The Old Wives' Tale (play)

The Old Wives' Tale is a play by George Peele first printed in England in 1595.[1] The play has been identified as the first English work to satirize the romantic dramas popular at the time. Although only the titles of most of these popular works have survived, they seem to be unrelated composites of popular romantic and fairytale motifs of the era. They were full of romantic inventions but devoid of moral content.[2] Peele here presents an amiably ironic and exaggerated version of such a play.[3]

The Old Wives' Tale uses the theatrical device of a play within a play which adds to the confusion engendered by its multiple plots.[4] Peele's version, however, was more carefully composed than the other similar works of the period. He was consummate in distilling the essence of all that was romantic and fairytale, but he was also able to create a detachment from the purely romantic; the effect on the audience was that it became aware of its taste for the romance of the fairytale. Some critics regard the play as a dramatic satire with a structure that is intentionally constructed to highlight the absurdities of the then popular dramatic techniques that Peele disdained.[2] Peele's other plays also employed a similar structure.

The play has been criticized as a "confusing jumble of theatrical nonsense" and for being a burlesque.[4] However, some praised it as a charming fantasy, an innocent sentimental comedy.[4] Others have called it a "fantastical comic romance".[5]

Plot

The plot centres around three young men who become lost in the woods, but are given shelter for the night by Clunch, a blacksmith, and his wife Madge (the eponymous 'old wife'). During their stay, one retires to bed with Clunch, while the other two are entertained by their hostess, who tells them a fairy tale, which, to her surprise, comes to life: her characters appearing and telling it for her (the 'play-within-the play').[6] One strand of the plot involves two brothers who are on an adventure searching for their sister, Delia, who is being held captive by the magician Sacrapant (compare Milton's Comus). The magician also captures the brothers. Eventually they are all rescued by a knight aided by a ghost who is motivated by gratitude for past acts of kindness by the knight. Songs and magical invocations are interwoven into the play, imbuing it with a magical atmosphere.[3]

References

  1. ↑ Baskervill, Charles Read, ed. (1934). "George Peele". Elizabethan and Stuart Plays. New York: Henry Holt and Company. pp. 205–206. The Old Wives' Tale was entered in the Stationer's Register, April 16, 1595, and printed by John Danter the same year. The identification of the initials "G.P." on the title page as those of George Peele, which was made by Herbert in Typographical Antiquities, has never been challenged. The date of composition is usually thought to lie between 1590 and 1593, but recently Larson has argued for a date between January, 1593, and May, 1594. The play is essentially a medley of motives and incidents drawn from folk tales.
  2. 1 2 Fowler, Alastair (1991). A History of English Literature. Cambridge, MA: Harvard University Press. p. 71. ISBN 0-674-39664-2.
  3. 1 2 Jenny Stringer, Margaret Drabble. "Old Wives' Tale, The - Guide to Old Wives' Tale, The". www.encyclopedia.com. Retrieved 2009-12-15.
  4. 1 2 3 Rockey, Laurlilyn. "JSTOR: Educational Theatre Journal, Vol. 22, No. 3 (Oct., 1970), pp. 268-275" 22: 268–275. JSTOR 3205533.
  5. ↑ "George Peele (English dramatist) -- Britannica Online Encyclopedia". britannica.com. Retrieved 2009-12-15.
  6. ↑ "Old Wives' Tale, The - AT:, The Old Wife's Tale, Pf:, Pb:, The Taming of the Shrew". www.jrank.org. Retrieved 2009-12-15.
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