Tumburu
| Tumburu | |
|---|---|
|
The divine singer | |
| Devanagari | तुम्बुरु |
| Sanskrit transliteration | Tumburu |
| Affiliation | Gandharva |
| Consort | Rambha |
In Hindu mythology, Tumburu (Sanskrit: तुम्बुरु), also spelt Tumbaru (तुम्बरु) and Tumbara (तुम्बर) is the best among Gandharvas or celestial musician and is sometimes described as the best of singers. He is described to perform in the courts of gods Kubera and Indra as well as sing praises of god Vishnu. He leads the Gandharvas in their singing.
Birth and role
Tumburu is described the son of sage Kashyapa and his wife Pradha. Among the sons of Kashayapa, his four Gandharva sons Tumburu, Bahu, Haha and Huhu were renowned for their sweet and pleasant speech.[1]
Tumburu often described as the best among Gandharvas or celestial musicians.[1][2] A "mighty singer and musician", he sings in presence of gods.[3] Besides Narada and Gopa, he is regarded the king of songs.[2] Bhagavata Purana considers Narada to be the teacher of Tumburu.[4] The scripture mentions that Tumburu accompanied him on a visit to the court of Yudhishthira (See Mahabharata section). Narada and Tumburu are said to sing the glories of god Vishnu, the Unborn One.[4][5] Adbhuta Ramayana mentions that Tumburu was the best of all singers and was rewarded by god Vishnu. Narada, a devotee of Vishnu, became jealous of Tumburu. Vishnu tells Narada that Tumburu was dearer to him as he loved songs of praise, rather than austerities that were performed by Narada and sent Narada to an owl named Ganabandhu, to learn music. After learning from the owl, Narada sets to conquer Tumburu. When he reaches Tumburus's house, he sees Tumburu surrounded by wounded men and women, who he discovers are musical Ragas and Raginis, injured by his bad singing. Humiliated, Narada leaves and finally learns proper singing from god Krishna's wives.[6]
Tumburu is mentioned as the courtier of Indra - the god-king of heaven - as well as of Kubera, the god of riches. He is described as a follower of Kubera; his songs usually heard when passing Kubera's abode on Gandhamandana mountain.[1] Tumburu is described as the special friend of Kubera and leads the Gandharvas in music and singing, which is performed by Gandharvas and Kinnaras. Tumburu is described as a "lord of Gandharvas", along with other lords like Haha-Huhu, Parvata, Citraratha. Tumburu is sometimes mentioned as a Muni (sage), rather than a Gandharva.[2] Tumburu is also described to lead Gandharvas to watch the battles of men and goes to Mount Meru to worship with the divine sage Narada and other Gandharvas.[2]
Tumburu is also described as the preceptor of the apsara - divine dancer - Rambha. He is sometimes described as wedded to her. He only suffers a curse due to Rambha (See Ramayana section). Though thought to be as "the martial hero" of the Gandharvas, "yet one of the few yielding to love".[1][2] In another reference, he is described to have two daughters Manovati and Sukesha, called Pancacudas collectively and who ride the Sun's chariot in the months of Chaitra and Madhu (Vaisakha). Tumburu is said to preside over months Madhu and Madhava (Magha).[5]
In South India, Tumburu is often portrayed horse-faced. He holds the instrument vina that he plays as he sings. In another hand, he holds wooden cymbals, that he beats to maintain the rhythm. A South Indian legend records that Tumburu performed severe austerities and pleased god Shiva. Tumburu asked Shiva to grant him a horse-face, immortality, liberty to travel the universe, skill in music and singing and ability to reside with and serve Shiva. Shiva blessed him and granted the boons that he sought.[3]
In the Mahabharata
In the Hindu epic Mahabharata, Tumburu appears in many instances related with the Pandava brothers - the heroes of the epic. Tumburu once gifted Yudhishthira a hundred horses and also attended his Ashvamedha yagna ("horse-sacrifice"). He also stayed in Yudhishthira's court for some days.[1][2]
Tumburu also attended the birth celebrations of the middle Pandava, Arjuna and welcomed him in Svarga (heaven) when he came to meet his father, Indra. "A friend of Arjuna", Tumburu also keenly watched Arjuna's battle fought against the Kauravas - the villains of the epic and cousins of the Pandavas - on the side of Virata. Tumburu also granted Arjuna his Gandharva weapon.[1][2]
Tumburu also granted Shikhandi-an ally of the Pandavas- his war-horses.[2]
In the Ramayana: Viradha
The Ramayana mentions that Rama - the Avatar of god Vishnu and his brother Lakshmana encountered a demon called Viradha, while in exile in the forest. This demon was the cursed Tumburu. Tumburu once offended Kubera by not bringing Rambha before Kubera at the stipulated time. Enraged, Kubera cursed him to be born as a demon (Rakshasa). Kubera also decreed that Tumburu would be freed from the curse when Rama would slay him. Accordingly, Tumburu was born as Viradha, the son of giant Jaya and his wife Shatahrada. Viradha had two long arms and a fierce appearance. He rushed at Sita, Rama's wife and caught hold of her and starting running again. Rama and Lakshamana followed him, compelling him to set Sita down. Then, they sat on the demon's shoulders and chopped off his arms. As Viradha was still alive, the brothers decided to bury him alive. Viradha then told his story to Rama and acquired the form of Tumburu, liberated from the curse and returned to the home of the Gandharvas.[1]
Other legends
The Kathasaritsagara mentions that Tumburu's curse was responsible for the separation of the couple - king Pururavas and the apsara Urvashi. Pururavas was once visiting heaven, when Rambha was performing before her preceptor Tumburu. Pururavas insulted her by finding a fault in her dance. When Tumburu questioned Pururavas's knowledge of the divine dances of heaven, the king responded that his wife Uravashi had taught him more than what Tumburu knew about the subject. Agitated, Tumburu cursed the king that he would be separated from Urvashi till he performs penance to Vishnu. The Gandharvas then kidnapped Urvashi, resulting in the curse to come true.[1]
Notes
- 1 2 3 4 5 6 7 8 Mani, Vettam (1975). Puranic Encyclopaedia: A Comprehensive Dictionary With Special Reference to the Epic and Puranic Literature. Delhi: Motilal Banarsidass. pp. 798–9, 859. ISBN 0-8426-0822-2.
- 1 2 3 4 5 6 7 8 Hopkins pp. 153-56
- 1 2 Jeyaraj, Daniel (2005). Genealogy of the South Indian deities: An English Translation of Bartholomaeus Ziegenbalg's original German manuscript with a textual analysis and a glossary. RoutledgeCurzon. pp. 162–3. ISBN 0-415-34438-7.
- 1 2 Nijenhuis, Emmie te (1970). Dattilam: a compendium of ancient Indian music. Brill Archive. pp. 67–8.
- 1 2 Dikshitar, V. R. Ramachandra (1995). The Puraṇa index 3. Motilal Banarsidass Publishers. p. 29. ISBN 9788120812758.
- ↑ S. S. Shashi, ed. (1998). "The Adbhuta Ramayana: sargas VI - VII". Encyclopaedia Indica: India, Pakistan, Bangladesh. 21-35. Anmol Publications PVT. LTD. pp. 11–3. ISBN 81-7041-859-3.
References
- Hopkins, Edward Washburn (1915). Epic mythology. Strassburg K.J. Trübner.
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