Tracey Moberly

Tracey Moberly
Born Tracey Karen Wood
1964
Tredegar, South Wales, UK
Nationality Welsh, British
Education Newport School of Art (now the University of South Wales), Manchester Metropolitan University
Known for Activist Art
Notable work Text-Me-Up! Tweet-Me-Up
Website www.sanderswood.com

Tracey Moberly (born Tracey Karen Wood, Tredegar, South Wales, 1964; formerly married as Sanders-Wood) is an interdisciplinary artist, author and radio show host,[1] and was also a co-owner of the Foundry in London.[2] She exhibits prolifically and is best known for her work with mobile phone text messages around which her book Text Me Up! is based.[3] Moberly’s art is often described as socio-political.[4]

Overview

Tracey Moberly achieved a first-class honours degree in Art and Design from Newport College of Art (now the University of South Wales) (1985), and an MA in Art as Environment at Manchester Metropolitan University (1996), where she also lectured during the 1990s.[5] Since 2001 she has lived and worked in the East End of London.[3]

Moberly produces work in a broad range of media including brickwork, glass, thread and fabric. She has run workshops at the Natural History Museum on spinning and dyeing from natural dye stuffs such as vegetables.[5] Her work with spinning and dyeing lead to a collaboration with comedian Shazia Mirza on F*** Off, I'm a Hairy Woman, an hour long television documentary presented by Mirza in which the artist spun and made over 80 lingerie garment sets out of human hair.[6] The resulting catwalk show became the unofficial opening of London Fashion Week in Spring 2007.[7] Tracey has made poetry from bricks[8] and has made sculpted bricks that make up the structure of buildings. She also works in steel, iron & glass. A recently favoured artistic medium is intricate embroidery which she is using in a project titled Text-Me-Up-Sex-Drugs & Rock’n’Roll.[9]

Activist art

Tracey Moberly's artwork has been selected to profile a number of topical but difficult to approach activist campaigns. Whilst in some of these her work has been used indirectly to publicise issues,[10] in others she has used her work to fight directly on behalf of an issue, using art as activism. In the past the Club 18-30 Billboard ‘Beaver Espana & Summer of 69’ advertising campaign was successfully stopped as Moberly organised a graffiti campaign to add the safe sex slogans that she thought were missing from the advertisements.[11][12]

With comedian Mark Thomas, Moberly has set up McDemos,[13] a 'protest solutions company' for those whose modern lives are too busy to protest themselves. One of their first actions was to commission UHC Collective[14] for a mass cover-up of street advertising hoardings in Manchester.[15] McDemos has been closely involved in the campaign to abolish the British SOCPA law (Serious Organised Crime and Police Act 2005), turning protest into an art form inside the SOCPA zone around the Houses of Parliament. Moberly has organised workshops at Tate Britain on the theme of Art as Protest and she has lectured on the subject at Sheffield Hallam and Manchester Metropolitan Universities.

Coca-Cola's Nazi Adverts Exhibition

"Coca Cola GmbH (Germany) collaborated with the Nazis. The company advertised in Nazi papers financially assisting the regime. They opened up bottling plants in Sudetenland shortly after the Nazis had invaded. They exhibited at Nazi trade fairs. And in 1941 when Coca Cola GmbH could no longer get the syrup to make Coke from America they created a new drink out of the ingredients they had available to them. That drink created for the Nazi soft drink market was Fanta." (Coca Cola's Nazi Adverts - Art Exhibition 2004 press release)[16][17]

Tracey Moberly and Mark Thomas arranged an exhibition in which they extended an open invitation to artists to re-imagine how Coca-Cola's advertising in Nazi literature and at Nazi events would have looked (originals are hard to locate).[18] The resulting exhibition included hundreds of artworks and was first shown in the Foundry in June 2004. It has since travelled widely, being shown in Colombia, Ecuador, Mexico and Russia.[19] The Grocer reports that Coca-Cola disputes the facts presented in the exhibition [20] but the company has taken no action against Moberly and Thomas.[21]

Text Me Up!

Moberly has saved every text message she has been sent since her first in 1999 .[22] From this material she has produced a series of exhibitions and art interventions. The first, Text-Me-Up! was held in Manchester in 2000. This was followed by Text-Me-Up-Too! in The Foundry, London, December 2001, in which text messages received by her were printed out onto long scrolls, creating a temple-like installation. Text-Me-Up-3! (2001) and T4XT-M4-UP-MOR4... (2002) involved launching balloons to which were attached randomly selected text messages. Text-Me-Up-Five! included the participation of four other artists - Danny Pockets,[23] Jaime Rory Lucy, Dunstan Bruce and Moira Minguella. In this show Tracey meshes the new technology of SMS text messaging with the traditional craft of embroidery. The show opened at the Foundry in May 2006, then moved to the Nancy Victor Gallery in London and later to the Hastings Arts Forum.[24]

Her text message collection is the subject of a book by the artist, Text-Me-Up!, published June 2011.[3] The work is structured around three narratives - archived text messages from the past, current text message conversations, and an autobiographical text,[25] beginning and ending in Manchester and covering the last eleven years of Tracey’s life in London’s East End[26] .[27] The book describes her collaborative practice with notable figures from popular culture including Alabama 3, Banksy, Tony Benn,[28][29][30] Pete Doherty,[31][32] Bill Drummond,[33] Howard Marks, John SInclair, Gavin Turk and Martyn Ware.

