University College Opera
The Bloomsbury Theatre University College Opera's main performance venue | |
Abbreviation | UCOpera |
---|---|
Formation | 1951 |
Type | Student opera company |
Location | |
Parent organization | University College London Union |
Affiliations |
UCL Union Symphony Orchestra UCL Union Symphony Chorus |
Website | ucopera.co.uk |
University College Opera, or UCOpera, is the student opera company of University College London.The operas are staged by professional singers, directors and designers, with the orchestra and chorus drawn from the student body.[1] Founded in 1951, UCOpera is known for its productions of rarely performed operas, including 3 world premières, and 17 British premières. On 10 March 2008 UCOpera staged the UK premiere of Édouard Lalo's Fiesque, at the Bloomsbury Theatre.[2] 2009 saw another British première, Ernest Bloch's Macbeth.[3]
History
The brainchild of the conductor Anthony Addison, (UCL's then Director of Music), University College Opera gave its first performance in 1951 with an all-student production of Purcell's Dido and Aeneas, followed by Mozart's Bastien und Bastienne. Even in its earliest years, the company's annual repertoire concentrated on rarely performed operas including: Nicolai's The Merry Wives of Windsor (1952), Bizet's Don Procopio (1955) and Lortzing's Der Wildschütz (1958). In 1961, the company staged its first UK premiere, Moniuszko's Halka.
During its first 17 years, UCOpera's performances took place in the old gymnasium at University College. With the opening of the college's Bloomsbury Theatre in 1968, the company finally acquired a suitable venue for its productions. Under the directorship of George Badacsonyi who served from 1963 to 1976, UCOpera increasingly employed professional opera singers (often in the early stages of their careers) to sing the solo roles, with students making up the chorus and orchestra. Amongst the professional singers who have appeared with the company are Felicity Lott (who is now the patron of Friends of UCOpera), Robert Lloyd, Jonathan Summers, and Julian Gavin. The company's productions also became more ambitious with a series of UK and world premieres including: Wagner's Das Liebesverbot (1965); Haydn's Die Feuersbrunst (1966); Erkel's Bánk bán (1968); and Verdi's Alzira (1970).
A highlight for the company under the directorship of David Drummond (who served from 1992 to 2001) was UCOpera's world premiere staging of César Franck's Hulda in its complete form. The 1994 production used a score which Drummond restored from the composer's original manuscript.[4] Drummond's last performance as the company's Director coincided with its 50th anniversary, the 2001 UK premiere of Aulis Sallinen's Kullervo.[5]
Under the directorship of Charles Peebles UCOpera has produced British premieres of Hahn's Ciboulette, Dvorak's Vanda and Lalo's Fiesque. In 2012 UCOpera produced the first staging of Rameau's Acante et Céphise since the 18th century.
Productions 2001 to 2016
Year | Production [6] | Composer | Conductor | Director |
---|---|---|---|---|
2016 | La favorite [7] | Gaetano Donizetti | Charles Peebles | John Ramster |
2015 | Amadis de Gaule [8][9][10] | Johann Christian Bach | Charles Peebles | Jack Furness |
2014 | The Snowmaiden | Rimsky-Korsakov | Charles Peebles | Christopher Cowell |
2013 | I Lombardi | Verdi | Charles Peebles | Jamie Hayes |
2012 | Acante et Céphise* | Rameau | Charles Peebles | Christopher Cowell |
2011 | The Three Pintos (Die Drei Pintos) | Weber/Mahler | Charles Peebles | John Ramster |
2010 | Genoveva | Schumann | Charles Peebles | Emma Rivlin |
2009 | Macbeth* | Bloch | Charles Peebles | John Ramster |
2008 | Fiesque* | Lalo | Charles Peebles | Emma Rivlin |
2007 | Camacho's Wedding | Mendelssohn | Charles Peebles | Duncan Macfarland |
2006 | Alfonso und Estrella | Schubert | Charles Peebles | Stephen Barlow |
2005 | Whittington | Offenbach | Charles Peebles | Jamie Hayes |
2004 | Vanda* | Dvořák | Charles Peebles | Matthias Janser |
2003 | Ciboulette* | Hahn | Charles Peebles | Daniele Guerra |
2002 | Benvenuto Cellini | Berlioz | Charles Peebles | Jamie Hayes |
2001 | Kullervo* | Sallinen | David Drummond | Paul Curran |
(* denotes British premières)
References
- Notes
- ↑ Maycock (24 March 1995)
- ↑ Hall (12 March 2008)
- ↑ Elleson (March 2009)
- ↑ Maycock (24 March 1994)
- ↑ Kimberley (March 29, 2001)
- ↑ Full list of UCOpera previous productions
- ↑ The Telegraph
- ↑ Fringe Opera - Online guide to opera in alternative venues
- ↑ Operabase listing
- ↑ London Evening Standard - What's on
- Sources
- Christiansen, Rupert, "South Seas romp for desert island Dick" (review of Offenbach's Whittington), The Daily Telegraph, March 26, 2005. Retrieved 8 March 2008.
- Elleson, Ruth, "Bloch's Macbeth" (review), Opera Today, 30 Mar 2009.
- Hall, George "Fiesque" (review), The Guardian, 12 March 2008. Retrieved 13 March 2008.
- Kimberley, Nick, "Epic on a human scale" (review of Sallinen's Kullervo), The Independent, March 29, 2001. Retrieved 8 March 2008.
- Maycock, Robert, "Out of the top drawer" (review of Franck's Hulda), The Independent, 24 March 1994
- Maycock, Robert, "Classical Music", The Independent, 24 March 1995
- University College Opera, Company history (official website)
External links
- University College Opera official website
- The Bloomsbury Theatre, the main venue for UCOpera performances
- UCOpera Photo Gallery