The Yellow Monkey

The Yellow Monkey
Also known as Yemon
Origin Tokyo, Japan
Genres Hard rock, glam rock, alternative rock
Years active 1988–2004, 2016–present
Labels Triad/Nippon Columbia,
BMG Funhouse/Ariola Japan
Website theyellowmonkeysuper.jp
Members Kazuya Yoshii
Hideaki Kikuchi
Yoichi Hirose
Eiji Kikuchi

The Yellow Monkey, often abbreviated as Yemon (イエモン), is a Japanese rock band originally active from 1988 to 2001, before officially disbanding in 2004. They announced their reformation in 2016.

The band's name was derived from the ethnic slur that Japanese people look like monkeys,[1] and that Asian people are said to be "yellow" in skin color. The Yellow Monkey is considered an important rock group of Japan, having achieved major success selling 10 million records,[2] including 6.2 million singles.[3] The group had three consecutive number one albums, 17 top ten singles and in 2003 were ranked number 81 on HMV Japan's list of the 100 most important Japanese pop acts.[1] Outside Japan the band is best known for their song "Tactics", one of the many ending themes of the Rurouni Kenshin anime.

History

1988–1994: The Beginning

The group has its roots in 1988, formed by Kazuya Yoshii when his previous band Urgh Police, a hard rock/glam rock group, disbanded. He, originally playing bass, switched to guitar when he recruited Youichi Hirose, Eiji Kikuchi and several other members and they began to play in the live houses of Tokyo. When the vocalist left, Yoshii took over that position and recruited Eiji's brother Hideaki as guitarist.

The Yellow Monkey started to play in the underground circuit, being well known for not only their latent songwriting quality, but also because of their live performances, which would soon become the main characteristics of the group. A December 28, 1989 show at Shibuya La Mama is regarded as the first with these four members.[1] The fans of the band grew vertiginously, preparing the band for their first studio work.

In 1991, the band finally launched their first indie album, Bunched Birth, which had seven original songs. It was an album with raw sonority, with many influences from hard rock, and containing well-shaped but peculiar lyrics (all of them written by Yoshii). The work was very well received by the public, opening the doors for their major label debut album, The Night Snails and Plastic Boogie, of 1992. The new album brought eleven songs more elaborate than the first work. The band had a considerable increase in popularity, which added to single "Romantist Taste" and to the ballad "Pearl Light of Revolution", that already gave samples of the potential of Kazuya in composing powerful ballads.

In 1993, the band launched their second major album, Experience Movie. The songs had a better production and care with the sonority. The songs of the album were very strong and with high emotional text. The band also started to be admired for their live performances, due to the band's charisma and Kazuya's extreme performances. However, the band had not yet become a large public success in Japan.

In 1994, they released the album Jaguar Hard Pain, a conceptual album which tells the saga of Jaguar, a World War II soldier who dies in combat and comes back to life trying to find his love, Mary. This was the last album from the first period of the band, when their songs did not have as much popular sound appeal.

1995–2000: The Success

By the year 1995, The Yellow Monkey had already become successful in Japan, playing their first show at the Nippon Budokan on April 11. They released the album Smile, which was another critical and public success, and the band released the single "Love Communication". Other songs that became classics of the band are "Nagekunari Waga Yoru no Fantasy", "Nettaiya", the powerful ballad "Hard Rain" and "Venus no Hana". The tour for this album in Japan booked more than 40 major shows.

When it seemed that the band would rest, at the end of that same year, they released the album Four Seasons, which was recorded in London. The album reached No. 1 on the Oricon charts. The album had more-accessible songs, and reached a warm reception by the fans. There were also fans of anime because the song "Tactics" was used as the first ending theme of the Rurouni Kenshin anime, becoming their most successful single up until that point. Many other classics were already identified, such as "Taiyou ga Moeteiru", the good rock-and-roll track "I Love You Baby" and songs such as "Father", "Tsuioku no Mermaid" and "Tsuki no Uta". Despite the thundering success of the record, the Yellow Monkey continued being a cult band, since the lyrics and live performances remained consistent. On May 5, 1996, The Yellow Monkey performed in London with The Spiders from Mars.

