The Nance
The Nance is a play written by Douglas Carter Beane. It involves the lives of burlesque performers during the 1930s. A "nance" was a stereotypical camp homosexual.[1] The play is a production of Lincoln Center Theater that premiered on Broadway in 2013. It received five Tony Award nominations, and won three awards.
Production
The play premiered April 15, 2013, at the Lyceum Theatre, in a Lincoln Center Theater production.[2] The limited run was extended to August 11, 2013. Directed by Jack O'Brien, the play starred Nathan Lane as Chauncey Miles, and featured Jonny Orsini, Cady Huffman, Andréa Burns, and Lewis J. Stadlen. Sets were by John Lee Beatty, costumes by Ann Roth, and choreography by Joey Pizzi.[1] The play contains music written by Glen Kelly. A revolving set showed the stage of a burlesque house, its backstage area, and Chauncey's apartment.[3]
The play was taped live in August 2013 for the PBS series Live from Lincoln Center. Before the play's broadcast, it was screened in movie theatres beginning June 23, 2014.[4] The play was broadcast October 10, 2014, and was made available to view on their website immediately after the broadcast.[5]
Cast
- Chauncey Miles – a gay burlesque comic who plays a "nance" character onstage.
- Ned – a young man from upstate, he leaves his wife, and comes to New York to learn more about his sexuality. He meets and falls in love with Chauncey in an automat, and later becomes a bit performer at the theater.
- Ephraim – the leading comedian and manager of the Irving Place theater where Chauncey works
- Sylvie – one of the strippers who works at the Irving Place, she is a member of the Communist party, and frequently argues politics with Chauncey.
- Joan – another of the strippers, more innocent and vivacious
- Carmen – one of the strippers, who specializes in playing with an exaggerated Latin-American accent onstage
Synopsis
The play alternates between the scenes of the characters' real lives, and sketches played at the Irving Place, which reflect on the situation. The play opens at an automat in Greenwich Village in 1937 where gay men congregate and arrange meetings. Chauncey Miles is a star the Irving Place theater, a burlesque house in New York City, playing a "nance", a "stock character who was a flamingly effeminate homosexual".[6] Chauncey is gay and looks for men at the automat, but he must be careful or risk being arrested. There he meets Ned, newly arrived in New York and homeless. Chauncey invites him to his apartment for a sexual encounter, assuming him to be a curious heterosexual. In the morning, however, Ned confesses that he is also gay, and has recently left his wife hoping to find out more about himself. Though Chauncey is hesitant to begin a serious relationship, they become lovers.
At this time, Mayor Fiorello La Guardia is attempting to end burlesque, during a period when the gay population was often persecuted. Ephraim, the manager and top comic of the Irving Place, warns Chauncey that the knowledge of his sexuality is attracting gay men to the theater, of which the police may become aware. However, Chauncey, a passionate Republican supporter of La Guardia, believes that the attacks on burlesque will stop after the election. When another of the performers suddenly quits the Irving Place to work elsewhere, Chauncey brings Ned on as a last-minute replacement. In spite of an awkward beginning, Chauncey guides him through the sketch, and Ned is given a job at the theater as a stooge in Chauncey's sketches. Ned and Chauncey's relationship becomes known and accepted by Ephraim and the strippers, who become part of their regular circle of friends.
Before one performance, word reaches the troupe that the commissioner of licenses, Paul Moss, is in the audience with a number of policemen. Ephraim tells Chauncey not to play the nance character to save face. However, unable to think of other dialogue, Chauncey plays his trademark character, kisses Ephraim onstage, and the theater is raided.
Act two begins with Chauncey in court. He defends burlesque and free expression, and serves two nights in jail. On being released, he is embarrassed to find the other members of his company are treating him as a hero. Under the new restrictions on burlesque, Chauncey is limited to performing one "nance" sketch, and playing in drag, which he finds demeaning. The jokes in his routines turn increasingly derogatory. The other members of the company urge Chauncey to participate in a planned walkout by all the entertainment unions in the city. The conservative Chauncey is reluctant to join in. Eventually, the walkout is canceled when the unions agree to LaGuardia's restrictions.
Chauncey's relationship with Ned begins to suffer as he starts resorting to anonymous sexual encounters in parks. He starts turning away from Ned, who is now more open about his own sexuality. Ned asks Chauncey to be monogamous for him, and Chauncey initially agrees. Several weeks later, however, Ned finds Chauncey again at the automat, looking for one-night stands. Chauncey rejects Ned, telling him he has lost interest in him, and that he prefers "to be used and discarded." Ned, sensing the imminent shutdown of burlesque, tells Chauncey he has taken a job as an ensemble member in a touring show, and asks Chauncey to join him, as a last offer at a monogamous relationship. Chauncey insists the crackdown on burlesque is temporary, and that he will stay where he is. Confessing his self-hatred, he rejects the offer of a monogamous relationship, telling him, "This is not what I should be having." He kisses Ned goodbye, but is seen by a policeman who arrests him for deviant behavior in public after Ned has left.
