Thomas Newman
Thomas Newman | |
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Newman at Classic Brit Awards in 2010 | |
Background information | |
Birth name | Thomas Montgomery Newman |
Born |
Los Angeles, California, U.S. | October 20, 1955
Origin | Los Angeles, California, U.S. |
Occupation(s) | Film score composer |
Thomas Montgomery Newman (born October 20, 1955) is an American composer best known for his many film scores.
Newman has been nominated for thirteen Academy Awards and three Golden Globes, and has won two BAFTAs, six Grammys and an Emmy Award. Newman was honored with the Richard Kirk award at the 2000 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music.[1]
Personal life
Born in Los Angeles, California, he is the youngest son of Mississippi-born Martha Louis Montgomery (1920–2005) and composer Alfred Newman (1900–1970), who won nine Oscars for Best Film Score. He is a member of a film-scoring dynasty in Hollywood that includes his father Alfred, brother David Newman, sister Maria Newman, uncles Lionel Newman and Emil Newman, cousin Randy Newman (also known as a singer and songwriter), and his nephew Joey Newman. During their upbringing, Martha herded her sons into violin lessons in the San Fernando Valley every weekend.[2] Newman later studied composition and orchestration for two years at the University of Southern California,[3] before transferring to Yale University, where he graduated as a Bachelor of Arts in 1977 and a Master of Music in 1978.[4] While at Yale, he met composer Stephen Sondheim, who became an early mentor.[2]
Newman and his wife, Ann Marie, have three children. They reside in the Pacific Palisades neighborhood of Los Angeles.
Film scoring career
At first, Newman was more interested in musical theater than in film composition, working with Sondheim in Broadway plays.[5] Lionel, who succeeded Alfred as music director for 20th Century Fox, gave Thomas his first scoring assignment on a 1979 episode of the series The Paper Chase.[1] In 1983, John Williams, who was a friend of both Alfred and Lionel, invited Newman to work on Return of the Jedi, orchestrating the scene where Darth Vader dies.[6] Afterwards Newman met in New York producer Scott Rudin, who invited him to compose the score for Reckless (1984). Newman said that he thought "it was a tough job, at first" for requiring him to "develop vocabularies and a sense of procedure", only getting comfortable with writing scores "and not fraudulent in my efforts" after 8 years.[7]
In 1992, Newman composed the score to Martin Brest's film Scent of a Woman.
In 1994, he got his first Academy Award nominations with the scores to The Shawshank Redemption and Little Women.[5] He also scored the film The War. In 1996, he scored Diane Keaton's Unstrung Heroes, receiving yet another Oscar nomination. In 1998, he scored Robert Redford's The Horse Whisperer as well as Meet Joe Black. In 1999, Newman composed the score to Sam Mendes' first feature film American Beauty, created using mainly percussion instruments. Newman believed the score helped move the film along without disturbing the "moral ambiguity" of the script, saying "It was a real delicate balancing act in terms of what music worked to preserve that."[8] This was his first collaboration with Mendes, and he would go on to score all of the director's subsequent films except for the comedy-drama Away We Go, which featured songs instead of a score. He received a fourth Oscar nomination for this score, and although he lost again (to John Corigliano for The Red Violin), he did receive a Grammy and a BAFTA.
His critical and commercial success has continued in the following years with his scores for films such as Meet Joe Black, The Green Mile, Erin Brockovich, In the Bedroom and The Salton Sea. He was nominated consecutively for a further three Academy Awards, for Road to Perdition (2002), Finding Nemo (2003), and Lemony Snicket's A Series of Unfortunate Events (2004). However, he lost on each occasion to Elliot Goldenthal (for Frida), Howard Shore (for The Lord of the Rings: The Return of the King), and Jan A. P. Kaczmarek (for Finding Neverland) respectively.
He was again nominated for an Oscar for scoring Steven Soderbergh's The Good German (2006). At the Oscar ceremony, he appeared in the opening segment by Errol Morris, who jokingly stated that Newman had been nominated for and failed to win an Oscar eight times. Newman replied: "No, I've failed seven but this will be my eighth", and indeed, he again lost, this time to Gustavo Santaolalla for Babel.
His first score since The Good German was for the 2008 animated film WALL-E, collaborating for the second time with director Andrew Stanton (with the first collaboration being Finding Nemo). The film won the Academy Award for Best Animated Feature (as had "Nemo"). Newman received two Oscar nominations: one for Best Original Score, and another for Best Original Song for "Down to Earth", which he co-wrote with Peter Gabriel. He was nominated in the Original Score category with two other veteran composers, James Newton-Howard and Danny Elfman, both of whom have also been nominated for several Oscars but each time unsuccessfully. Newman lost both the score and song nominations to A R Rahman for his work on Slumdog Millionaire. He and Peter Gabriel did however win a Grammy for "Down to Earth".
