Uzo Egonu

Uzo Egonu (25 December 1931–14 August 1996) was a Nigerian-born artist who settled in Britain in the 1940s,[1] only once returning to his homeland for two days in the 1970s,[2] although he remained concerned with African political struggles.[3] According to Rasheed Araeen, Egonu was "perhaps the first person from Africa, Asia or the Caribbean to come to Britain after the War with the sole intention of becoming an artist."[4]

Biography

Born in Onitsha,[1] Nigeria, Egonu was in his early teens when in 1945 he first travelled to England.[2] Having already begun to draw while attending Sacred Heart College, Calabar[5] before leaving for the UK, he eventually studied Fine Arts and Typography at Camberwell School of Arts and Crafts, London,[1][3] from 1949 to 1952,[6] and went on to participate in a number of exhibitions.[2]

In 1977, he was among the Black artists and photographers whose work represented the UK at the Second World Festival of Black Arts and African Culture (Festac '77) in Lagos, Nigeria (the others being Winston Branch, Ronald Moody, Mercian Carrena, Armet Francis, Emmanuel Taiwo Jegede, Neil Kenlock, Donald Locke, Cyprian Mandala, Ossie Murray, Sue Smock, Lance Watson and Aubrey Williams).[7][8] Egonu was also included in two major 20th-century exhibitions featuring Black British artists: in 1989 the landmark show at London's Hayward Gallery, The Other Story, and seven years later Transforming the Crown, curated by the Caribbean Cultural Center in New York. He was a member of the Rainbow Art Group, an initiative set up in 1978, which mounted several exhibitions.[9]

In later years he suffered two heart attacks and deteriorating eyesight, and on 14 August 1996 he died in London.[10]

Style and legacy

The subject of a study by Olu Oguibe entitled Uzo Egonu: An African Artist in the West (1995), Egonu has also often been described as "perhaps Africa’s greatest modern painter".[6][11] Eddie Chambers has commented on Egonu's "remarkable ability to render landscapes and cityscapes as compelling and fascinating geometrical configurations, each very different in its representational aspects."[12] His work features in the 2015 exhibition No Colour Bar: Black British Art in Action 1960–1990 at the Guildhall Art Gallery, City of London.[13]

Selected exhibitions

Solo
Group

References

  1. 1 2 3 "Uzo Egonu", Diaspora Artists.
  2. 1 2 3 Ulrich Clewing, "Three hues for Piccadilly Circus", Culturebase.net, 22 June 2003.
  3. 1 2 "Uzo Egonu, Artist", InIVA.
  4. ↑ Rasheed Araeen, "Recovering Cultural Metaphors", The Other Story catalogue, 1989, p. 86.
  5. ↑ Rasheed Araeen, "Uzo Egonu 1931–1996", Third Text, Volume 10, Issue 36, 1996, pp. 105–106. DOI:10.1080/09528829608576634.
  6. 1 2 " The Creative Case for Diversity in Britain > Further reading on the Artists", Third Text: Critical Perspectives on Contemporary Art and Culture.
  7. ↑ "Festac (Second Festival of Black Arts and Culture)", Tate.
  8. ↑ Eddie Chambers, Black Artists in British Art: A History Since the 1950s, I.B. Tauris, 2014, pp. 42–43, 58.
  9. ↑ "Rainbow Art Group", Diaspora Artists.
  10. ↑ "Monographs on African Artists| Egonu, Uzo, 1931-1996", Smithsonian Libraries.
  11. ↑ "EGONU, Uzo - Artist Profile (1931 – 1996)", Grosvenor Gallery.
  12. ↑ Chambers (2014), p. 60.
  13. ↑ FHALMA (Friends of the Huntley Archives) at London Metropolitan Archives, "The Artists' Profiles", Huntleys Online.
  14. ↑ "Uzo Egonu: Past and Present in the Diaspora", InIVA.
  15. ↑ Chambers (2014), pp. 6, 8.
  16. ↑ Holland Cotter, "ART REVIEW; This Realm of Newcomers, This England", The New York Times, 24 October 1997.
  17. ↑ Chambers (2014), p. 49.

Further reading

External links

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