The Seeds

For other uses, see Seed (disambiguation).
The Seeds

The group in 1966. From left: Rick Andridge, Daryl Hooper, Sky Saxon, and Jan Savage
Background information
Origin Los Angeles, California, United States
Genres Psychedelic rock, garage rock, proto-punk, acid rock
Years active 1965–1969, 1969–1972 (as Sky Saxon and the Seeds)
Labels GNP Crescendo, Bam Caruso
Past members Sky Saxon
Daryl Hooper
Jan Savage
Rick Andridge
Bob Norsoph
Don Boomer

The Seeds were an iconic and highly influential American rock band. The group, whose repertoire spread between garage rock and acid rock, are considered an influential proto-punk band.[1]

History

The Seeds were mid 60s garage rock rock pioneers paving the way for 70s punk rock. Lead singer Sky Saxon had a musical career that went back to pre-Beatle music days, when he recorded a few 45s under the name Richie Marsh. Born in Salt Lake City, he was based in Los Angeles from the early 1960s. The Seeds were formed in 1965 with Saxon joining as a response to an advertisement. Keyboardist Daryl Hooper was a major factor in the band's sound; the band was one of the first to utilize keyboard bass. Guitarists Jan Savage and Jeremy Levine with drummer Rick Andridge completed the original quintet, but Levine left shortly after the first recording sessions for personal reasons. Although Sky Saxon is usually credited as bass player, he did not play bass on any of the Seeds' recordings. This was handled by session men, usually one Harvey Sharpe. On stage, keyboardist Daryl Hooper would handle the bass parts via a separate bass keyboard, in the same way as Ray Manzarek later did with The Doors.

The Seeds' first single "Can't Seem to Make You Mine" was a regional hit in southern California in 1965. The song was also played regularly on AM rock stations in northern California (and probably elsewhere), where it was well received by listeners, but eventually went on to become, and is considered today, a 60s cult classic song. The band had a national Top 40 hit, "Pushin' Too Hard", in 1966 and performed the song on national television. Three subsequent singles, "Mr. Farmer" (also 1966), a re-release of "Can't Seem To Make You Mine" (1967), and "A Thousand Shadows" (1967) achieved more modest success, although all were most popular in southern California. Musically uncomplicated and dominated by Saxon's vocal style and flair for simple melodic hooks, their albums are today considered classics of '60s garage music.

The major turning point for the Seeds came in 1967. The band produced the “Future” album, represented the band’s grand psychedelic flower power artistic statement, and thrust the band forward as a 60s era torchbearer in the most creative an experimental time in American pop culture and music history. The album was critically acclaimed by fans and critics as a flower power psychedelic gem and has remained a timeless genre piece many decades later. This album represented the height of the Seeds’ career, with a major national hit, concert and fan pandemonium wherever they went, as well as live raw energy TV appearances. The acclaimed album (Future, 1967) would prove to be a highly pioneering effort in full-blown psychedelic rock, with unique ornate flower-themed graphics on the album by accomplished artist and painter Sassin. Iggy Pop, Smashing Pumpkins, The Bangles and members of the Beach Boys have all sourced the band, this album and previous ones as a genre classics. A later album was devoted to the blues (with liner notes by Muddy Waters).

By mid-1968, the group's personnel began to change; the band was renamed "Sky Saxon and the Seeds" in 1969, by which point Bob Norsoph, guitar, and Don Boomer, drums, had replaced Savage and Andridge. Saxon continued to use the name "The Seeds", using various backup musicians, at least through 1972; the last major-label records of new material by The Seeds—two non-charting singles on MGM records—were released in 1970.

After the dissolution of the Seeds, Sky Saxon joined the Yahowha religious group, inspired by their leader Father Yod. Although a member of the Source Family for several years, Saxon did not participate in any of the albums released by Yahowha 13 in the mid 1970s. He does appear on the "Golden Sunrise" album by Fire Water Air, which was a Yahowha 13 offshoot, and later recorded the "Yod Ship Suite" album in memory of the deceased Father Yod. In the 1970s, Saxon also released the solo LPs "Lovers Cosmic Voyage" (credited to Sunlight) and "Live At The Orpheum" credited to Sunlight Rainbow. In the 1980s, Saxon collaborated with several bands—including Redd Kross and The Chesterfield Kings—before reforming the original Seeds in 1989 to headline "The Summer of Love Tour", along with Big Brother and the Holding Company, Arthur Lee and Love, The Music Machine, and The Strawberry Alarm Clock.