After two back-to-back record releases, the band decided to take a break for one year. The decision was aided by Kazuya's stress from the constant and exhausting work of the two previous albums. The compilation album Triad Years Act 1 was released and was certified by the RIAJ for sales of a million copies.[4] At the end of 1996, however, the band put on a special show, the Mekara Uroko 7. It was a concert for the oldest fans of the band, in which they had played older songs from before the Smile album. Many of these old fans considered those songs to be mainstream and pop in excess. An unforgettable part of this concert was the moment where they played "Pearl Light of Revolution" with an orchestral arrangement. This according to Kazuya, was one of the best moments in his career.

In 1997, The Yellow Monkey came back with the album that is considered their magnum opus, Sicks. This album brought a different sonority compared to the two previous works. It was a mix of their current sound combined with that of their first albums. Bringing more complex and mature songs, Sicks, was an amazing critical success and repeated the sales of the previous album. The main characteristic of the record is the concern of the band with the arrangements, which becomes more evident already in the first track, "Rainbow Man". The only single of the album was "Rakuen", which was successful and is still one of their best known songs. Despite being a concise album, whose songs are all equivalent in quality, there are three songs that made the album legendary. The first one is the already cited "Rakuen", with a strong chorus. The second is the ballad "Jinsei no Owari (for Grandmother)", considered by many as the best ballad by The Yellow Monkey. The third song is the long eight-minute epic, "Tengoku Ryokou", again considered among the best songs of the group.

The band released the commercially successful album Punch Drunkard in 1999, although not to the extent of their previous album it was named one of the top albums from 1989-1998 in a 2004 issue of the music magazine Band Yarouze.[5] The songs "Kyuukon", "Burn", and "Love Love Show" easily became hits. Although containing accessible songs, such as the ones cited in this article, the album used the song-writing method of the previous album, Sicks. The success of the album made it possible for the band to begin a great tour with 113 live concerts, the most of their career.[6] They also did a small tour in the United Kingdom.

After the exhausting succession of concerts and tours, the group took a one-year break. Coming back in 2000, the Yellow Monkey released their last studio album, 8. They released many singles such as "Seinaru Umi to Sunshine", "Pearl", "Barairo no Hibi" and "Shock Hearts", all of them achieving great success. The album is considered the most occidental of the band, which was common for all Japanese bands at that time. Despite the success of the album, the group did not stage many concerts that year, already showing that the end was coming.

2001–2004: The End and post-activities

On January 8, 2001 the group held their last concert, beginning a hiatus for an indefinite amount of time and released their last single "Primal." at the end of the month, which was produced by Tony Visconti.[7] The compilation album Golden Years Singles 1996–2001 followed in June. The members released many solo albums, with Kazuya reaching more success and adopting the stage name of Yoshii Lovinson, which he abandoned some years later. Hirose also obtained relative success with his band, Heesey with Dudes. Annie teamed up with Anchang (Sex Machineguns) and Natchin (Siam Shade) to form the trio Big Bites.[8] Hideaki formed the loose musical collaboration project brainchild's.[9]

In 2004, the band released a large compilation Mother of All the Best, which included three discs with some singles, all b-sides, some demo-version songs and live performances. The Yellow Monkey officially announced their disbandment on July 7, 2004.[10]

A two-disc tribute album titled This is For You ~ The Yellow Monkey Tribute Album was released on December 9, 2009, featuring artists such as Mucc, Fujifabric, 9mm Parabellum Bullet, Morgan Fisher and Kreva. Their song "Jam" was covered by Chemical Pictures on the album Crush! 2 -90's V-Rock Best Hit Cover Songs-, which was released on November 23, 2011.[11]

In 2012, a remix of their first single was released in celebration of the 20th anniversary of their major label debut. Mastered by Ted Jensen, "Romantist Taste 2012" was released on October 10.[12]

