The Slow Regard of Silent Things

The Slow Regard of Silent Things
Author Patrick Rothfuss
Cover artist Nate Taylor
Country United States
Language English
Series The Kingkiller Chronicle
Genre Heroic fantasy
Publisher DAW Books Hardcover
Publication date
October 28, 2014
Media type Print (Hardcover)
Pages 159
ISBN 978-0-7564-1043-8
OCLC 883357313

The Slow Regard of Silent Things is a fantasy novella and one of the companion tales in the The Kingkiller Chronicle series written by American author Patrick Rothfuss. It includes illustrations by Nate Taylor and was first published by DAW Books in the United States on October 28, 2014.[1]

Plot introduction

The novella is focused on Auri, a beloved character from The Kingkiller Chronicle and her adventures in the Underthing, a hidden location of old rooms and tunnels under the University. Through the seven days narrated in the book, Auri explores the Underthing, awaiting a visit of Kvothe, a time period that is covered specifically between chapters seven and eleven of The Wise Man's Fear.

Writing and structure

The writing occasionally slips into a poetic flow when describing the little things in Auri's day-to-day life. As Patrick Rothfuss himself says, the book does not do what a 'proper book should do', so that it actually doesn't have a very proper plot. The story can't really be divided into a beginning, middle and end, and doesn't have a proper climax. While in the Kingkiller Chronicle books there's a plot being developed, this novella basically describes the day-to-day life of the main protagonist, showing her view of the world and the way her mind works, as the book is narrated by Auri herself. In general, the book does not care for a plot, being all about the main character, Auri, trying to convey the way her mind works and her feelings and views of the world of Temerant and Kvothe, while also giving the reader a demonstration of her powers and magic, which is exposed on the very end of the book, when she uses her magic to create the candle she gives Kvothe as one of her three gifts.

Background and publication

In 2012, George R. R. Martin and Gardner Dozois, co-editors of a series of cross-genre anthologies, invited Patrick Rothfuss to be in their anthology called Rogues, which Rothfuss agreed to. He initially planned to contribute a story about Auri, whom he thought would make a nice counterpoint to some of the other classic rogue-type characters in the anthology.[2] However, after Rothfuss started writing the story, it exceeded the number of words for the anthology and the story went in a different direction from the rogue theme. He then decided to contribute a story about Bast instead, which ended up being the novella The Lightning Tree and was eventually published in Rogues in June 2014.[3]

Afterwards, Rothfuss resumed his work on the third book of the trilogy, The Doors of Stone, but the half-unfinished story about Auri tickled him and eventually he went back to finish it. When he put the finishing touches on the story in February 2013, he came up with the working title The Weight of Her Desire,[4] a phrase that appears in the first and last chapters of the book. Encouraged by feedback from his friend and mathemusician Vi Hart, he presented the story to his agent and then his editor, who were enthusiastic about it.

Rothfuss introduced the story to his friend and illustrator Nate Taylor and asked him to create illustrations for the book. Rothfuss was specific about having no explicit pictures of Auri or any of the rooms in the Underthing. It took about two months to finalize the illustrations.[5] The story was eventually published as the standalone novella The Slow Regard of Silent Things in November 2014.[6]

Reception

The book debuted at number two position in the New York Times Best Seller Hardcover Fiction list approximately three weeks after its release.[7] It spent a month on the list before falling out of the top 15.[8]

The Slow Regard of Silent Things received positive reviews from critics. Marc Alpin of Fantasy Faction was impressed by the writing of Rothfuss, stating "The number of beautiful metaphors, the authenticity of Auri's voice and the emotions that the story evokes are as strong as we'd expect".[9] Alister Davison of Starbust Magazine writes: "It is wonderfully written, the prose verging on poetic in places... There's a sense that Rothfuss has chosen every one of those words with great care and precision, using them to tell a story that's lyrical, heart-felt and unique."[10]

References

External links

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