus tracks.

In February–March 2008 the band played a tour of Europe which culminated in a series of four concerts at Shepherds Bush Empire in London, with each night dedicated to a particular period of the band's history. Hussey announced that these would be the last ever Mission concerts, as he wished to have an indefinite break from band activity and concentrate on other personal projects.[22] Simon Hinkler joined on each night for the encores and occasional songs in main set. The final concert in the series was filmed, and each night recorded and later released as part of a boxed set.

In February 2009 the Mission's record label SPV records released a double album Live & Last plus the DVD Final Chapter recording of the final show which included additional footage from the tour. The DVD debuted in the official UK BBC charts at No.6 - the highest UK chart position in many years for the band. In June 2010 the band's label SPV released Dum Dum Bullet, a collection of recordings taken from the “God is a Bullet” sessions

Bringing It Full Circle

As the 25th anniversary was approaching, it was suggested to Hussey that he should reform the original line-up of the band. The singer initially resisted, occupied with other projects.[23] Eventually he was convinced and in the summer of 2010 the announcement was made that with Craig Adams and Simon Hinkler on board the Mission had reformed. Drummer Mick Brown had passed on the invitation to join and Spear of Destiny's Mike Kelly took his place.[24]

In contrast to previous incarnations, the band only played material from the 1986-1990 period. In October 2011, they played a warm-up show as their alter-ego Blood Brothers in Hussey's home-town of Bristol before embarking on the XXV UK/European tour that culminated in a sold-out show at the Brixton Academy. This performance and an earlier one in Cologne was captured on film and released as Silver together with an audio recording from the Frankfurt show.[25]

Revitalised, the band decided to continue touring and played shows in South America, Mexico, Europe and on the Download Festival in 2012. They also added a rendition of All Along The Watchtower to their repertoire. In September 2012, they supported The Cult on a tour of the UK, which attracted some controversy.[26]

In October 2012 Wayne made an announcement that “The Mission are gonna be recording a new album next year. The band are spending time right now writing new songs and will convene to a rehearsal room near Bristol in early April to start working on these new songs together.” He also announced that David M. Allen would be producing. The Brightest Light was released in 2013

Names and Aliases

Initially known as The Sisterhood, the band were forced to change their name after Andrew Eldritch claimed it. After some deliberation, The Mission was chosen, referring to the proselytising mission that was part of Hussey's Mormon upbringing. Mick Brown has a different account, saying the name came from his favourite brand of speakers, Mission.[27] When the band planned to tour the USA in 1987, it was found that a Philadelphia R&B band had already claimed it and thus the band were known in the United States as The Mission UK thereafter.[28]

Throughout their existence, the band have used aliases to play smaller gigs, currently going under the banner of "Blood Brothers". In the period 1989-1990 they formed a glam rock cover band The Metal Gurus and released a number of singles under that name.

Discography

For more details on this topic, see The Mission discography.

Studio albums

See also

References

  1. ↑ Martin Roach with Neil Perry, The Mission: Names Are For Tombstones, Baby (Independent Press, London, 1993), pp 270-276
  2. ↑ Sleeve notes The First Chapter (reissue) Wayne Hussey, April 2007
  3. ↑ Roach, Names, pp 28-29
  4. ↑ Roach, Names, pp 30-35
  5. ↑ Roach, Names, pp 36-50
  6. ↑ Roach, Names, pp 50-58
  7. ↑ Roach, Names, pp 63-69
  8. ↑ Roach, Names, pp 69-75
  9. ↑ Roach, Names, pp 79-96
  10. ↑ Roach, Names, pp 113-115
  11. ↑ Roach, Names, pp 120-127
  12. ↑ Roach, Names, pp 128-133
  13. ↑ Roach, Names, pp 134-151; 'Kingdom Come' had been scheduled to be the third single, backed by live-tracks from the London Astoria residency.
  14. ↑ Roach, Names, pp 158-160
  15. ↑ Roach, Names, pp 160-169
  16. ↑ Roach, Names, pp 170-175
  17. ↑ Roach, Names, pp 175-199
  18. ↑ Roach, Names, pp 200-220
  19. ↑ Roach, Names, pp 220-220
  20. ↑ Roach, Names, pp 220-223
  21. ↑ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 370. ISBN 1-904994-10-5.
  22. ↑ The Mission UK // God is a Bullet
  23. ↑ "The Quietus feature 2011" Ben Graham, The Mission Celebrate Their Quarter Century: Wayne Hussey Interviewed The Quietus October 12th 2011
  24. ↑ "Slicing Up Eyeballs article 2010" 'Wayne Hussey may reunite The Mission for 25th anniversary concerts in 2011', Slicing Up Eyeballs 27 July 2010
  25. ↑ "Slicing Eye Balls Silver review" 'The Mission to mark 25th anniversary reunion tour with ‘Silver’ 3-disc CD/DVD set', Slicing Up Eyeballs, 15 August 2012
  26. ↑ "Killing Joke quits UK tour" 'Killing Joke quits U.K. tour with The Cult, The Mission over venue downsizing?', Slicing Up Eyeballs, 25 July 2012. (Originally scheduled as an arena tour, it was downsized to theatre-style venues due to disappointing sales. Killing Joke had been part of the line-up but pulled out.)
  27. ↑ Roach, Names, p. 47
  28. ↑ Roach, Names, p. 80
  29. ↑ Maçek III, J.C. (4 December 2013). "The Mission: The Brightest Light". PopMatters.

Further reading

External links

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