Then Again: A Retrospective
| Then Again: A Retrospective | ||||
|---|---|---|---|---|
 | ||||
| Greatest hits album by Martha and the Muffins | ||||
| Released | 1998 | |||
| Genre | New wave | |||
| Label | EMI | |||
| Producer | Mark Gane, Martha Johnson, Daniel Lanois | |||
| Martha and the Muffins chronology | ||||
| ||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |   [1] |
Then Again: A Retrospective is a 1998 compilation album by Martha and the Muffins. Although credited to the band's original name, it includes songs from both the full name and M + M phases of the band's career.
The album contains one new song, "Resurrection",[1] one of only two new tracks released by the band between their 1992 album Modern Lullaby and the 2010 album Delicate (album).
Track listing
All songs written and composed by Mark Gane and Martha Johnson; except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Paint by Number Heart" | Johnson | 3:29 |
| 2. | "Echo Beach" | Gane | 3:34 |
| 3. | "Suburban Dream" | Gane | 3:29 |
| 4. | "You Sold the Cottage" | Gane | 3:59 |
| 5. | "Swimming" | Gane, Johnson, Tim Gane, Andy Haas, Daniel Lanois, Jocelyne Lanois | 3:53 |
| 6. | "Women Around the World at Work" | Gane | 3:57 |
| 7. | "World Without Borders" | 3:08 | |
| 8. | "Danseparc (Every Day It's Tomorrow)" | 3:23 | |
| 9. | "Obedience" | Johnson | 3:32 |
| 10. | "Several Styles of Blonde Girls Dancing" | 5:53 | |
| 11. | "Black Stations/White Stations" | 5:12 | |
| 12. | "Come Out and Dance" | Gane, Johnson, Daniel Lanois | 4:50 |
| 13. | "Cooling the Medium" | 3:42 | |
| 14. | "Song in My Head" | 4:36 | |
| 15. | "By the Waters of Babylon" | 4:57 | |
| 16. | "Rainbow Sign" | 4:41 | |
| 17. | "Fighting the Monster" | 3:17 | |
| 18. | "Resurrection" | 3:46 |
References
- 1 2 Badgley, Aaron. "Martha and the Muffins: Then Again: A Retrospective > Review" at AllMusic. Retrieved 18 September 2011.
This article is issued from Wikipedia - version of the Tuesday, September 16, 2014. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.