In 2008, Newman scored Towelhead and Sam Mendes' Revolutionary Road and in 2009 he scored Brothers. In 2011 he scored The Help, The Debt, The Iron Lady, and The Adjustment Bureau.[9]
In 2012, Newman scored The Best Exotic Marigold Hotel. He also scored the 23rd James Bond movie Skyfall, directed by his longtime collaborator Sam Mendes, which celebrates the film franchise's 50th anniversary.[10] His work on this film earned him his eleventh Oscar nomination and a second BAFTA win. During 2013, he scored Steven Soderbergh's Side Effects and Saving Mr. Banks. The latter score was very well received by film music critics, earning Newman BAFTA and Oscar nominations for the second consecutive year, both of which he lost to Steven Price for Gravity.
Newman's 2014 projects included The Judge and Get on Up. He scored 2015's The Second Best Exotic Marigold Hotel, marking the first time Newman has scored a sequel to a film he also wrote the score for.[11]
Newman likes to vary the instrumentation in his scores, ranging from full orchestra to percussion-only music. He is also fond of incorporating unusual instruments such as the zither, hurdy-gurdy, psaltery and hammered dulcimer,[1] or unexpected sounds, like Aboriginal chants and the chirping of cicadas. The composer declared that he has "an interest in mundane experimentation."[5]
Filmography
Film
1980s
1990s
2000s
Year | Title | Director(s) | Studio(s) | Notes |
---|---|---|---|---|
2000 | Erin Brockovich | Steven Soderbergh | Jersey Films Universal Pictures (US) Columbia Pictures (International) |
First collaboration with Steven Soderbergh Soundtrack released by Sony Classical |
Pay It Forward | Mimi Leder | Bel Air Entertainment Tapestry Films Pathé Warner Bros. |
Soundtrack released by Varèse Sarabande | |
2001 | In the Bedroom | Todd Field | Good Machine Miramax Films |
Soundtrack released by Varèse Sarabande |
2002 | The Salton Sea | D. J. Caruso | Castle Rock Entertainment Warner Bros. |
Soundtrack released by Varèse Sarabande |
Road to Perdition | Sam Mendes | The Zanuck Company DreamWorks Pictures (US) 20th Century Fox (International) |
Second collaboration with Sam Mendes Soundtrack released by Decca Records | |
White Oleander | Peter Kosminsky | Umbrella Entertainment Warner Bros. |
Soundtrack released by Varèse Sarabande | |
2003 | Finding Nemo | Andrew Stanton | Pixar Animation Studios Walt Disney Pictures |
First collaboration with Andrew Stanton, and Newman's first score for an animated film Soundtrack released by Walt Disney Records |
2004 | Lemony Snicket's A Series of Unfortunate Events | Brad Silberling | Nickelodeon Movies Paramount Pictures (US) DreamWorks Pictures (International) |
Soundtrack released by Sony Classical |
2005 | Cinderella Man | Ron Howard | Imagine Entertainment Miramax Films Universal Pictures (North America) Buena Vista Pictures (International) |
Second collaboration with Ron Howard Soundtrack released by Decca Records |
Jarhead | Sam Mendes | Universal Pictures | Third collaboration with Sam Mendes Soundtrack released by Decca Records | |
2006 | Little Children | Todd Field | New Line Cinema | Soundtrack released by Silva Screen Records |
The Good German | Steven Soderbergh | Virtual Studios Section Eight Productions Warner Bros. |
Second collaboration with Steven Soderbergh Soundtrack released by Varèse Sarabande | |
2007 | Towelhead | Alan Ball | Scott Rudin Productions This is that Corporation Warner Independent Pictures |
Soundtrack released by Lakeshore Records |
2008 | WALL-E | Andrew Stanton | Pixar Animation Studios Walt Disney Pictures |
Second collaboration with Andrew Stanton Soundtrack released by Walt Disney Records |
Revolutionary Road | Sam Mendes | BBC Films DreamWorks Pictures Paramount Vantage (US) United International Pictures (International) |
Fourth collaboration with Sam Mendes Soundtrack released by Nonesuch | |
2009 | Brothers | Jim Sheridan | Relativity Media Lionsgate |
Soundtrack released by Relativity Music Group |
2010s
Television
Year | Title | Director(s) | Notes |
---|---|---|---|
1985 | Amazing Stories | Various | Episode "Santa '85." Soundtrack released by Intrada |
1990 | Heat Wave | Kevin Hooks | |
1992 | Those Secrets | David Manson | Soundtrack released by Masters Film Music |
Citizen Cohn | Frank Pierson | ||