The Seeds remained dormant again until 2003, when Saxon reformed them with original guitarist Jan Savage and newcomers Rik Collins on bass, Mark Bellgraph on Guitar and Dave Klein on keyboards. This new version of the Seeds went through several incarnations, with Savage departing midway through their 2003 European tour due to his health. Saxon remained the only original member of The Seeds, which continued to tour Europe and the United States. Saxon died on June 25, 2009 of heart and renal failure.[2]

Legacy and influence

On July 24, 2009, members of The Smashing Pumpkins, Love, and The Electric Prunes performed a tribute concert at the Echoplex in Los Angeles in memory of Sky Saxon.[3]

A documentary film about The Seeds has been prepared by GNP Crescendo Records President Neil Norman, the son of the label's founder Gene Norman. Filming began in 2007, and draws on first-hand knowledge of the band, interviews and concert footage. The film titled Pushin' Too Hard, directed by Norman and produced by Alec Palao, premieres August 16, 2014 at the Egyptian Theater in Los Angeles. A DVD release will follow later in the year.[4][5]

Some lyrics in Frank Zappa's album "Joe's Garage" refer to "Pushin' Too Hard": "You're plooking too hard/ Plooking too hard on ME".

Discography

Studio albums

Singles

Year Song Peak chart positions
U.S. Billboard[6] U.S. Cashbox CAN
1965 "Can't Seem to Make You Mine"
b/w "I'll Tell Myself"		 — — —
"Pushin' Too Hard"
b/w "Out of the Question"		 — — —
1966 "Pushin' Too Hard" (re-release)
b/w "Try to Understand"		 36 40[7] 44
1967 "Mr. Farmer"
b/w "Up in Her Room"		 86 — —
"Can't Seem to Make You Mine" (re-release)
b/w "Daisy Mae"		 41 55[8] 33
"A Thousand Shadows"
b/w "March of the Flower Children"		 72 86[9] —
"The Wind Blows Your Hair"
b/w "Six Dreams"		 — — —
1968 "Satisfy You"
b/w "900 Million People Daily Making Love"		 — — —
1969 "Fallin' Off the Edge of My Mind"
b/w "Wild Blood"		 — — —
"—" denotes releases that did not chart.

References

  1. ↑ Buckley 2003, p. 764 and 765, "The centerpiece was "Evil Hoodoo", a piece of high-octane freakbeat that was as much a genuine slice of punk as anything the '70s threw out...Proves that anyone who thinks that punk started in 1976 is wrong."
  2. ↑ Seeds Frontman Sky Saxon Dies in Austin
  3. ↑ "A Tribute to Sky Saxon - at The Echoplex – Los Angeles / Silverlake, CA – July 24, 2009". Big Wheel Magazine. 2009-07-24. Retrieved 2012-12-18.
  4. ↑ Stax, Mike (2013). "A Web of Seeds" Issue 35, Ugly Things Magazine.
  5. ↑ Kubernik, Harvey (2013). "Pushin' Too Hard: Rags to Riches in the New Seeds Documentary" recordcollectornews.com. Retrieved 2013-08-21
  6. ↑ "The Seeds Album & Song Chart History". Billboard. Retrieved 2012-10-17.
  7. ↑ "Cash Box Top 100 2/25/67". Cashbox Magazine, Inc. Retrieved 2012-10-17.
  8. ↑ "Cash Box Top 100 6/3/67". Cashbox Magazine, Inc. Retrieved 2012-10-17.
  9. ↑ "Cash Box Top 100 8/5/67". Cashbox Magazine, Inc. Retrieved 2012-10-17.

External links

This article is issued from Wikipedia - version of the Monday, March 28, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.