A documentary film of their 113 date tour from April 1998 to March 1999 was released in theaters nationwide in 2013, titled Pandora: The Yellow Monkey Punch Drunkard Tour The Movie.[6][13] It includes an interview with all four members together, the first time since the band broke up.[13]

2016: The Reformation

Rumors began circulating about the band reforming after the appearance of a mysterious website with a picture of a cocoon and a timer counting down to January 8, 2016. Various clues on the page led to the notion of the band reuniting, including GPS coordinates of the venue where they held their first concert. It was confirmed on January 8 that The Yellow Monkey would reform for a twenty-date arena tour, beginning with their first concert in fifteen years on May 11 at the Yoyogi National Gymnasium.[2][14] Their first new song, "Alright", debuted on the radio on February 10.[15]

Members

Discography

Studio albums
Compilation albums
Other albums
Singles
Home videos

References

  1. 1 2 3 "Top 100 Japanese pops Artists - No.81". HMV Group (in Japanese). Retrieved 2012-08-30.
  2. 1 2 "THE YELLOW MONKEY、15年ぶりに集結。5月から全国アリーナツアー開催". Barks.jp (in Japanese). 2016-01-08. Retrieved 2016-02-28.
  3. ↑ "THE YELLOW MONKEY、解散以来初の４人のコメントを公開". Barks.jp (in Japanese). 2007-12-18. Retrieved 2015-05-30.
  4. ↑ "RIAJ CERTIFIED MILLION SELLER ALBUMS". ocn.ne.jp. Retrieved 2015-02-19.
  5. ↑ "Top 44 Albums from 1989 - 1998". jame-world.com. 2004-05-09. Retrieved 2015-02-19.
  6. 1 2 "THE YELLOW MONKEY Reveals Documentary Video". Barks.jp. Retrieved 2013-08-18.
  7. ↑ "内的苦悩と新次元に到達するための試み". Barks.jp (in Japanese). 2001-01-19. Retrieved 2015-05-30.
  8. ↑ "BIG BITES、これぞまさしくロック界の日本代表“侍ジャパン”". Barks.jp (in Japanese). 2009-03-18. Retrieved 2015-05-30.
  9. ↑ "元イエモン菊地英昭率いるbrainchild'sが東阪公演決定". Billboard Japan (in Japanese). 2015-04-28. Retrieved 2015-05-30.
  10. ↑ "THE YELLOW MONKEYの解散発表でファンの反応は？". Barks.jp (in Japanese). 2004-08-03. Retrieved 2015-05-30.
  11. ↑ "Aoi, Moran, and more to release ’90s Visual Kei cover album". tokyohive.com. Retrieved 2012-08-31.
  12. ↑ "イエモン20年前のデビュー曲が装い新たにシングル化". Natalie (in Japanese). Retrieved 2016-05-04.
  13. 1 2 "THE YELLOW MONKEY: “Pandora” theatrical version trailer". Barks.jp. Retrieved 2013-08-18.
  14. ↑ "イエモン、“サル年”に15年ぶり復活　5月からアリーナツアー20公演". Oricon. Retrieved 2016-01-08.
  15. ↑ "THE YELLOW MONKEY、待望の新曲は「ALRIGHT」。2月10日にラジオで一斉解禁". Barks.jp (in Japanese). 2016-02-05. Retrieved 2016-02-28.
  16. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 "THE YELLOW MONKEYのアルバム売り上げランキング". Oricon (in Japanese). Retrieved 2013-02-09.
  17. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 "THE YELLOW MONKEYのシングル売り上げランキング". Oricon (in Japanese). Retrieved 2013-02-09.
  18. 1 2 3 4 5 6 7 8 9 10 11 12 "THE YELLOW MONKEYのDVD売り上げランキング". Oricon (in Japanese). Retrieved 2013-02-09.

External links

This article is issued from Wikipedia - version of the Thursday, May 05, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.