Tweet Me Up!

On 27 August 2012, Moberly created a work at Tate Modern The Tanks based on proposal to artists that was sent out solely on social media sites such as a Facebook.[34] One of the themes was how being different can lead to abuse and violence. The event remembered the life and violent death of Sophie Lancaster who died (24 August 2007) after she and her boyfriend were attacked in 2007.[35]

Publications

By the artist

Containing work by the artist

See also

References

  1. ↑ Tracey Moberly hosted a live weekly radio show, "The Foundry Late Late Breakfast Show" on Resonance 104.4 fm from 2002 to 2010. Archived on the Foundry website.
  2. ↑ Britain's Legendary Landlords The Guardian 14 June 2009 (retrieved 20 June 2011)
  3. 1 2 3 'Text-Me-Up! (2011, Beautiful Books; ISBN 978-1-905636-82-2)
  4. ↑ Agit Disco
  5. 1 2 Artists in Britain since 1945 (2006, Art Dictionaries Ltd; ISBN 0-9532609-5-X)
  6. ↑ How I Learned to Love my Hairy Bits Shazia Mirza, The Guardian, Wednesday 14 February 2007
  7. ↑ Tracy Moberly's hairy models at LFW Daily Mail February 2007
  8. ↑ Tracey builds message to the world Manchester Evening News, 25 July 2001 also archived with images on sanderswood.com
  9. ↑ Text-Me-Up (2011)
  10. ↑ Silver Sniffers Dazed & confused November 2007, archived on Hepatitus C Trust website
  11. ↑ Graffiti war on £1/4M holiday 'sex' adverts Manchester Evening News, Friday, 20 January 1995
  12. ↑ Views clash on effect of 'sex' ads for holidays South Manchester Express Advertiser 2 February 1995
  13. ↑ Time Out takes the battle between comics and critics to the streets – with the help of Mark Thomas‘ McDemos Fri 7 December 2007 Time Out
  14. ↑ UHC are an art and design collective from Manchester, UK.
  15. ↑ Ads given the hoodie treatment Manchester Evening News, 5 May 2007
  16. ↑ Mark Thomas & Tracy Sanders-Wood (curators) (June 2004). "Coca Cola's Nazi Adverts - Art Exhibition". www.sanderswood.com. Retrieved 3 July 2011.
  17. ↑ See also Pendergast, For God, Country & Coca-Cola: The Definitive History of the Great American Soft Drink and the Company that Makes It Paperback, 576pp, Basic Books, March 2000 ISBN 0-465-05468-4
  18. ↑ Mark Thomas discovers Coca-Cola's Nazi Links New Statesman, 24 May 2004
  19. ↑ No laughing matter: comedian advertises Coca-Cola's 'Nazi' past The Independent, 26 May 2004
  20. ↑ Coke rejects Nazi slurs The Grocer ('the business of food and drink retailing') 26 May 2004
  21. ↑ For comprehensive references to this issue, see Coca-cola history: a "refreshing" look at german-american relations Jeff R. Schutts, Douglas College Thyssen-Heideking Fellow, 2006–2007, Ghi bulletin no. 40 (spring 2007) German Historical Institute, Washington DC
  22. ↑ The Joy of TXT Claire Rees interviews Tracey Moberly for the Western Mail 27 January 2010 (retrieved 20 June 2011)
  23. ↑ Danny Pockets website
  24. ↑ Text and Subtext The Independent, 7 March 2007 by Ciar Byrne (retrieved from sanderswood.com 20 June 2011)
  25. ↑ Tracey Moberly on her upcoming book Text Me Up! May 2010 interview with Russian journalist Alexey Kovalev on youtube.com
  26. ↑ Yr txt n2 art <3 Wired UK May 2011
  27. ↑ Text-Me-Up! Tracey Moberly Article for Dazed & Confused by William Oliver
  28. ↑ Benn's voice inspires artworks BBC News Wednesday, 25 May 2005, 05:44 GMT 06:44 UK
  29. ↑ Tony Benn is my muse The Guardian, 27 April 2005
  30. ↑ Tony Benn's voice inspires artist's work The Scotsman, 25 May 2005
  31. ↑ Doherty Text Inspires Embroidery BBC News 12 March 2007, (retrieved 20 June 2011)
  32. ↑ Writer's life story told in text messages BBC News 9 February 2010 (retrieved 20 June 2011)
  33. ↑ Death & Desire news clip (youtube) News item on Russian TV covering "DEATH & DESIRE" joint exhibition by Moberly and Drummond in Moscow's Mars Gallery, 2006
  34. ↑ Sanderswood.com entry
  35. ↑ Time Out
  36. ↑ "Agit Disco 23 - Tracey Moberly". Retrieved 3 July 2011.
  37. ↑ "Haiti Ghetto Biennale". Dazed Digital. Retrieved April 2010.
  38. ↑ "Coke Repeating" (PDF). Frontline Latin America (Colombia Solidarity Campaign) 2 (4): 11. 2006. Retrieved 3 July 2011.
  39. ↑ "New Zapatistas: On the Campaign Trail with Subcomandante Marcos". Dazed & Confused (archived). Retrieved July 2006.

External links

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