Tony Rosenthal
"Bernard Rosenthal" redirects here. For the American historian (born 1934), see Bernard Rosenthal (scholar).
Tony Rosenthal | |
---|---|
Born |
Bernard Rosenthal August 9, 1914 Highland Park, Illinois |
Died |
July 28, 2009 94) Southampton, New York | (aged
Nationality | American |
Education | University of Michigan, Ann Arbor, Michigan |
Known for | American abstract sculptor. |
Movement | American abstract expressionism |
![](../I/m/Early_Morning_Alamo_by_David_Shankbone.jpg)
Bernard J. Rosenthal (August 9, 1914 - July 28, 2009),[1] also known as Tony Rosenthal, was an American abstract sculptor.
Biography
Tony Rosenthal was born August 9, 1914 in Highland Park, Illinois, a suburb of Chicago.[2][3]
Then, he studied:
- 1930-1932: attended evening and Saturday sculpture classes at The Art Institute of Chicago.;
- 1932-1936: attended University of Michigan, Ann Arbor, Michigan where he graduated with a B.A.;
- 1936: studied with Archipenko in Chicago;
- 1939: attended the Cranbrook Academy of Art, in Bloomfield Hills, Michigan where he studied with Carl Milles.
Military Service in World War II:
- 1942-1946: He served in the US Army; attended Corps of Engineers Officer Candidate School in Virginia. Later he became unit commander in England.
Teaching Positions:
- 1945: He taught at the American University for the education of GIs, Biarritz, France;
- 1953: He taught at the University of California, Los Angeles, CA
Monumental sculptures in public places
![](../I/m/House_of_the_Minotaur%2C_Tony_Rosenthal%2C_1980.jpg)
House of the Minotaur (1980) at Laumeier Sculpture Park
Rosenthal was best known for his large outdoor geometric abstract sculptures. His works in public places include:
- Nubian Slave, installed at the 1939 New York World's Fair
- Alamo, Astor Place, New York City, 1967. This "established him as a master of monumental public sculpture, and something of a standard bearer of the contemporary structurist esthetic."[4] He stated: "It is…important to me that the sculpture interact with the public."[5] A replica of the Alamo may be found in a plaza on the campus of the University of Michigan and is dubbed Endover.
- Marty's Cube, at the Florida International University in Miami, 1983
- Endover (replica of Alamo), at the University of Michigan in Ann Arbor, 1967
- Odyssey I, Open Air Museum of Sculpture, Antwerp, Belgium, 1967
- Kepaakala (Sun Disc), Bank of Hawaii, Honolulu, Hawaii, 1969
- Rondo, 59th Street off Park Avenue in New York City, 1969
- 5 IN 1, Municipal Building Path, lower Manhattan, New York City, 1971
- Big Six, 1975, The Chrysler Museum of Art, Norfolk, Virginia, 1975
- Hammarskjold, Fashion Institute of Technology in New York City, 1977
- House of the Minotaur, Laumeier Sculpture Park, St. Louis, 1980
- Pass-Thru, Hofstra University, 1988
- JS Bach Variation #9, Ravinia Park, Highland Park, 1990
- Indiana Totem, 1989, Circle, 1987, J.S. Bach Fugure, 1991, Indiana University Art Museum, Bloomington, Indiana[6]
Tony Rosenthal died in Southampton, New York on July 28, 2009. He is survived by his wife, Cynthia Dillon Rosenthal.
See also
- Harold Harby, Los Angeles City Council member who denounced Rosenthal's statuary for the Los Angeles Police Building
- Earle D. Baker (1888–1987), Los Angeles City Council member who introduced a resolution to remove the Los Angeles Police Building statuary
References
- ↑ Grimes, William, Tony Rosenthal, Sculptor of Public Art, Dies at 94, New York Times, July 31, 2009.
- ↑ Tony Rosenthal (New York, NY : Rizzoli, 2000.) ISBN 0-8478-2316-4 pp. 58-67
- ↑ American Abstract Expressionism of the 1950s An Illustrated Survey, (New York School Press, 2003.) ISBN 0-9677994-1-4. p.293
- ↑ Tony Rosenthal (New York, NY : Rizzoli, 2000.) ISBN 0-8478-2316-4 p.6
- ↑ American Abstract Expressionism of the 1950s An Illustrated Survey, (New York School Press, 2003.) ISBN 0-9677994-1-4. p.290
- ↑
- Hunter, Sam, Tony Rosenthal, Rizzoli International Publications, Incorporated, 2001, ISBN 0-8478-2316-4
- Wight, Frederick S., Bernard Rosenthal, New York: Catherine Viviano, 1958.
- Marika Herskovic, American Abstract Expressionism of the 1950s An Illustrated Survey, (New York School Press, 2003.) ISBN 0-9677994-1-4. pp. 290–293
- http://www.27east.com/story_detail.cfm?id=226187
- http://www.easthamptonstar.com/dnn/Archive/Home20090806/Obituaries/tabid/9613/Default.aspx
External links
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