Finally, Chauncey appears on stage in complete drag, playing an old prostitute. In the middle of the sketch, his loss hits him and he breaks down, alternating between grief and professional composure. Shortly after, the Irving Place is closed down. Ephraim and the girls leave to perform out of state. It is revealed that Chauncey, as a repeat offender, is now banned from leaving New York, but was offered leniency if he named the other party, (i.e., Ned). Chauncey refused. The other company members sadly tell him goodbye. Chauncey stands alone on the stage of the Irving Place. As he softly sings a verse of his trademark song, a piece of the ceiling falls, narrowly missing him, and Chauncey remains center stage under a broken spotlight as the curtain falls.
Critical response
The New Yorker columnist, Hilton Als, called the play a "nearly perfect work of dramatic art, whose power derives from its equitable compassion and its unromantic view of myth".[7] Ben Brantley in The New York Times review, wrote: "...even Mr. Lane can’t reconcile all the disparities Mr. Beane’s script asks him to weave together. By the show’s end, Chauncey has become both an eloquent hero in the fight against censorship and a crusty defender of the status quo, a figure of illuminating self-awareness and benighted denial. It is to Mr. Lane’s credit that he displays no signs of whiplash, but his audience may not be similarly immune".[8]
Awards and nominations
The play received five Tony Award nominations.[9] Nathan Lane was nominated for the Tony Award, Drama Desk Award as Outstanding Actor in a Play, Outer Critics Circle Award, which he won, as well as the Drama League Award for Distinguished Performance. Glen Kelly won the Drama Desk Award for Outstanding Music in a Play.[10] The play received six nominations for the Outer Critics Circle Award,[11] and it was nominated for two Drama League Awards.[12]
Original Broadway production
| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 2013 | Broadway.com Audience Choice Awards[13] | Favorite New Play | Nominated | |
| Favorite Actor in a Play | Nathan Lane | Nominated | ||
| Favorite Funny Performance | Nathan Lane | Nominated | ||
| Drama Desk Awards | Outstanding Actor in a Play | Nathan Lane | Nominated | |
| Outstanding Music in a Play | Glen Kelly | Won | ||
| Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Play | Nominated | ||
| Distinguished Performance Award | Nathan Lane | Won | ||
| Outer Critics Circle Awards | Outstanding New Broadway Play | Nominated | ||
| Outstanding Director of a Play | Jack O'Brien | Won | ||
| Outstanding Set Design | John Lee Beatty | Nominated | ||
| Outstanding Actor in a Play | Nathan Lane | Won | ||
| Outstanding Featured Actor in a Play | Jonny Orsini | Nominated | ||
| Outstanding Featured Actress in a Play | Cady Huffman | Nominated | ||
| Tony Award | Best Performance by a Leading Actor in a Play | Nathan Lane | Nominated | |
| Best Scenic Design of a Play | John Lee Beatty | Won | ||
| Best Costume Design of a Play | Ann Roth | Won | ||
| Best Lighting Design of a Play | Japhy Weideman | Nominated | ||
| Best Sound Design of a Play | Leon Rothenberg | Won | ||
| Theatre World Award | Dorothy Loudon Award For Excellence | Jonny Orsini | Won | |
| The Clive Barnes Foundation | The Clive Barnes Award | Jonny Orsini | Won | |
References
- 1 2 "The Nance". Lincoln Center Theatre. Retrieved January 12, 2015.
- ↑ "The Nance". Playbill Vault. Retrieved January 12, 2015.
- ↑ Hetrick, Adam. "'The Nance', Starring Tony Award Winner Nathan Lane, Extends Broadway Run to August". Playbill date=May 2, 2013. Retrieved January 12, 2015.
- ↑ Gans, Andrew. "Film Version of The Nance Starring Nathan Lane Will Hit Sceens in June". Playbill. Retrieved January 12, 2015.
- ↑ Hetrick, Adam (August 14, 2013). "'The Nance', Starring Nathan Lane, Will Be Broadcast in 2014 on PBS". Playbill. Retrieved January 12, 2015.
- ↑ Dziemianowicz, Joe (April 15, 2013). "‘The Nance’: Theater review". Daily News (New York). Retrieved January 12, 2015.
- ↑ Als, Hilton (April 29, 2013). "Acting out in 'The Nance' and 'Matilda'". The New Yorker. Retrieved January 12, 2015.
- ↑ Brantley, Ben (April 15, 2013). "‘The Nance,’ Starring Nathan Lane, at Lyceum Theater". The New York Times. Retrieved January 12, 2015.
- ↑ Gans, Andrew (April 30, 2013). "Nominations Announced for 67th Annual Tony Awards; 'Kinky Boots' Earns 13 Nominations". Playbill. Archived from the original on October 21, 2014. Retrieved January 12, 2015.
- ↑ Hetrick, Adam; Gans, Andrew (May 19, 2013). "Billy Porter, Andrea Martin, 'Pippin', 'Matilda', 'Vanya and Sonia' Win Drama Desk Awards". Playbill.
- ↑ Gans, Andrew (May 13, 2013). "'Pippin' Is Big Winner of 2012–13 Outer Critics Circle Awards". Playbill.
- ↑ Gans, Andrew (May 17, 2013). "'Kinky Boots', 'Pippin', 'Vanya and Sonia', 'Virginia 'Woolf? and More Win Drama League Awards". Playbill.
- ↑ "2013 Nominees and Winners" broadway.com, accessed May 21, 2013 Archived April 19, 2013, at the Wayback Machine.