Le Chef-d'œuvre inconnu

Le Chef-d’œuvre inconnu

Illustration by Pierre Vidal of a scene from Le Chef-d’œuvre inconnu
Author Honoré de Balzac
Illustrator Pierre Vidal
Country France
Language French
Series La Comédie humaine
Publisher Charles-Béchet
Publication date
1831

Le Chef-d’œuvre inconnu (English "The Unknown Masterpiece") is a short story by Honoré de Balzac. It was first published in the newspaper L'Artiste with the title "Maître Frenhofer" (English: "Master Frenhofer") in August 1831. It appeared again later in the same year under the title "Catherine Lescault, conte fantastique." It was published in Balzac's Études philosophiques in 1837 and was integrated into the Comédie humaine in 1846.

"Le Chef-d’œuvre inconnu" is a reflection on art, and has had an important influence on modernist artists.

Plot summary

Young Nicolas Poussin, as yet unknown, visits the painter Porbus in his workshop. He is accompanied by the old master Frenhofer who comments expertly on the large tableau that Porbus has just finished. The painting is of Mary of Egypt, and while Frenhofer sings her praises, he hints that the work seems unfinished. With some slight touches of the paintbrush, Frenhofer transforms Porbus' painting such that Mary the Egyptian appears to come alive before their very eyes. Although Frenhofer has mastered his technique, he admits that he has been unable to find a suitable model for his own masterpiece, which depicts a beautiful courtesan called Catherine Lescault, known as La Belle noiseuse. He has been working on this future masterpiece, that no one has yet seen, for ten years. Poussin offers his own lover, Gillette, as a potential model. Gillette's beauty is so great that it inspires Frenhofer to finish his project quickly. Poussin and Porbus come to admire the painting, but all they can see is part of a foot that has been lost in a swirl of colors. Their disappointment drives Frenhofer to madness, and he destroys the painting and dies that night.

Influence on artists

Paul Cézanne strongly identified with Frenhofer, once saying "Frenhofer, c’est moi" (I am Frenhofer). Critic Jon Kear argues that Cézanne's own attempts to paint the nude were heavily influenced by Balzac's portrayal of Frenhofer's work.[1]

In 1921, Ambroise Vollard asked Picasso to illustrate Le Chef-d’œuvre inconnu. Picasso was fascinated by the text and identified with Frenhofer so much that he moved to the rue des Grands-Augustins in Paris where Porbus' studio was supposedly located. It was in his new studio that he painted his own Masterpiece, Guernica. Picasso lived here during World War II.

Adaptations

Sidney Peterson's 1949 avant-garde film Mr Frenhofer and the Minotaur was based on the link between the short story and the work of Picasso. It draws on Picasso's Minotauromachy, bringing Picasso's work to life with the characters of Gillette, Poussin and Porbus participating.[2]

"Le Chef-d’œuvre inconnu" inspired the film la Belle Noiseuse by Jacques Rivette (1991).

References

  1. Kear, John, "Cézanne’s Nudes and Balzac’s Le Chef-d’œuvre inconnu", Cambridge Quarterly, Volume 35, Issue 4, pp. 345-360.
  2. P. Adams, Visionary Film : The American Avant-Garde, 1943-2000: The American Avant-Garde 1943-2000, Oxford University Press, 2003.

External links

French Wikisource has original text related to this article:

Chef d`œuvre in music: a piece for three conductors was composed by Samu Gryllus: http://video.google.com/videoplay?docid=-5589743053266992865&hl=en

This article is issued from Wikipedia - version of the Friday, September 25, 2015. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.