2001 | Six Feet Under | Various | Main title theme |
2003 | Angels in America | Mike Nichols | Soundtrack released by Nonesuch |
2012 | The Newsroom | Various | Main Theme and Pilot |
Additional soundtracks
- 2005: Brokeback Mountain (Trailer) (from The Shawshank Redemption)
- 2005: "Corpse Bride" (Trailer) (from Lemony Snicket's A Series of Unfortunate Events)
- 2005: Madagascar (from American Beauty)
- 2005: Fun with Dick and Jane (from Lemony Snicket's A Series of Unfortunate Events)
- 2007: Sicko (from Little Children, Lemony Snicket's A Series of Unfortunate Events and In the Bedroom)
- 2009: Bigfoot (Trailer) (from WALL-E)
- 2010: Alice in Wonderland (Teaser Trailer) (from Lemony Snicket's A Series of Unfortunate Events)
Newman has composed music for television as well, including theme music for the series Boston Public and the miniseries Angels in America. His theme music for the television show Six Feet Under won two Grammy Awards in 2003, for Best Instrumental Composition as well as Best Instrumental Arrangement. Newman also wrote a commissioned concert work for orchestra, Reach Forth Our Hands, for the 1996 Cleveland Bicentennial. The Los Angeles Philharmonic has commissioned a new work by Newman to be performed by the Kronos Quartet and Los Angeles Philharmonic, conducted by Leonard Slatkin, during the orchestra's 2009–2010 season.
He composed the incidental music for the Washington Shakespeare Theatre Company's 2014 production of As You Like It, directed by Michael Attenborough and starring Zoe Waites.[13]
Awards and nominations
As of 2016, Newman has received a total of thirteen Academy Award nominations, however he has yet to win the award, making him the most nominated living composer to have never won an Oscar, and behind Alex North, who received 14 unsuccessful nominations. Twelve of his nominations are in the Best Original Score category, while one is for Best Original Song.
His first major successes for which he was recognised, came in 1994, when he earned two Academy Award nominations for his scores to Little Women and The Shawshank Redemption; he was the only double-nominee that year, although he lost to Hans Zimmer for The Lion King.
He received his third Academy Award nomination in 1996 for the score to Diane Keaton's comedy Unstrung Heroes, but again lost, this time to Alan Menken for Pocahontas.
He has also received three Golden Globe nominations including one for Best Original Score for 1999's American Beauty and two for Best Original Song, as well as nine Grammy nominations and five wins.
American Film Institute
Newman's scores for American Beauty and The Shawshank Redemption were nominated for AFI's 100 Years of Film Scores.
References
- 1 2 3 "Richard Kirk Award: Thomas Newman Fulfills the Promise of His Legacy". bmi.com. Retrieved 2010-11-03.
- 1 2 Groves, Martha (December 3, 2009). "A member of a musical dynasty writes a postcard about the past". Los Angeles Times.
- ↑ "OnMusic Dictionary". Music.vt.edu. Retrieved 2014-05-15.
- ↑ "YaleNews | Yale Alumni Go to the Oscars". News.yale.edu. 2010-03-01. Retrieved 2014-05-15.
- 1 2 3 Wallace, Amy (March 22, 1998). "The Newman Conquests". Los Angeles Times.
- ↑ "When John Williams Can't Go, Whom Does Spielberg Call? Thomas Newman". NPR.org. 17 October 2015.
- ↑ "Oscar Watch: 'Skyfall' Builds Academy Support, Composer Thomas Newman Overdue for Oscar|Thompson on Hollywood". Blogs.indiewire.com. Retrieved 2014-05-15.
- ↑ Burlingame, Jon (January 20, 2000). "Spotlight: Thomas Newman". Variety. Retrieved 14 January 2013.
- ↑ Burlingame, Jon (December 16, 2011). "Newman: ‘Help,’ ‘Iron Lady’ exhibit contrasting styles". Variety. Retrieved March 2, 2014.
- ↑ "Thomas Newman to compose Skyfall score". MI6-HQ.com. 4 January 2012.
- ↑ "Thomas Newman to Return for ‘The Best Exotic Marigold Hotel 2’ - Film Music Reporter".
- ↑ Barcomb, James (June 6, 2014). "Thomas Newman to score Finding Dory". The Whale. Retrieved June 6, 2014.
- ↑ Marks, Peter (November 4, 2014). "Into the often drab woods with Shakespeare Theatre Company’s ‘As You Like It’". The Washington Post. Retrieved November 11, 2014.
External links
Preceded by David Arnold 1997-2008 |
James Bond film score composer 2012–present |
Succeeded by none |
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